The Genres of Slave Narratives and Neo-Slave Narratives. Development, Characteristics and Functions

The Genres of Slave Narratives and Neo-Slave Narratives. Development, Characteristics and Functions
Author: Jana Olejniczak
Publisher: GRIN Verlag
Total Pages: 23
Release: 2021-07-30
Genre: Literary Criticism
ISBN: 3346453480

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Seminar paper from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Wuppertal, course: Black British Neo-Slave Narratives, language: English, abstract: This paper focuses on the importance of remembering the slave trade in all his cruel facets. Therefore, the genre of the original slave narrative and the genre of the neo-slave narrative is introduced. The second part of the paper provides an analysis of the novel 'Blonde Roots', by Bernardine Evaristo (2009). The colonial era and the legacy of slavery left a serious mark on the whole world; Especially present-day Great Britain has to face the consequences of its role in colonialism ever since. Between 1500 and 1900, nearly 12 million African slaves were brought from their homeland to America and to Europe. Via the Transatlantic Slave Trade, British ships sent rare cargoes, like rum, cotton wool and gunpowder to Africa, in exchange for potential slaves. When the slave ships arrived in the 'New World'2, African slaves were forced brutally to harvest coffee, sugar and tobacco on plantations. Eventually, the British ships, filled with the plantation yield, settled to their home ports in Europe.

Neo-slave Narratives

Neo-slave Narratives
Author: Ashraf H. A. Rushdy
Publisher: Oxford University Press, USA
Total Pages: 297
Release: 1999
Genre: African Americans
ISBN: 0195125339

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After discerning the social and historical factors surrounding its first appearance in the 1960s, Neo-Slave Narratives explores the complex relationship between nostalgia and critique, while asking how African American intellectuals at different points between 1976 and 1990 remember and use the site of slavery to represent cultural debates that arose during the sixties."--BOOK JACKET.

Gale Researcher Guide for: The Genre of Slave Narratives

Gale Researcher Guide for: The Genre of Slave Narratives
Author: Reshmi J. Hebbar
Publisher: Gale, Cengage Learning
Total Pages: 8
Release:
Genre: Study Aids
ISBN: 1535848715

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Gale Researcher Guide for: The Genre of Slave Narratives is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

Differences and Similarities to the Slave Narrative in Sapphire’s "Push"

Differences and Similarities to the Slave Narrative in Sapphire’s
Author: Daria Poklad
Publisher: GRIN Verlag
Total Pages: 21
Release: 2016-01-18
Genre: Literary Criticism
ISBN: 366812745X

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Seminar paper from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ruhr-University of Bochum, course: African American Novel, language: English, abstract: The research question of this essay is, to what extend can features of a slave narrative be incorporated into a contemporary novel as "Push" and which features have to be altered in order to reflect specific cultural realities. Sapphire’s first novel (1996) is told in the African American vernacular voice of obese and illiterate 16-year-old Claireece Precious Jones who lives with her abusive mother in Harlem. The novel begins with Precious being pregnant with her second child by her father, who has been repeatedly raping her since childhood. After being expelled from high school due to her pregnancy, she is placed in an alternative school program where she learns to read and write with a group of other young women. As she becomes literate, her life begins to change. Of the several essays written on "Push" most authors have focused on topics such as race and social class, food consumption and obesity, disability and the female body, rape, incest and trauma as well as on the topic of transformation. Only Riché Richardson has established a relationship between "Push" and the slave narrative in his essay “Close Up: Push, Precious, and New Narratives of Slavery in Harlem” by showing recurring slave narrative motifs including “Precious’ detachment from her mother and father, her sexual and physical abuse, and her quest for literary and freedom” (163). In this essay, I will go a step further and not only focus on the similarities between "Push" and the slave narrative, but also discuss which impact the differences such as the replacement of the antebellum South into an urban setting and the replacement of slave holders into abusive and exploiting parents have on the narrative. I will begin the essay with a contextual chapter on the genre of slave narrative and its defining features. Then, I will focus on Sapphire’s "Push" and illustrate the differences to a slave narrative focusing on the urban setting of Harlem and the parents as tormentors. In a next step, I will discuss the similarities between "Push" and the slave narrative focusing on the themes of abuse and exploitation, as well as literacy, transformation and finally on escaping and being a free member of society.

Neo-slave Narratives

Neo-slave Narratives
Author: Ashraf H. A. Rushdy
Publisher: Oxford University Press
Total Pages: 302
Release: 1999-11-04
Genre: Literary Criticism
ISBN: 0198029004

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NeoSlave Narratives is a study in the political, social, and cultural content of a given literary form--the novel of slavery cast as a first-person slave narrative. After discerning the social and historical factors surrounding the first appearance of that literary form in the 1960s, NeoSlave Narratives explores the complex relationship between nostalgia and critique, while asking how African American intellectuals at different points between 1976 and 1990 remember and use the site of slavery to represent the crucial cultural debates that arose during the sixties.

Reaching Into the Present, Growing Out of the Past

Reaching Into the Present, Growing Out of the Past
Author: Andrew Joseph Russell
Publisher:
Total Pages: 0
Release: 2023
Genre: Racism
ISBN:

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My thesis, "Reaching into the present, growing into the past: The neo-slave narrative's innovation on historical slave narratives and contemporary black consciousness," approaches the neo-slave narrative genre as an innovative genre that both reinterprets the historical record to create a long history of slavery and show how the socioeconomic issues that slavery perpetuate through time and affect individuals in the contemporary moment. To accomplish this task, I have deployed an aesthetic study of the neo-slave narrative and how those aesthetics are in conversation with the historical record. After establishing common aesthetic features in the neo-slave narrative, I then shift my study to show how a neo-slave narrative can use its literary features to dismantle and deconstruct power structures in the contemporary era by focusing on the comedic slave narrative. While the comedic slave narratives use humor across their text, the use of comedy is more interrogative in nature and gives its protagonists observational powers that are a critical feature in comedies to criticize and question extant power structures. The comedic slave narrative is reliant on postcolonial and Marxist theories, and the thesis makes use of Althusser's theories on interpellation and Fanon's establishment of internalized racism to understand the forces that continue to colonize the black political consciousness in post-slavery life. However, comedy as an interrogative tool dismantles these structures to show how individuals can resist and grow in a social structure that is hostile to black independence.

A Companion to American Literature

A Companion to American Literature
Author: Susan Belasco
Publisher: John Wiley & Sons
Total Pages: 1864
Release: 2020-04-03
Genre: Literary Criticism
ISBN: 1119653355

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A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.

The Cambridge Companion to the African American Slave Narrative

The Cambridge Companion to the African American Slave Narrative
Author: Audrey Fisch
Publisher: Cambridge University Press
Total Pages: 230
Release: 2007-05-31
Genre: Literary Criticism
ISBN: 1139827596

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The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field.

The connection of slavery and gender depicted by literary devices in Harriet A. Jacobs' "Incidents in the life of a slave girl". Comparison to Frederick Douglass's "Narrative of the life of Frederick Douglass"

The connection of slavery and gender depicted by literary devices in Harriet A. Jacobs'
Author: Anna Schmiedehausen
Publisher: GRIN Verlag
Total Pages: 18
Release: 2024-06-18
Genre: Literary Collections
ISBN: 338903689X

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Seminar paper from the year 2023 in the subject American Studies - Literature, grade: 2,7, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: The paper analyzes the connection of slavery and gender depicted by literary devices in Harriet A. Jacobs’ "Incidents in the life of a slave girl" compared to Frederick Douglass’s "Narrative of the life of Frederick Douglass". This paper is going to examine a few examples of the language and literary devices in these narratives and how they function. In the first section of the paper the focus is on the literary depiction of slavery and gender in "Incidents in the life of a slave girl". In the second part the portrayal of these two characteristics is examined in "Narrative in the life of Frederick Douglass". In the third chapter, the attributes already mentioned are compared to each other. Finally, a conclusion follows. The literature used contains these two slave narratives by Jacobs and Douglass, as well as other writings about these narratives, literary stylistic devices, and the slave topic in general. The year 1773 was essential to the beginning of African American literature in general and also for the genre of slave narratives. By publishing her first book of poetry and being the first female black writer, Phillis Wheatley paved the way for the development of black literature. As part of this development, the genre of slave narratives emerged as well. Slave narratives are written stories of African American slaves and their personal experiences and sufferings during their time of enslavement. Their escape into freedom was often a turning point in the story. The author of these stories wrote them to depict the dehumanising and degrading effects of slavery. Furthermore, slave narratives were written especially for a white audience, since the narrators wanted to obtain that readers believed in the horrors they had to endure and to show the importance of abolishing the institution of slavery. To achieve that the narrators often used a very distinctive and vivid language in their narratives to support the imagination of their readers.

The Presence of the Past

The Presence of the Past
Author: Emily Elizabeth Bosson
Publisher:
Total Pages: 94
Release: 2017
Genre: African Americans
ISBN:

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"Unlike their predecessors from the eighteenth and nineteenth centuries, neo-slave narratives of the twentieth and twenty-first centuries have the freedom to explore all aspects of slavery, including slavery's effects on individuals in bondage and those imposing the bonds. This freedom allows writers of neo-slave narratives to return to the topic of slavery, a part of America's past that has long been the target of systematic erasure in American culture. This paper will argue that the neo-slave narratives both recall America's enslaved past and assert its continued presence in contemporary American society. The genre accomplishes this re-visioning of American past to comment on the present by choosing slavery as their subject and signifying their predecessors--the original slave narratives of the eighteenth and nineteenth centuries. This re-vision is further accomplished through the use of the surreal and supernatural to manipulate time and memory to argue the fluidity of time, and through their decentralization of the white audience. This paper will focus primarily on four neo-slave narratives of the twentieth and twenty-first centuries, namely Dessa Rose by Sherley Anne Williams (1986), Kindred by Octavia Butler (1979), Beloved by Toni Morrison (1987), and The Underground Railroad by Colson Whitehead (2016). Theses novels best exemplify the use of these techniques and react most strongly to the erasure of American slavery evident in American culture"--Abstract, page 2.