The Fiction Factory
Author | : Quentin Reynolds |
Publisher | : |
Total Pages | : 283 |
Release | : 1955 |
Genre | : |
ISBN | : |
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Author | : Quentin Reynolds |
Publisher | : |
Total Pages | : 283 |
Release | : 1955 |
Genre | : |
ISBN | : |
Author | : Quentin Reynolds |
Publisher | : |
Total Pages | : 283 |
Release | : 1955 |
Genre | : |
ISBN | : |
Author | : Quentin James Reynolds |
Publisher | : |
Total Pages | : 304 |
Release | : 1955 |
Genre | : American fiction |
ISBN | : |
Author | : Quentin James Reynolds |
Publisher | : |
Total Pages | : 304 |
Release | : 1955 |
Genre | : American fiction |
ISBN | : |
Author | : Quentin James Reynolds |
Publisher | : |
Total Pages | : 283 |
Release | : 2003-01-01 |
Genre | : |
ISBN | : 9780758149916 |
Author | : Quentin James Reynolds |
Publisher | : |
Total Pages | : 283 |
Release | : 1955 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 283 |
Release | : 1955 |
Genre | : |
ISBN | : |
Author | : Charles Johanningsmeier |
Publisher | : Cambridge University Press |
Total Pages | : 304 |
Release | : 2002-07-04 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780521520188 |
Conventional literary history has virtually ignored the role of newspaper syndicates in publishing some of the most famous nineteenth-century writers. Stephen Crane, Henry James, Rudyard Kipling, Robert Louis Stevenson and Mark Twain were among those who offered their early fiction to 'Syndicates', firms which subsequently sold the work to newspapers across America for simultaneous, first-time publication. This newly decentralised process profoundly affected not only the economics of publishing, but also the relationship between authors, texts and readers. In the first full-length study of this publishing phenomenon, Charles Johanningsmeier evaluates the unique site of interaction syndicates held between readers and texts.
Author | : Prentiss Ingraham |
Publisher | : University Press of Kansas |
Total Pages | : 360 |
Release | : 2019-03-21 |
Genre | : Biography & Autobiography |
ISBN | : 0700627626 |
Buffalo Bill Cody was bigger than life. He was also braver, handsomer, and kinder—in short, just about perfect, as any reader of Prentiss Ingraham’s dime novels could tell you. Along with his nearly 600 novels and plays, Ingraham (1843–1904), Confederate colonel and mercenary, penned a biography of his hero. The Buffalo Bill Cody who emerges from this book is not so very different from the paragon in Ingraham’s novels, but as Cody’s close companion, Ingraham had the inside story on this iconic figure of the American West. Add to that the dime novel–writer’s bravura style, and Ingraham’s Buffalo Bill Cody: A Man of the West becomes an irresistible work of Americana, in many ways an apt portrait of its larger-than-life subject. And because both men were firsthand witnesses to historic moments—the struggle between slavers and abolitionists, the Civil War, the building of the railroads, the Indian Wars, the golden age of circuses—the biography offers a close-up perspective of life on the American frontier. Published here with an introduction and notes by Cody aficionado Sandra K. Sagala, who transcribed and edited the text of the biography from the original that was serialized in 1895 by Duluth Press, and illustrated with line drawings by one of Ingraham’s contemporaries, Buffalo Bill Cody: A Man of the West is at once a unique view of an outsize figure of the Wild West, an original document of American history, and a performance as entertaining as any the self-styled cowboy and showman Buffalo Bill Cody ever staged.
Author | : Barry Keith Grant |
Publisher | : University of Texas Press |
Total Pages | : 785 |
Release | : 2012-12-01 |
Genre | : Performing Arts |
ISBN | : 0292745745 |
From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.