The Complete American Graffiti
Author | : John Minahan |
Publisher | : |
Total Pages | : 233 |
Release | : 1979 |
Genre | : Fiction |
ISBN | : 9780425045541 |
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Author | : John Minahan |
Publisher | : |
Total Pages | : 233 |
Release | : 1979 |
Genre | : Fiction |
ISBN | : 9780425045541 |
Author | : |
Publisher | : |
Total Pages | : |
Release | : 1972 |
Genre | : Motion picture plays, American |
ISBN | : |
Author | : John Minahan |
Publisher | : Berkley Publishing Group |
Total Pages | : 248 |
Release | : 1979 |
Genre | : Fiction |
ISBN | : 9780425042496 |
Author | : Roger Gastman |
Publisher | : Harper Collins |
Total Pages | : 0 |
Release | : 2011-09-20 |
Genre | : Art |
ISBN | : 0062042467 |
Book description to come.
Author | : Lisa Gottlieb |
Publisher | : McFarland |
Total Pages | : 222 |
Release | : 2014-01-10 |
Genre | : Art |
ISBN | : 0786452250 |
This book presents a classification system for graffiti art styles that reflects the expertise of graffiti writers and the work of art historian Erwin Panofsky. Based on Panofsky's theories of iconographical analysis, the classification model is designed to identify the style of a graffiti art piece through its visual characteristics. Tested by image cataloguers in archives, libraries, and museums, the system assists information professionals in identifying the iconic styles of graffiti art pieces. It also demonstrates the power of Panofsky's theories to provide access to non-representational or abstract art images. The result is a new paradigm for Panofsky's theories that challenges the assumptions of traditional models. This innovative book is a valuable resource for anyone who wants to learn more about graffiti art and for information professionals concerned with both the practical and intellectual issues surrounding image access.
Author | : Elaine J. Epstein |
Publisher | : |
Total Pages | : 8 |
Release | : 1979 |
Genre | : Government publications |
ISBN | : |
Author | : Eric Felisbret |
Publisher | : Abrams |
Total Pages | : 348 |
Release | : 2009-10 |
Genre | : Art |
ISBN | : |
Ranging from the birth of simple signature tags to today's vibrant murals, and covering the ups and downs of the movement, the culture's value system, and its social framework, "Graffiti New York" provides an essential history of this art form. Illustrated.
Author | : Margo Thompson |
Publisher | : Parkstone International |
Total Pages | : 474 |
Release | : 2015-09-15 |
Genre | : Art |
ISBN | : 1783107049 |
The first appearances of graffiti “tags” (signatures) on New York City subway trains in the early 1970s were discarded as incidents of vandalism or the rough, violent cries of the ignorant and impoverished. However, as the graffiti movement progressed and tags became more elaborate and ubiquitous, genuine artists emerged whose unique creativity and unconventional media captured the attention of the world. Featuring gallery and street works by several contributors to the graffiti scene, this book offers insight into the lives of urban artists, describes their relationship with the bourgeois art world, and discusses their artistic motivation with unprecedented sensitivity.
Author | : Jack Stewart |
Publisher | : Harry N. Abrams |
Total Pages | : 0 |
Release | : 2009-05-01 |
Genre | : Art |
ISBN | : 9780810975262 |
The definitive book on New York's subway graffiti movement, "Graffiti Kings" features personal interviews with the artists and more than 275 full-color, previously unpublished photographs that bring the movement's origins to life.
Author | : George Lucas |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 276 |
Release | : 1999 |
Genre | : Performing Arts |
ISBN | : 9781578061242 |
A director, producer, and writer, George Lucas is the power behind "The Force." The son of a conservative small-town businessman, he grew up to become arguably the most identifiable and popular filmmaker in the history of the medium. Yet unlike his more publicly engaged contemporaries, Lucas rarely grants reporters an audience. This first book of Lucas's interviews affords fans and students of film and science fiction a rare opportunity. Editor Sally Kline collects conversations from the reticent director spanning Lucas's entire career, from the making of his first film, 1971's "THX-1138," through "American Graffiti," the triumph of the "Star Wars" trilogy, and even a 1999 interview given while awaiting the release of "Star Wars: Episode One--The Phantom Menace." In interviews from venues such as "Rolling Stone," "Playboy," and "American Film," Lucas reveals his distrust of the Hollywood establishment, his love for making movies, and his unambiguous values and how those values translate into the epic clash between good and evil created when he explores characters like Darth Vader and Luke Skywalker. Lucas revolutionized the movie industry and created the most successful film series of all time. Along with films of his close friend Steven Spielberg, Lucas's releases invented the notion of blockbuster movies. Before the end of the millennium, he could count the loyal fans of the Star Wars trilogy in the millions. Sally Kline is film critic for "The Journal" newspapers. She has worked as a film commentator on a number of Washington, D.C. radio stations and as a guest lecturer at George Washington University. A freelance writer and researcher, she has contributed to two books, including a biography of Robert F. Kennedy.