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| Author | : Ilan Stavans |
| Publisher | : Macmillan |
| Total Pages | : 769 |
| Release | : 2012-03-27 |
| Genre | : Poetry |
| ISBN | : 0374533180 |
Presents a diverse sample of twentieth century Latin American poems from eighty-four authors in Spanish, Portuguese, Ladino, Spanglish, and several indigenous languages with English translations on facing pages.
| Author | : Mike Gonzalez |
| Publisher | : |
| Total Pages | : 440 |
| Release | : 1992 |
| Genre | : Poetry |
| ISBN | : |
A guide to the history of poetic debate and practice in 20th-century Latin America. The book argues that the possibility of universal emancipation is evoked in the transformation of language. Each chapter focuses on key texts by poets such as Cardenal, Neruda, Vallejo and the Andrades.
| Author | : Stephen Tapscott |
| Publisher | : Turtleback Books |
| Total Pages | : |
| Release | : 1996-01-01 |
| Genre | : Poetry |
| ISBN | : 9781417657858 |
"Large anthology includes work by 58 poets. Extensive, but general, introduction. Poets arranged chronologically from Jose Marti to Marjorie Agosin. Volume includes few surprises and relatively few women. Bilingual format. Many translators; great fluct
| Author | : Jill Kuhnheim |
| Publisher | : University of Texas Press |
| Total Pages | : 284 |
| Release | : 2010-07-05 |
| Genre | : Literary Criticism |
| ISBN | : 029278841X |
Has poetry lost its relevance in the postmodern age, unable to keep pace with other forms of cultural production such as film, mass media, and the Internet? Quite the contrary, argues Jill Kuhnheim in this pathfinding book, which explores how recent Spanish American poetry participates in the fundamental cultural debates of its time. Using a variety of interdisciplinary approaches, Kuhnheim engages in close readings of numerous poetic works to show how contemporary Spanish American poetry struggles with the divisions between politics and aesthetics and between visual and written images; grapples with issues of ethnic, national, sexual, and urban identities; and incorporates rather than rejects technological innovations and elements from the mass media. Her analysis illuminates the ways in which contemporary issues such as indigenismo and Latin America's postcolonial legacy, modernization, immigration, globalization, economic shifts toward neoliberalism and informal economies, urbanization, and the technological revolution have been expressed in—and even changed the very form of—Spanish American poetry since the 1970s.
| Author | : Orlando Ricardo Menes |
| Publisher | : U of Nebraska Press |
| Total Pages | : 82 |
| Release | : 2022-07-18 |
| Genre | : Poetry |
| ISBN | : 1496209184 |
From sensual pleasures and perils, moments and memories of darkness and light, the poems in Orlando Ricardo Menes's collection sew together stories of dislocation and loss, of survival and hope, and of a world patched together by a family over five generations of diaspora. This is Menes's tapestry of the Americas. From Miami to Cuba, Panama to Bolivia and Peru, through the textures, sounds, colors, shapes, and scents of exile and emigration, we find refuge at last in a sense of wholeness and belonging residing in this intensely felt, finely crafted poetry.
| Author | : Roberto Gonzalez Echevarria |
| Publisher | : Oxford University Press |
| Total Pages | : 496 |
| Release | : 1999-07-15 |
| Genre | : Fiction |
| ISBN | : 0195130855 |
This collection brings together 53 stories that span the history of Latin American literature and represent the most dazzling achievements in the form. It covers the entire history of Latin American short fiction, from the colonial period to present.
| Author | : Stephen M. Hart |
| Publisher | : Cambridge University Press |
| Total Pages | : 339 |
| Release | : 2018-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 1108187218 |
The Cambridge Companion to Latin American Poetry provides historical context on the evolution of the Latin American poetic tradition from the sixteenth century to the present day. It is organized into three parts. Part I provides a comprehensive, chronological survey of Latin American poetry and includes separate chapters on Colonial poetry, Romanticism/modernism, the avant-garde, conversational poetry, and contemporary poetry. Part II contains six succinct essays on the major figures Sor Juana Inés de la Cruz, Gabriela Mistral, César Vallejo, Pablo Neruda, Carlos Drummond de Andrade, and Octavio Paz. Part III analyses specific and distinctive trends within the poetic canon, including women's, LGBT, Quechua, Afro-Hispanic, Latino/a and New Media poetry. This Companion also contains a guide to further reading as well as an essay on the best English translations of Latin American poetry. It will be a key resource for students and instructors of Latin American literature and poetry.
| Author | : Geoffrey Brock |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 0 |
| Release | : 2012-03-27 |
| Genre | : Poetry |
| ISBN | : 9780374105389 |
More than a century has now passed since F.T. Marinetti's famous "Futurist Manifesto" slammed the door on the nineteenth century and trumpeted the arrival of modernity in Europe and beyond. Since then, against the backdrop of two world wars and several radical social upheavals whose effects continue to be felt, Italian poets have explored the possibilities of verse in a modern age, creating in the process one of the great bodies of twentieth-century poetry. Even before Marinetti, poets such as Giovanni Pascoli had begun to clear the weedy rhetoric and withered diction from the once-glorious but by then decadent grounds of Italian poetry. And their winter labors led to an extraordinary spring: Giuseppe Ungaretti's wartime distillations and Eugenio Montale's "astringent music"; Umberto Saba's song of himself and Salvatore Quasimodo's hermetic involutions. After World War II, new generations—including such marvelously diverse poets as Sandro Penna, Pier Paolo Pasolini, Amelia Rosselli, Vittorio Sereni, and Raffaello Baldini—extended the enormous promise of the prewar era into our time. A surprising and illuminating collection, The FSG Book of 20th-Century Italian Poetry invites the reader to examine the works of these and other poets—seventy-five in all—in context and conversation with one another. Edited by the poet and translator Geoffrey Brock, these poems have been beautifully rendered into English by some of our finest English-language poets, including Seamus Heaney, Robert Lowell, Ezra Pound, Paul Muldoon, and many exciting younger voices.
| Author | : Carmen L. Phelps |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 196 |
| Release | : 2013 |
| Genre | : Literary Criticism |
| ISBN | : 1617036803 |
A disproportionate number of male writers, including such figures as Amiri Baraka, Larry Neal, Maulana Karenga, and Haki Madhubuti, continue to be credited for constructing the iconic and ideological foundations for what would be perpetuated as the Black Art Movement. Though there has arisen an increasing amount of scholarship that recognizes leading women artists, activists, and leaders of this period, these new perspectives have yet to recognize adequately the ways women aspired to far more than a mere dismantling of male-oriented ideals. In Visionary Women Writers of Chicago's Black Arts Movement, Carmen L. Phelps examines the work of several women artists working in Chicago, a key focal point for the energy and production of the movement. Angela Jackson, Johari Amiri, and Carolyn Rodgers reflect in their writing specific cultural, local, and regional insights, and demonstrate the capaciousness of Black Art rather than its constraints. Expanding from these three writers, Phelps analyzes the breadth of women's writing in BAM. In doing so, Phelps argues that these and other women attained advantageous and unique positions to represent the potential of the BAM aesthetic, even if their experiences and artistic perspectives were informed by both social conventions and constraints. In this book, Phelps's examination brings forward a powerful and crucial contribution to the aesthetics and history of a movement that still inspires.
| Author | : Jonathan Galassi |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 327 |
| Release | : 2021-11-23 |
| Genre | : Poetry |
| ISBN | : 0374722617 |
To honor FSG's 75th anniversary, here is a unique anthology celebrating the riches and variety of its poetry list—past, present, and future Poetry has been at the heart of Farrar, Straus and Giroux's identity ever since Robert Giroux joined the fledgling company in the mid-1950s, soon bringing T. S. Eliot, John Berryman, Robert Lowell, and Elizabeth Bishop onto the list. These extraordinary poets and their successors have been essential in helping define FSG as a publishing house with a unique place in American letters. The FSG Poetry Anthology includes work by almost all of the more than one hundred twenty-five poets whom FSG has published in its seventy-five-year history. Giroux's first generation was augmented by a group of international figures (and Nobel laureates), including Pablo Neruda, Nelly Sachs, Derek Walcott, Seamus Heaney, and Joseph Brodsky. Over time the list expanded to includes poets as diverse as Yehuda Amichai, John Ashbery, Frank Bidart, Louise Glück, Thom Gunn, Ted Hughes, Yusef Komunyakaa, Mina Loy, Marianne Moore, Paul Muldoon, Les Murray, Grace Paley, Carl Phillips, Gjertrud Schnackenberg, James Schuyler, C. K. Williams, Charles Wright, James Wright, and Adam Zagajewski. Today, Henri Cole, francine j. harris, Ishion Hutchinson, Maureen N. McLane, Ange Mlinko, Valzhyna Mort, Rowan Ricardo Phillips, and Frederick Seidel are among the poets who are continuing FSG's tradition as a discoverer and promoter of the most vital and distinguished contemporary voices. This anthology is a wide-ranging showcase of some of the best poems published in America over the past three generations. It is also a sounding of poetry's present and future.
