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| Author | : Jimmy Liao |
| Publisher | : Little, Brown Books for Young Readers |
| Total Pages | : 80 |
| Release | : 2006-03-01 |
| Genre | : Juvenile Fiction |
| ISBN | : 9780316939928 |
A young woman losing her vision rides the subway with her dog in search of emotional healing.
| Author | : Leon Gunther |
| Publisher | : Springer Nature |
| Total Pages | : 482 |
| Release | : 2019-10-14 |
| Genre | : Science |
| ISBN | : 3030192199 |
This undergraduate textbook aids readers in studying music and color, which involve nearly the entire gamut of the fundamental laws of classical as well as atomic physics. The objective bases for these two subjects are, respectively, sound and light. Their corresponding underlying physical principles overlap greatly: Both music and color are manifestations of wave phenomena. As a result, commonalities exist as to the production, transmission, and detection of sound and light. Whereas traditional introductory physics textbooks are styled so that the basic principles are introduced first and are then applied, this book is based on a motivational approach: It introduces a subject with a set of related phenomena, challenging readers by calling for a physical basis for what is observed. A novel topic in the first edition and this second edition is a non-mathematical study of electric and magnetic fields and how they provide the basis for the propagation of electromagnetic waves, of light in particular. The book provides details for the calculation of color coordinates and luminosity from the spectral intensity of a beam of light as well as the relationship between these coordinates and the color coordinates of a color monitor. The second edition contains corrections to the first edition, the addition of more than ten new topics, new color figures, as well as more than forty new sample problems and end-of-chapter problems. The most notable additional topics are: the identification of two distinct spectral intensities and how they are related, beats in the sound from a Tibetan bell, AM and FM radio, the spectrogram, the short-time Fourier transform and its relation to the perception of a changing pitch, a detailed analysis of the transmittance of polarized light by a Polaroid sheet, brightness and luminosity, and the mysterious behavior of the photon. The Physics of Music and Color is written at a level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. The numerous problems at the end of each chapter help the reader to fully grasp the subject.
| Author | : Emily Barth Isler |
| Publisher | : Carolrhoda Books ® |
| Total Pages | : 237 |
| Release | : 2024-03-05 |
| Genre | : Juvenile Fiction |
| ISBN | : |
Twelve-year-old Rosie is a musical prodigy whose synesthesia allows her to see music in colors. Her mom has always pushed her to become a concert violinist, but this summer Rosie refuses to play, wanting a "normal" life. Forced to spend the summer with her grandparents, Rosie is excited to meet another girl her age hanging out on their property. The girl is familiar, and Rosie quickly pieces it together: somehow, this girl is her mother, when her mother was twelve. With help from this glitch in time—plus her grandparents, an improv group, and a new instrument—Rosie comes to understand her mother, herself, and her love of music in new ways.
| Author | : Wayne Slawson |
| Publisher | : Yank Gulch Music |
| Total Pages | : 300 |
| Release | : 1985 |
| Genre | : Music |
| ISBN | : 9780520051850 |
| Author | : John Burdick |
| Publisher | : NYU Press |
| Total Pages | : 240 |
| Release | : 2013-01-01 |
| Genre | : Social Science |
| ISBN | : 0814709230 |
Throughout Brazil, Afro-Brazilians face widespread racial prejudice. Many turn to religion, with Afro-Brazilians disproportionately represented among Protestants, the fastest-growing religious group in the country. Officially, Brazilian Protestants do not involve themselves in racial politics. Behind the scenes, however, the community is deeply involved in the formation of different kinds of blackness—and its engagement in racial politics is rooted in the major new cultural movement of black music. In this highly original account, anthropologist John Burdick explores the complex ideas about race, racism, and racial identity that have grown up among Afro-Brazilians in the black music scene. By immersing himself for nearly a year in the vibrant worlds of black gospel, gospel rap, and gospel samba, Burdick pushes our understanding of racial identity and the social effects of music in new directions. Delving into the everyday music-making practices of these scenes, Burdick shows how the creative process itself shapes how Afro-Brazilian artists experience and understand their racial identities. This deeply detailed, engaging portrait challenges much of what we thought we knew about Brazil’s Protestants,provoking us to think in new ways about their role in their country’s struggle to combat racism.
| Author | : Jennifer Lynn Stoever |
| Publisher | : NYU Press |
| Total Pages | : 348 |
| Release | : 2016-11-15 |
| Genre | : Literary Criticism |
| ISBN | : 1479835625 |
The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.
| Author | : William David |
| Publisher | : Devorss Publications |
| Total Pages | : 0 |
| Release | : 1980 |
| Genre | : Occultism |
| ISBN | : 9780875164113 |
| Author | : Eric Enno Tamm |
| Publisher | : Da Capo Press |
| Total Pages | : 246 |
| Release | : 1995-08-22 |
| Genre | : Social Science |
| ISBN | : 9780306806490 |
Musician, composer, producer: Brian Eno is unique in contemporary music. Best known in recent years for producing U2's sensational albums, Eno began his career as a synthesizer player for Roxy Music. He has since released many solo albums, both rock and ambient, written music for film and television soundtracks, and collaborated with David Bowie, David Byrne, Robert Fripp, and classical and experimental composers. His pioneering ambient sound has been enormously influential, and without him today's rock would have a decidedly different sound. Drawing on Eno's own words to examine his influences and ideas, this book—featuring a new afterword and an updated discography and bibliography—will long remain provocative and definitive.
| Author | : Oliver Sacks |
| Publisher | : Vintage Canada |
| Total Pages | : 448 |
| Release | : 2010-02-05 |
| Genre | : Psychology |
| ISBN | : 0307373495 |
What goes on in human beings when they make or listen to music? What is it about music, what gives it such peculiar power over us, power delectable and beneficent for the most part, but also capable of uncontrollable and sometimes destructive force? Music has no concepts, it lacks images; it has no power of representation, it has no relation to the world. And yet it is evident in all of us–we tap our feet, we keep time, hum, sing, conduct music, mirror the melodic contours and feelings of what we hear in our movements and expressions. In this book, Oliver Sacks explores the power music wields over us–a power that sometimes we control and at other times don’t. He explores, in his inimitable fashion, how it can provide access to otherwise unreachable emotional states, how it can revivify neurological avenues that have been frozen, evoke memories of earlier, lost events or states or bring those with neurological disorders back to a time when the world was much richer. This is a book that explores, like no other, the myriad dimensions of our experience of and with music.
| Author | : Kathleen Forde |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2005 |
| Genre | : Art and music |
| ISBN | : 9780916365714 |
Explores the subject of synesthesia in contemporary electronic art, where sound and visual stimuli seemingly fuse together in immersive sensory environments. Connecting recent developments in digital audiovisual art to their predigital roots, this exhibition provokes a renewed awareness of human cognition and perception through a selection of compelling works by an international group of artists.
