The Collected Essays of Robert Creeley

The Collected Essays of Robert Creeley
Author: Robert Creeley
Publisher:
Total Pages: 603
Release: 1989
Genre: Literary Criticism
ISBN: 9780520061507

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Essays deal with poetry, writers, art, and artists, discuss the author's approach to writing

Selected Poems of Robert Creeley

Selected Poems of Robert Creeley
Author: Robert Creeley
Publisher: Univ of California Press
Total Pages: 390
Release: 1996-03-19
Genre: Art
ISBN: 0520069366

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"From the first clear grounded 1940s insight snapshots of For Love through his recent decade experiments with syllable by syllable intelligence, Robert Creeley has created a noble life body of poetry that extends the work of his predecessors Pound, Williams, Zukofsky, and Olson and provides like them a method for his successors in exploring our new American poetic consciousness."—Allen Ginsberg "Visionary and oracular, Creeley has been a worker in the deep romantic vein—words in this poetry are magic, charged as they are in dreams with message of the dark of the human condition."—Robert Duncan "The subtlest feeling for the measure that I encounter anywhere except in the verses of Ezra Pound."—William Carlos Williams "Robert Creeley's poetry is as basic and necessary as the air we breathe; as hospitable, plain, and open as our continent itself. He is about the best we have."—John Ashbery "Dear, lovely, decorous, tender—ah, there is no one like him."—Carolyn Kizer

The Collected Poems of Robert Creeley, 1945-1975

The Collected Poems of Robert Creeley, 1945-1975
Author: Robert Creeley
Publisher: Univ of California Press
Total Pages: 688
Release: 2006
Genre: Poetry
ISBN: 9780520241589

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A collection of Creeley's work gathered from obsolesced collections, small press booklets and little mags. Here one can trace the development of his poetry from its early break with the Eliot/Auden tradition to the development of his own distinct voice in the middle poems, such as Words and Pieces, known for their precise, terse and almost minimalist language, as well as his return to the more direct concern for love and humanity. Restores to print--For Love, The Charm, In London, His Idea, Thirty Things, Backwards, Away and previously uncollected poems.

The Collected Poems of Robert Creeley, 1975–2005

The Collected Poems of Robert Creeley, 1975–2005
Author: Robert Creeley
Publisher: Univ of California Press
Total Pages: 692
Release: 2008-06-03
Genre: Literary Criticism
ISBN: 9780520256200

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"The subtlest feeling for the measure that I encounter anywhere except in the verses of Ezra Pound."—William Carlos Williams "It is a study, how Creeley lands syntax down the alley, and his vocabulary-pure English-to hit meters and rhymes all of which are spares and strikes."—Charles Olson "Robert Creeley has created a noble body of poetry that extends the work of his predecessors Pound, Williams, Zukofsky, and Olson, and provides like them a method for his successors in exploring our new American poetic consciousness."—Allen Ginsberg "His succinctness is like the unfettered flashing of a diamond." —John Ashbery "Robert Creeley was one of the great giants of 20th Century American poetry. This collection is his monument." —Paul Auster "American poetry is unimaginable and, happily, unknowable without Creeley."—Andrei Codrescu, author of it was today: new poems "Creeley is a touchstone for me-a measure of what poetry is. He is a genius of the sensorium as Kerouac was and a master of the ear as is Miles Davis. He is a carver in space like Van Gogh."—Michael McClure "There is no poetry more vivid, immediate, or telling than Robert Creeley's. His Collected Poems extends the achievement of Dickinson, Whitman, and Williams into postwar America. Creeley's excavation of particular words, images, and sentiments resonate beyond the pages of this book into the fabric of everyday life. This is American invention at its best, as necessary as the air we breathe and the ground we walk on."—Charles Bernstein "'It isn't what a poet says that counts as a work of art,' William Carlos Williams once wrote, 'it's what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity.' I can't think of another contemporary poet whose acute sensitivity to the particular event of making (and in poetry making includes breaking) each written line is as consummately fine-tuned as Robert Creeley's."—Susan Howe "He was the main support in the old house of poetry—the main beam."—C.D. Wright, Brown University alumni newsletter "There is no poet like Creeley. His multiple subjectivities and magic syllables have kept us curious and honest. Never a false step, never a less than tender heart for the sound, and the brilliant cognitive, often fierce power therein. What a glorious long life in writing. These late poems keep the brilliant tempo. We are very lucky he is still so much among us."—Anne Waldman "Robert Creeley transformed the momentary, spontaneous music of being alive into a profoundly enduring American art: brilliant, necessary, impeccably scored. He made it new for always."—Peter Gizzi

The Collected Poems of Robert Creeley, 1975–2005

The Collected Poems of Robert Creeley, 1975–2005
Author: Robert Creeley
Publisher: Univ of California Press
Total Pages: 682
Release: 2008-06-03
Genre: Literary Criticism
ISBN: 0520256204

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"The subtlest feeling for the measure that I encounter anywhere except in the verses of Ezra Pound."—William Carlos Williams "It is a study, how Creeley lands syntax down the alley, and his vocabulary-pure English-to hit meters and rhymes all of which are spares and strikes."—Charles Olson "Robert Creeley has created a noble body of poetry that extends the work of his predecessors Pound, Williams, Zukofsky, and Olson, and provides like them a method for his successors in exploring our new American poetic consciousness."—Allen Ginsberg "His succinctness is like the unfettered flashing of a diamond." —John Ashbery "Robert Creeley was one of the great giants of 20th Century American poetry. This collection is his monument." —Paul Auster "American poetry is unimaginable and, happily, unknowable without Creeley."—Andrei Codrescu, author of it was today: new poems "Creeley is a touchstone for me-a measure of what poetry is. He is a genius of the sensorium as Kerouac was and a master of the ear as is Miles Davis. He is a carver in space like Van Gogh."—Michael McClure "There is no poetry more vivid, immediate, or telling than Robert Creeley's. His Collected Poems extends the achievement of Dickinson, Whitman, and Williams into postwar America. Creeley's excavation of particular words, images, and sentiments resonate beyond the pages of this book into the fabric of everyday life. This is American invention at its best, as necessary as the air we breathe and the ground we walk on."—Charles Bernstein "'It isn't what a poet says that counts as a work of art,' William Carlos Williams once wrote, 'it's what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity.' I can't think of another contemporary poet whose acute sensitivity to the particular event of making (and in poetry making includes breaking) each written line is as consummately fine-tuned as Robert Creeley's."—Susan Howe "He was the main support in the old house of poetry—the main beam."—C.D. Wright, Brown University alumni newsletter "There is no poet like Creeley. His multiple subjectivities and magic syllables have kept us curious and honest. Never a false step, never a less than tender heart for the sound, and the brilliant cognitive, often fierce power therein. What a glorious long life in writing. These late poems keep the brilliant tempo. We are very lucky he is still so much among us."—Anne Waldman "Robert Creeley transformed the momentary, spontaneous music of being alive into a profoundly enduring American art: brilliant, necessary, impeccably scored. He made it new for always."—Peter Gizzi

Collected Prose

Collected Prose
Author: Charles Olson
Publisher: Univ of California Press
Total Pages: 492
Release: 1997-12-19
Genre: Literary Criticism
ISBN: 9780520919020

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The prose writings of Charles Olson (1910–1970) have had a far-reaching and continuing impact on post-World War II American poetics. Olson's theories, which made explicit the principles of his own poetics and those of the Black Mountain poets, were instrumental in defining the sense of the postmodern in poetry and form the basis of most postwar free verse. The Collected Prose brings together in one volume the works published for the most part between 1946 and 1969, many of which are now out of print. A valuable companion to editions of Olson's poetry, the book backgrounds the poetics, preoccupations, and fascinations that underpin his great poems. Included are Call Me Ishmael, a classic of American literary criticism; the influential essays "Projective Verse" and "Human Universe"; and essays, book reviews, and Olson's notes on his studies. In these pieces one can trace the development of his new science of man, called "muthologos," a radical mix of myth and phenomenology that Olson offered in opposition to the mechanistic discourse and rationalizing policy he associated with America's recent wars in Europe and Asia. Editors Donald Allen and Benjamin Friedlander offer helpful annotations throughout, and poet Robert Creeley, who enjoyed a long and mutually influential relationship with Olson, provides the book's introduction.

Form, Power, and Person in Robert Creeley’s Life and Work

Form, Power, and Person in Robert Creeley’s Life and Work
Author: Stephen Fredman
Publisher: University of Iowa Press
Total Pages: 268
Release: 2010-03-15
Genre: Literary Criticism
ISBN: 1587298597

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By any measure—international reputation, influence upon fellow writers and later generations, number of books published, scholarly and critical attention—Robert Creeley (1926–2005) is a literary giant, an outstanding, irreplaceable poet. For many decades readers have remarked upon the almost harrowing emotional nakedness of Creeley’s writing. In the years since his death, it may be that the disappearance of the writer allows that nakedness to be observed more readily and without embarrassment. Written by the foremost critics of his poetry, Form, Power, and Person in Robert Creeley’s Life and Work is the first book to treat Creeley’s career as a whole. Masterfully edited by Stephen Fredman and Steve McCaffery, the essays in this collection have been gathered into three parts. Those in “Form” consider a variety of characteristic formal qualities that differentiate Creeley from his contemporaries. In “Power,” writers reflect on the pressure exerted by emotions, gender issues, and politics in Creeley’s life and work. In “Person,” Creeley’s unique artistic and psychological project of constructing a person—reflected in his correspondence, teaching, interviews, collaborations, and meditations on the concept of experience—is excavated. While engaging these three major topics, the authors remain, as Creeley does, intent upon the ways such issues appear in language, for Creeley’s nakedness is most conspicuously displayed in his intimate relationship with words. Contributors Charles Altieri Rachel Blau DuPlessis Stephen Fredman Benjamin Friedlander Alan Golding Michael Davidson Steve McCaffery Peter Middleton Marjorie Perloff Peter Quartermain Libbie Rifkin

If I Were Writing This

If I Were Writing This
Author: Robert Creeley
Publisher: New Directions Publishing
Total Pages: 116
Release: 2008-08
Genre: Poetry
ISBN: 9780811217569

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New poetry from the winner of the Bollingen Prize in Poetry, a Lifetime Achievement Award from the Before Columbus Fdtn., and a Lannan Foundation Lifetime Achievement Award.

The Maximus Poems

The Maximus Poems
Author: Charles Olson
Publisher: Univ of California Press
Total Pages: 660
Release: 1983
Genre: Literary Criticism
ISBN: 0520055950

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The Maximus Poems is one of the high achievements of twentieth-century American letters and an essential poem in the postmodern canon. It stands out, in Hayden Carruth's words, as "a huge and truly angelic effort," matching the dimensions of its hero's name and returning poetry to its Homeric and Hesiodic scope. This complete edition of The Maximus Poems brings together the three volumes of Charles Olson's long poem (originally published in 1960, 1968, and 1975, and long out of print) in an authoritative version edited according to the highest standards of textual criticism. Errors in the previous editions have been corrected, twenty-nine new poems added, and the sequence of the final poems modified in the light of the editor's research among the poet's papers. --University of California Press.