The Gods are Not to Blame

The Gods are Not to Blame
Author: Ola Rotimi
Publisher:
Total Pages: 72
Release: 2015
Genre: Nigeria
ISBN: 9789780306441

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The Gods Are Not To Blame

The Gods Are Not To Blame
Author: Ola Rotimi
Publisher:
Total Pages: 0
Release: 2000
Genre:
ISBN:

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Is God to Blame?

Is God to Blame?
Author: Gregory A. Boyd
Publisher: InterVarsity Press
Total Pages: 220
Release: 2003-09-09
Genre: Religion
ISBN: 9780830823949

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Wrestling with the question, Is God to blame?, Gregory A. Boyd offers a hopeful picture of a sovereign God who is relentlessly opposed to evil, who knows our sufferings and who can be trusted to bring us through them to renewed life.

The Gods are Not to Blame

The Gods are Not to Blame
Author: Ola Rotimi
Publisher:
Total Pages: 88
Release: 1985
Genre: Drama
ISBN:

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An adaptation of the Greek classic Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land.

God Is Not Great

God Is Not Great
Author: Christopher Hitchens
Publisher: McClelland & Stewart
Total Pages: 322
Release: 2008-11-19
Genre: Philosophy
ISBN: 1551991764

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Christopher Hitchens, described in the London Observer as “one of the most prolific, as well as brilliant, journalists of our time” takes on his biggest subject yet–the increasingly dangerous role of religion in the world. In the tradition of Bertrand Russell’s Why I Am Not a Christian and Sam Harris’s recent bestseller, The End Of Faith, Christopher Hitchens makes the ultimate case against religion. With a close and erudite reading of the major religious texts, he documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos. With eloquent clarity, Hitchens frames the argument for a more secular life based on science and reason, in which hell is replaced by the Hubble Telescope’s awesome view of the universe, and Moses and the burning bush give way to the beauty and symmetry of the double helix.

Portraiture of the Nigerian Conundrum in Ola Rotimi’s "The Gods are not to Blame"

Portraiture of the Nigerian Conundrum in Ola Rotimi’s
Author: Akwu Sunday Victor
Publisher: GRIN Verlag
Total Pages: 19
Release: 2014-08-12
Genre: History
ISBN: 3656717192

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Academic Paper from the year 2014 in the subject African Studies - Literature, , language: English, abstract: This paper attempts reading Ola Rotimi’s "The Gods are not to blame" against the backdrop of the Nigerian dilemma in the contemporary times. The play first performed in the year 1968, in the heat of the Nigerian civil war is still relevant today. Many scholars viewed the work as a transplantation of Sophocle’s Oedipus Rex and underplay its powerful political message to the nascent Nigerian political class then and now. The paper examined the role of Odewale in the shaping of the Destiny of his society and how albeit with stint of tyranny champions the welfare of the state, taking blames for the decadence and the breakdown of law and cosmic order when found culpable. On the other hand, the contemporary Nigerian leaders are antithetical of Odewale, blame-games and outright refusal to be accountable, or step-down when found wanting; misappropriation, mismanagement of state and human resources are institutionalized on local and national scale. The paper above all, adumbrated some of the conundrums of Nigeria and proffered a number of useful ways by which the Odewale examples could be integrated into the Nigerian political morality, and the pitfalls to be avoided in a bid to move ahead into the state dreamt of on the 1st of October, 1960.

God Is Not Mad at You

God Is Not Mad at You
Author: Joyce Meyer
Publisher: FaithWords
Total Pages: 166
Release: 2013-09-03
Genre: Religion
ISBN: 1455517461

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When bestselling author Joyce Meyer posted "God's not mad at you" on Facebook, she didn't anticipate that her words would trigger thousands of responses of gratitude and relief. Apparently many Christians struggle to reconcile their perception of God as both a loving parent and a stern judge. In GOD IS NOT MAD AT YOU, Joyce will help those who haven't truly received God's love because they are afraid of His anger and disapproval. She explores the source of this confusion, so His genuine character can be better understood and His love can be experienced on an entirely new level. Chapter titles include: * Perfectionism and Approval * The Pain of Rejection * Guilt and Shame * Developing Your Potential * Run to God, Not from Him * Getting Comfortable with God "It is important for us to remember that God's anger is directed toward our sinful behavior rather than toward us. If you feel guilty right now and are afraid that God is mad at you, then you are miserable. But your misery can be immediately changed to peace and joy by simply believing God's Word. Believe that God loves you and that He is ready to show you mercy and forgive you completely. Believe that God has a good plan for your life. Believe that God is not mad at you!" --Joyce Meyer

Game of the Gods

Game of the Gods
Author: Jay Schiffman
Publisher: Tor Books
Total Pages: 336
Release: 2018-07-10
Genre: Fiction
ISBN: 0765389541

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"A Tom Doherty Associates Book" -- Title page.

Brand New Ancients

Brand New Ancients
Author: Kae Tempest
Publisher: Bloomsbury Publishing USA
Total Pages: 64
Release: 2015-03-10
Genre: Poetry
ISBN: 1632862085

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With this dazzling modern myth in verse, Kae Tempest became the youngest winner of the prestigious Ted Hughes Award for New Work in Poetry. Yes, the gods are on the park bench, the gods are on the bus, / The gods are all here, the gods are in us. / The gods are timeless, fearless, fighting to be bold, / conviction is a heavy hand to hold, / grip it, winged sandals tearing up the pavement -- / you, me, everyone: Brand New Ancients. Kae Tempest's words in Brand New Ancients are written to be read aloud; the book combines poem, rap, and humanist sermon, by turns tender and fierce. Set in Southeast London, Brand New Ancients finds the mythic in the mundane. It is the story of two half-brothers, Thomas and Clive, unknown to each other -- Thomas the result of an affair between his mother and Clive's father. Tempest, with wide-ranging empathy, takes us inside the passionless marriage of Jane and Kevin -- the man who suspects Thomas is not his son, but loves him just the same -- and the neighboring home of Mary and Brian, where betrayal has not been so placidly accepted. The sons of these two households -- quiet, creative Thomas and angry, destructive Clive -- will cross paths in adolescence, their fates converging with mortal fury. These characters' loves, their infidelities, their disappointments and their small comforts -- these, Tempest argues, are timeless. Our lives and our choices are no less important than those of history and myth. Awarded the Ted Hughes Award for New Work in Poetry, Brand New Ancients insists on our importance as individuals -- and asserts Kae Tempest's importance as a talent impossible to ignore.

Style in African Literature

Style in African Literature
Author: J. K. S. Makokha
Publisher: Brill Rodopi
Total Pages: 444
Release: 2012
Genre: History
ISBN: 9789042034761

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Postcolonial and contemporary African literatures have always been marked by an acute sensitivity to the politics of language, an attentiveness inscribed in the linguistic fabric of their own modes of expression. It is curious however, that despite the prevalence of a much-touted 'linguistic turn' in twentieth century theory and cultural production, language has frequently been neglected by literary studies in general. Even more curiously, postcolonial literary studies, an erstwhile emergent and now established discipline which has from the outset contained important elements of linguistic critique, has eschewed any sustained engagement with this topic. This absence is salient in the study of African literatures, despite, for instance, the prominence of orature in the African literary tradition right up to the present day, and sporadic meditations on the part of such luminaries as Achebe and Ngũgĩ. Beyond this, however, there has been little scholarly work attuned to the multifarious aspects of language and linguistic politics in the study of African literature. The present volume aims to rectify such lacunae by making a substantial interdisciplinary and transcultural contribution to the gradual reinstatement of the 'linguistic turn' in African literary studies. The volume focuses variously on postcolonial and transcultural African literatures, areas of literary production where the confluence of several languages, whether indigenous and (post)colonial in the first case, and local and global in the second case, appears to be a central and decisive factor in the formation and transformation of the continent and its peoples' cultural identities.