The Genius of Women

The Genius of Women
Author: Janice Kaplan
Publisher: Penguin
Total Pages: 352
Release: 2020-02-18
Genre: Biography & Autobiography
ISBN: 1524744220

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We tell girls that they can be anything, so why do 90 percent of Americans believe that geniuses are almost always men? New York Times bestselling journalist and creator and host of the podcast The Gratitude Diaries Janice Kaplan explores the powerful forces that have rigged the system—and celebrates the women geniuses, past and present, who have triumphed anyway. Even in this time of rethinking women’s roles, we define genius almost exclusively through male achievement. When asked to name a genius, people mention Albert Einstein, Leonardo da Vinci, and Steve Jobs. As for great women? In one survey, the only female genius anyone listed was Marie Curie. Janice Kaplan, the New York Times bestselling author of The Gratitude Diaries, set out to determine why the extraordinary work of so many women has been brushed aside. Using her unique mix of memoir, narrative, and inspiration, she makes surprising discoveries about women geniuses now and throughout history, in fields from music to robotics. Through interviews with neuroscientists, psychologists, and dozens of women geniuses at work in the world today—including Nobel Prize winner Frances Arnold and AI expert Fei-Fei Li—she proves that genius isn't just about talent. It's about having that talent recognized, nurtured, and celebrated. Across the generations, even when they face less-than-perfect circumstances, women geniuses have created brilliant and original work. In The Genius of Women, you’ll learn how they ignored obstacles and broke down seemingly unshakable barriers. The geniuses in this moving, powerful, and very entertaining book provide more than inspiration—they offer a clear blueprint to everyone who wants to find her own path and move forward with passion.

Female Genius

Female Genius
Author: Mary Sarah Bilder
Publisher:
Total Pages:
Release: 2022
Genre: Women
ISBN: 9780813947204

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"A biography of Eliza Harriot Barons O'Connor, an educator whose 1787 Philadelphia public lecture attended by George Washington might have inspired the gender-neutral language of the Constitution. Explores women's public roles and political power following the American Revolution through the early nineteenth century, tracing the story of white and Black women's struggles for education and suffrage at a transformative moment"--

A Female Genius

A Female Genius
Author: James Essinger
Publisher: Severn House Paperbacks
Total Pages: 0
Release: 2014
Genre: Calculators
ISBN: 9781908096661

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Ada Lovelace was the only legitimate child of Lord Byron, the dangerous romantice poet whose name became a byword for scandal. Over the past decades, she herself has become a surprising underground star for digital pioneers all over the world, starting with Alan Turing. Embraced by programmers and women intechnology, Ada even has her own day that is commemorated every year on Google's search engine.

The Concept of a Female Genius

The Concept of a Female Genius
Author: Renate Enderlin
Publisher: GRIN Verlag
Total Pages: 37
Release: 2010-12
Genre: Philosophy
ISBN: 3640766989

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Seminar paper from the year 2010 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, ...), grade: 1,0, University of Vienna (Philosophie), course: Feministische sthetik, language: English, abstract: In the following paper I am going to present Christine Battersby's text Gender and Genius, her methodes and goals, occuring critics and problems. The main problem is the question: Do we need the concept of a female genius? After Battersby's historical research about the concept of the male genius in history (especially in the history of art and literature) she points out, that she wants to invent a new concept of genius. After her demonstration that genius had definitly a clear male connotation, she doest't want to skip the notion genius but she wants to redefine it. She wants to invent the concept of a female genius. In paragraphe 2 I am going to point out some results of Battersby's work, that show why women were excluded for such a long time from any form of art production. In paragraphe 3 I try to explain with Battersby how and why women accepted this exclusion sometimes and how they tried to resist and to fight back this kind of misogyny. Paragraphe 4 should answer the question why Battersby's new concept of genius is called a female genius, while paragraphe 5 wants to bring in some arguments against the separation and categorization into female/feminine and male/masculine concept. The last paragraphe contains also a very short conclusion and my own point of view.

Discovering the Feminine Genius

Discovering the Feminine Genius
Author: Katrina J. Zeno
Publisher: Pauline Books and Media
Total Pages: 166
Release: 2019-02-02
Genre: Religion
ISBN: 0819818887

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Discovering the Feminine Genius presents a framework in which women can discover and understand their human and spiritual journey as a daughter of God, a woman, a unique individual, and spouse of the Spirit. Katrina Zeno, renowned speaker on the theology of the body, explores the role of women in our complex world and explains the concept of the feminine genius.

The Concept of a Female Genius

The Concept of a Female Genius
Author: Renate Enderlin
Publisher: GRIN Verlag
Total Pages: 16
Release: 2010-12-01
Genre: Philosophy
ISBN: 364076675X

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Seminar paper from the year 2010 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, ...), grade: 1,0, University of Vienna (Philosophie), course: Feministische Ästhetik, language: English, abstract: In the following paper I am going to present Christine Battersby’s text Gender and Genius, her methodes and goals, occuring critics and problems. The main problem is the question: Do we need the concept of a female genius? After Battersby’s historical research about the concept of the male genius in history (especially in the history of art and literature) she points out, that she wants to invent a new concept of genius. After her demonstration that genius had definitly a clear male connotation, she doest’t want to skip the notion genius but she wants to redefine it. She wants to invent the concept of a female genius. In paragraphe 2 I am going to point out some results of Battersby’s work, that show why women were excluded for such a long time from any form of art production. In paragraphe 3 I try to explain with Battersby how and why women accepted this exclusion sometimes and how they tried to resist and to fight back this kind of misogyny. Paragraphe 4 should answer the question why Battersby’s new concept of genius is called a female genius, while paragraphe 5 wants to bring in some arguments against the separation and categorization into female/feminine and male/masculine concept. The last paragraphe contains also a very short conclusion and my own point of view.

Divine Fury

Divine Fury
Author: Darrin M. McMahon
Publisher: Basic Books
Total Pages: 362
Release: 2013-10-22
Genre: History
ISBN: 0465069916

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Genius. With hints of madness and mystery, moral license and visionary force, the word suggests an almost otherworldly power: the power to create, to divine the secrets of the universe, even to destroy. Yet the notion of genius has been diluted in recent times. Today, rock stars, football coaches, and entrepreneurs are labeled 'geniuses,' and the word is applied so widely that it has obscured the sense of special election and superhuman authority that long accompanied it. As acclaimed historian Darrin M. McMahon explains, the concept of genius has roots in antiquity, when men of prodigious insight were thought to possess -- or to be possessed by -- demons and gods. Adapted in the centuries that followed and applied to a variety of religious figures, including prophets, apostles, sorcerers, and saints, abiding notions of transcendent human power were invoked at the time of the Renaissance to explain the miraculous creativity of men like Leonardo and Michelangelo. Yet it was only in the eighteenth century that the genius was truly born, idolized as a new model of the highest human type. Assuming prominence in figures as varied as Newton and Napoleon, the modern genius emerged in tension with a growing belief in human equality. Contesting the notion that all are created equal, geniuses served to dramatize the exception of extraordinary individuals not governed by ordinary laws. The phenomenon of genius drew scientific scrutiny and extensive public commentary into the 20th century, but it also drew religious and political longings that could be abused. In the genius cult of the Nazis and the outpouring of reverence for the redemptive figure of Einstein, genius achieved both its apotheosis and its Armageddon. The first comprehensive history of this elusive concept, Divine Fury follows the fortunes of genius and geniuses through the ages down to the present day, showing how -- despite its many permutations and recent democratization -- genius remains a potent force in our lives, reflecting modern needs, hopes, and fears.

Profiles of Female Genius

Profiles of Female Genius
Author: Gene N. Landrum
Publisher: Prometheus Books
Total Pages: 438
Release: 1994-07
Genre: Biography & Autobiography
ISBN: 1615925422

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The much-awaited sequel to Landrum's Profiles of Genuis offers discussions of the elements that gave 13 extraordinary women--Mary Kay Ash, Margaret Thatcher, Estee Lauder, Maria Callas, and Jane Fonda, among others--the visionary perspective, operating style, and energy to achieve the edge over their competitors.

Gender and Genius

Gender and Genius
Author: Christine Battersby
Publisher: Womens PressLtd
Total Pages: 266
Release: 1994
Genre: Social Science
ISBN: 9780704343009

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Madison’s Hand

Madison’s Hand
Author: Mary Sarah Bilder
Publisher: Harvard University Press
Total Pages: 383
Release: 2015-10-19
Genre: History
ISBN: 0674495500

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Winner of the Bancroft Prize Winner of the James Bradford Best Biography Prize, Society for Historians of the Early American Republic Finalist, Literary Award for Nonfiction, Library of Virginia Finalist, George Washington Prize James Madison’s Notes on the 1787 Constitutional Convention have acquired nearly unquestioned authority as the description of the U.S. Constitution’s creation. No document provides a more complete record of the deliberations in Philadelphia or depicts the Convention’s charismatic figures, crushing disappointments, and miraculous triumphs with such narrative force. But how reliable is this account? “[A] superb study of the Constitutional Convention as selectively reflected in Madison’s voluminous notes on it...Scholars have been aware that Madison made revisions in the Notes but have not intensively explored them. Bilder has looked closely indeed at the Notes and at his revisions, and the result is this lucid, subtle book. It will be impossible to view Madison’s role at the convention and read his Notes in the same uncomplicated way again...An accessible and brilliant rethinking of a crucial moment in American history.” —Robert K. Landers, Wall Street Journal