"The purpose of this essay is to prove that the reality of medieval noblewomen's lives was improved in a manner cor[r]espondent with the rise of the chivalric romance. This is evident when one compares the records of the history of women as seen in legal, political, and ecclesiastical contexts with the history of women as it is recorded in literature. In the early medieval era, Anglo-Saxon noblewomen enjoyed a relatively high level of freedom in the eyes of the State. They were permitted to act individually in legal matters, they were economically independent, and they were free to reject marriage partners that were selected by their parents or guardians. The Norman Invasion of 1066 sent the Anglo- Saxon power structure crumbling and, with it, the relative freedom allocated to noblewomen. As the Invasion served to severely reduce the level of power held by women, we can look at 1066 as a zero point by which to begin tracking women's social progress in England. The institution of feudalism as the dominant power structure relegated women to the roles of wife and childbearer; these women were essentially devoid of rights and power. The political, legal, and social attitudes were accepted and reinforced by the Church's view of women as sinful and destructive creatures who were saved only by the grace of the Virgin Mary. Gradually, this perspective softened with the emergence of Mariolotry--the cult of the Virgin-- which itself was matched by an ever-increasing audience for the chivalric romance. Perhaps in recognition of the power attributed to women that was to be found in the romance, noblewomen eagerly participated in the creation of such works. Not only did they act as patrons to poets, but noblewomen also were active in the real-life game of courtly-love, a social rite that encouraged men to seek out a woman to love and to treat her as a vassal would treat his lord. In this, women had the potential to exert authority and power in a non-domestic arena. Also, through the ritual of courtly love, the relations between men and women were permanently altered: women were to be considered first and foremost as people with hearts and souls. This development is echoed in the literary tradition of the Middle Ages. In looking at the Arthurian Tradition as it was made manifest in England, we note the gradual development of women characters from rigid stereotype into full-fledged individuals. This evolution in characterization is analogous to the movement of women within society: initially peripheral to the warrior-society of the Middle Ages, the evolution of courtly love movement granted women power. We are able to mark the stages by which the movement was developed when we examine specific works. Key texts used within this work are the early chronicles Wace's Roman de Brut (also known here simply as Brut) and the Brut written by Layamon. In these works we find the sketchiest characterizations of women. We glimpse a little more development and individuality in the transitional works that rest at a half\vay point between chronicle and romance; here we will examine the noblewomen in Sir Gawain and the Green Knight and in the alliterative Morte Arthure. Finally, we shall discuss Sir Thomas Malory's Le Morte DArthur. This work, the flower of Arthurian literature, includes perhaps the best portraits of feminine characters in the medieval era and provides a keen analysis of the role of women both within the political power structure as well as within the more intimate structure of the courtly-love relationship. Due to their prominence in these works, the characters of Queen lgerne and Queen Guenevere will be focused on as representative of aristocratic Englishwomen. In tracing their development within the chronicle-to-romance movement, the real-life transitions of English noblewomen should be kept in mind. Truly, the historical and the literary developments echo and reflect each other in a way that demonstrates the progress of noblewomen in England"--Document.