The Electronic Nigger

The Electronic Nigger
Author: Ed Bullins
Publisher: London : Faber
Total Pages: 282
Release: 1969
Genre: American drama
ISBN: 9780571092130

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Ebony

Ebony
Author:
Publisher:
Total Pages: 160
Release: 1968-09
Genre:
ISBN:

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EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

The Electronic Nigger

The Electronic Nigger
Author: Ed Bullins
Publisher:
Total Pages: 23
Release: 1970
Genre:
ISBN:

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The Electronic Nigger

The Electronic Nigger
Author: Ed Bullins
Publisher:
Total Pages: 32
Release: 2003
Genre: American drama
ISBN:

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Ebony

Ebony
Author:
Publisher:
Total Pages: 160
Release: 1968-09
Genre:
ISBN:

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EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

A Guide to Critical Reviews

A Guide to Critical Reviews
Author: James M. Salem
Publisher: Scarecrow Press
Total Pages: 680
Release: 1984
Genre: Motion pictures
ISBN: 9780810816909

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Ed Bullins

Ed Bullins
Author: Samuel A. Hay
Publisher: Wayne State University Press
Total Pages: 322
Release: 1997
Genre: Biography & Autobiography
ISBN: 9780814326169

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This book on the prize-winning African American playwright Ed Bullins is the first to chronicle the life and work of the man who dominated the New York theatre scene between 1968 and 1982. With his presentations of street life, Bullins transformed the Protest and Art-theatre traditions founded by W. E. B. DuBois and Alain Locke and made important contributions to black theatre.

Playbill for The Electronic Nigger, A Son Come Home, and Clara's Ole Man, All by Ed Bullins, Directed by Robert Macbeth and Produced by Wynn Handman at the American Place Theatre, NY, February, 1968

Playbill for The Electronic Nigger, A Son Come Home, and Clara's Ole Man, All by Ed Bullins, Directed by Robert Macbeth and Produced by Wynn Handman at the American Place Theatre, NY, February, 1968
Author:
Publisher:
Total Pages: 7
Release:
Genre:
ISBN:

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Nigger

Nigger
Author: Randall Kennedy
Publisher: Pantheon
Total Pages: 257
Release: 2022-02-08
Genre: Social Science
ISBN: 0593316525

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The twentieth anniversary edition of one of the most controversial books ever published on race and language is now more relevant than ever in this season of racial reckoning—from “one of our most important and perceptive writers on race" (The Washington Post). In addition to a brave and bracing inquiry into the origins, uses, and impact of the infamous word, this edition features an extensive new introduction that addresses major developments in its evolution during the last two decades of its vexed history. In the new introduction to his classic work, Kennedy questions the claim that “nigger” is the most tabooed term in the American language, faced with the implacable prevalence of its old-fashioned anti-Black sense. “Nigger” continues to be part of the loud soundtrack of the worst instances of racial aggression in American life—racially motivated assaults and murders, arson, intentional infliction of emotional distress, and workplace harassment. Consider this: twenty years ago, Kennedy wrote that any major politician credibly accused of using “nigger” would be immediately abandoned and ostracized. He was wrong. Donald Trump, former POTUS himself, was credibly charged, and the allegation caused little more than a yawn. No one doubted the accuracy of the claim but amidst all his other racist acts his “nigger-baiting” no longer seemed shocking. “Nigger” is still very much alive and all too widely accepted. On the other hand, Kennedy is concerned to address the many episodes in which people have been punished for quoting, enunciating, or saying “nigger” in circumstances that should have made it clear that the speakers were doing nothing wrong—or at least nothing sufficiently wrong to merit the extent of the denunciation they suffered. He discusses, for example, the inquisition of Bill Maher (and his pathetic apology) and the (white) teachers who have been disciplined for reading out loud texts that contain “nigger.” He argues that in assessing these controversies, we ought to be more careful about the use/mention distinction: menacingly calling someone a “nigger” is wholly different than quoting a sentence from a text by James Baldwin or Toni Morrison or Flannery O’Connor or Mark Twain. Kennedy argues against the proposition that different rules should apply depending upon the race of the speaker of “nigger,” offering stunningly commonsensical reasons for abjuring the erection of such boundaries. He concludes by venturing a forecast about the likely status of “nigger” in American culture during the next twenty years when we will see the clear ascendance of a so-called “minority majority” body politic—which term itself is redolent of white supremacy.