The greatest story ever told
Author | : Fulton Oursler |
Publisher | : |
Total Pages | : 299 |
Release | : 1963 |
Genre | : |
ISBN | : |
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Author | : Fulton Oursler |
Publisher | : |
Total Pages | : 299 |
Release | : 1963 |
Genre | : |
ISBN | : |
Author | : Lawrence M. Krauss |
Publisher | : Simon and Schuster |
Total Pages | : 336 |
Release | : 2017-03-21 |
Genre | : Mathematics |
ISBN | : 1476777616 |
An award-winning theoretical physicist and best-selling author of A Universe from Nothing traces the dramatic discovery of the counterintuitive world of reality, explaining how readers can shift their perspectives to gain greater understandings of our individual roles in the universe. --Publisher.
Author | : Megan Mullally |
Publisher | : Penguin |
Total Pages | : 290 |
Release | : 2018-10-02 |
Genre | : Biography & Autobiography |
ISBN | : 1101986670 |
*A New York Times Bestseller* Megan Mullally and Nick Offerman reveal the full story behind their epic romance—presented in a series of intimate conversations between the couple, including photos, anecdotes, and the occasional puzzle. The year: 2000. The setting: Los Angeles. A gorgeous virtuoso of an actress agreed to star in a random play, and a basement-dwelling scenic carpenter said he would assay a supporting role in the selfsame pageant. At the first rehearsal she surveyed her fellow cast members, determining if any of the men might qualify to provide her with a satisfying fling. Her gaze fell upon the carpenter, and like a bolt of lightning the thought struck her: no dice. Moving on. Yet, unbeknownst to our protagonists, Cupid had merely set down his bow and picked up a rocket launcher...that fired a love rocket (not a euphemism). The players were Megan Mullally and Nick Offerman, and the resulting romance, once ignited, was...epic. Beyond epic. It resulted in a coupling that has endured to this day; a sizzling, perpetual tryst that has captivated the world with its kindness, athleticism, astonishingly low-brow humor, and true (fire emoji) passion. How did they do it? They came from completely different families, ignored a significant age difference, and were separated by the gulf of several social strata. Megan loved books and art history; Nick loved hammers. But much more than these seemingly unsurpassable obstacles were the values they held in common: respect, decency, the ability to mention genitalia in almost any context, and an abiding obsession with the songs of Tom Waits. Eighteen years later, they're still very much in love and have finally decided to reveal the philosophical mountains they have conquered, the lessons they've learned, and the myriad jigsaw puzzles they've completed. Presented as an oral history in a series of conversations between the couple, the book features anecdotes, hijinks, photos, and a veritable grab bag of tomfoolery. This is not only the intoxicating book that Mullally's and Offerman's fans have been waiting for, it might just hold the solution to the greatest threat facing our modern world: the single life.
Author | : Gaitley E. Michael |
Publisher | : |
Total Pages | : 0 |
Release | : 2015-02-28 |
Genre | : Religion |
ISBN | : 9781596143166 |
"Includes exclusive, "Making of Divine Mercy in the Second Greatest Story.""
Author | : Leonard I. Sweet |
Publisher | : Abingdon Press |
Total Pages | : 159 |
Release | : 2012 |
Genre | : Religion |
ISBN | : 1426740328 |
God raises up Methodists for such a time as this. Here is a ditty Len Sweet's Methodist grandfather used to sing: A Methodist, a Methodist will I be A Methodist will I die. I've been baptized in the Methodist way And I'll live on the Methodist side. What "genius" of Methodism inspired this kind of love and loyalty in the earlier years of the faith? What did it mean to live in "the Methodist way" and to die on "the Methodist side?" Perhaps it is time to resurrect a neo-Wesleyan identity and to challenge the prevailing "one-calorie Methodism" that characterizes so much of our tribe today. What makes a Methodist? How can we re-ignite the spark of genius that motivated such commitment in our cloud of witnesses? The essence of Methodism's genius resides in two famous Wesleyan mantras: "heart strangely warmed" (inward experiences with a fire in the heart) and "the world is our parish" (outward experiences with waterfalls of cutting-edge intelligence). For Wesley, internal combustion, the former, led to external combustion, the latter. In the 18th century, Methodists in general (and in their younger years, the Wesley brothers themselves) were accused of being too "sexy." What else could all those "love feasts" and "strangely warmed hearts" be about? Why else were all those women in positions of leadership? With this book the author hopes to bring back to life some of Methodism's sexiness so that our current reproduction crisis can be reversed.
Author | : Frank Rich |
Publisher | : |
Total Pages | : |
Release | : 2006 |
Genre | : Deception |
ISBN | : 9781429523509 |
Reveals the spin campaign of the Bush administration that the author contends enabled the support of a war against a non-September 11 enemy, furthered conservative agendas, and consolidated presidential power.
Author | : |
Publisher | : JoshWBTest |
Total Pages | : |
Release | : |
Genre | : Antiques & Collectibles |
ISBN | : |
This is the greatest book ever written www.google.com
Author | : Gorman Bechard |
Publisher | : Carol Publishing Corporation |
Total Pages | : 291 |
Release | : 1991 |
Genre | : Fiction |
ISBN | : 9780806512631 |
Born in 1970 in Cooperstown, New York, Ilona Ann Coggswater reveals herself to be God's daughter in 1988, and sets out to spread her Father's message to the people of the late twentieth century, in a humorous story of the Second Coming
Author | : Brant Pitre |
Publisher | : Image |
Total Pages | : 226 |
Release | : 2018-02-13 |
Genre | : Religion |
ISBN | : 0770435475 |
The bestselling follow-up to Jesus and the Jewish Roots of the Eucharist. Includes a reader's guide and an excerpt from Pitre's The Case for Jesus. In Jesus the Bridegroom, Brant Pitre once again taps into the wells of Jewish Scripture and tradition, and unlocks the secrets of what is arguably the most well-known symbol of the Christian faith: the cross of Christ. In this thrilling exploration, Pitre shows how the suffering and death of Jesus was far more than a tragic Roman execution. Instead, the Passion of Christ was the fulfillment of ancient Jewish prophecies of a wedding, when the God of the universe would wed himself to humankind in an everlasting nuptial covenant. To be sure, most Christians are familiar with the apostle Paul’s teaching that Christ is the ‘Bridegroom’ and the Church is the ‘Bride’. But what does this really mean? And what would ever possess Paul to compare the death of Christ to the love of a husband for his wife? If you would have been at the Crucifixion, with Jesus hanging there dying, is that how you would have described it? How could a first-century Jew like Paul, who knew how brutal Roman crucifixions were, have ever compared the execution of Jesus to a wedding? And why does he refer to this as the “great mystery” (Ephesians 5:32)? As Pitre shows, the key to unlocking this mystery can be found by going back to Jewish Scripture and tradition and seeing the entire history of salvation, from Mount Sinai to Mount Calvary, as a divine love story between Creator and creature, between God and Israel, between Christ and his bride—a story that comes to its climax on the wood of a Roman cross. In the pages of Jesus the Bridegroom, dozens of familiar passages in the Bible—the Exodus, the Song of Songs, the Wedding at Cana, the Woman at the Well, the Last Supper, the Crucifixion, and even the Second Coming at the End of Time—are suddenly transformed before our eyes. Indeed, when seen in the light of Jewish Scripture and tradition, the life of Christ is nothing less than the greatest love story ever told.
Author | : Paul Rudnick |
Publisher | : Dramatists Play Service Inc |
Total Pages | : 108 |
Release | : 1999 |
Genre | : Drama |
ISBN | : 9780822217206 |
THE STORY: A stage manager, headset and prompt book at hand, brings the house lights to half, then dark, and cues the creation of the world. Throughout the play, she's in control of everything. In other words, she's either God, or she thinks she is