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| Author | : Bruce Haynes |
| Publisher | : Oxford University Press |
| Total Pages | : 305 |
| Release | : 2007-07-20 |
| Genre | : Music |
| ISBN | : 0198040946 |
Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition.
| Author | : Bruce Haynes |
| Publisher | : Oxford University Press |
| Total Pages | : 305 |
| Release | : 2007-07-20 |
| Genre | : Music |
| ISBN | : 0195189876 |
Publisher description
| Author | : Timothy J. McGee |
| Publisher | : Indiana University Press |
| Total Pages | : 326 |
| Release | : 1996 |
| Genre | : Foreign Language Study |
| ISBN | : 9780253210265 |
Accompanying CD includes readings of most of the sample texts found in the book. The CD is intended to assist in interpreting the phonetic symbols, which are truncated in IPA (International Phonetic Alphabet).
| Author | : Bruce Haynes |
| Publisher | : |
| Total Pages | : 284 |
| Release | : 2007 |
| Genre | : Music |
| ISBN | : 9780199864218 |
Covering historical performance practice in its broadest sense this text identifies common performing styles, comparing and using sound recordings from the past. To help musicians distinguish between Period and Romantic styles, it engages with controversial topics in the field in defining the differences between them.
| Author | : Michael Scott Cuthbert |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Gregorian chants |
| ISBN | : 9780964031746 |
City, Chant, and the Topography of Early Music explores how space, urban life, landscape, and time transformed plainchant and other musical forms. Thirteen essays address a wide range of topics and regions--from Beneventan chant in Italy and Dalmatia, to music theory in medieval France, to later transformations of chant in Iceland and Spain.
| Author | : Bruce Haynes |
| Publisher | : Scarecrow Press |
| Total Pages | : 628 |
| Release | : 2002-11-06 |
| Genre | : History |
| ISBN | : 0810841851 |
Haynes (U. of Montreal) traces the history of musical pitch standards over the last four centuries, linking frequency values to pitch names and telling where, when, and why various pitch levels have been used. With a focus on Italy, France, Germany, the Netherlands and the Hapsburg lands, he covers the pitches of about 1,400 historical instruments and how the design and function influenced and were influenced by changes in pitch. In addition, he studies the effect of pitch differences on musical notation and choice of key. The author has also written a book on the oboe, the instrument that plays the "A" to which a symphony orchestra tunes. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Bruce Haynes |
| Publisher | : |
| Total Pages | : 576 |
| Release | : 2001 |
| Genre | : Music |
| ISBN | : 9780198166467 |
This is the first in-depth survey of the oboe during its Golden Age, tracing the history of the instrument from its invention through its many mutations as it adapted to the changing demands of composers. The author describes in detail the instruments, players, makers, and composers, as well as how and where it was played, and who listened to it.
| Author | : Barthold Kuijken |
| Publisher | : Indiana University Press |
| Total Pages | : 142 |
| Release | : 2013-09-13 |
| Genre | : Music |
| ISBN | : 0253010683 |
Written by a leading authority and artist of the historical transverse flute, The Notation Is Not the Music offers invaluable insight into the issues of historically informed performance and the parameters—and limitations—of notation-dependent performance. As Barthold Kuijken illustrates, performers of historical music should consider what is written on the page as a mere steppingstone for performance. Only by continual examination and reexamination of the sources to discover original intent can an early music practitioner come close to authentic performance.
| Author | : Iain Fenlon |
| Publisher | : Cambridge University Press |
| Total Pages | : 222 |
| Release | : 2009-03-19 |
| Genre | : Literary Criticism |
| ISBN | : 9780521104302 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume three include: The Venetian privilege and music-printing in the sixteenth century; Francesco Landini and the Florentine cultural elite; and the Beneventan apostrophus in south Italian notation, AD 1000-1100.
| Author | : Richard Taruskin |
| Publisher | : Univ of California Press |
| Total Pages | : 508 |
| Release | : 2010-11-11 |
| Genre | : Music |
| ISBN | : 0520268059 |
"Roth Family Foundation music in America imprint"--Prelim. p.
