The Classical Hollywood Reader

The Classical Hollywood Reader
Author: Steve Neale
Publisher: Routledge
Total Pages: 484
Release: 2012-11-12
Genre: Performing Arts
ISBN: 113572007X

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The Classical Hollywood Reader brings together essential readings to provide a history of Hollywood from the 1910s to the mid 1960s. Following on from a Prologue that discusses the aesthetic characteristics of Classical Hollywood films, Part 1 covers the period between the 1910s and the mid-to-late 1920s. It deals with the advent of feature-length films in the US and the growing national and international dominance of the companies responsible for their production, distribution and exhibition. In doing so, it also deals with film making practices, aspects of style, the changing roles played by women in an increasingly business-oriented environment, and the different audiences in the US for which Hollywood sought to cater. Part 2 covers the period between the coming of sound in the mid 1920s and the beginnings of the demise of the `studio system` in late 1940s. In doing so it deals with the impact of sound on films and film production in the US and Europe, the subsequent impact of the Depression and World War II on the industry and its audiences, the growth of unions, and the roles played by production managers and film stars at the height of the studio era. Part 3 deals with aspects of style, censorship, technology, and film production. It includes articles on the Production Code, music and sound, cinematography, and the often neglected topic of animation. Part 4 covers the period between 1946 and 1966. It deals with the demise of the studio system and the advent of independent production. In an era of demographic and social change, it looks at the growth of drive-in theatres, the impact of television, the advent of new technologies, the increasing importance of international markets, the Hollywood blacklist, the rise in art house imports and in overseas production, and the eventual demise of the Production Code. Designed especially for courses on Hollywood Cinema, the Reader includes a number of newly researched and written chapters and a series of introductions to each of its parts. It concludes with an epilogue, a list of resources for further research, and an extensive bibliography.

Classical Hollywood Comedy

Classical Hollywood Comedy
Author: Kristine Brunovska Karnick
Publisher: Routledge
Total Pages: 440
Release: 2013-02-01
Genre: Social Science
ISBN: 1135213232

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Applies the recent `return to history' in film studies to the genre of classical Hollywood comedy as well as broadening the definition of those works considered central in this field.

Classical Hollywood Narrative

Classical Hollywood Narrative
Author: Jane Gaines
Publisher: Duke University Press
Total Pages: 366
Release: 1992
Genre: Performing Arts
ISBN: 9780822312994

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An overview of film studies

The Contemporary Hollywood Reader

The Contemporary Hollywood Reader
Author: Toby Miller
Publisher:
Total Pages: 0
Release: 2009
Genre: Hollywood (Los Angeles, Calif.)
ISBN: 9780415452267

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This work is a selection of previously published work from a wide range of scholars on mainstream US film from the post-World War II period onwards.

Contemporary Hollywood Cinema

Contemporary Hollywood Cinema
Author: STEVE NEALE
Publisher: Routledge
Total Pages: 361
Release: 2013-04-15
Genre: Social Science
ISBN: 1135108765

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A comprehensive overview of the film industry in Hollywood today, Contemporary Hollywood Cinema brings together leading international cinema scholars to explore the technology, institutions, film makers and movies of contemporary American film making.

The Genius of the System

The Genius of the System
Author: Thomas Schatz
Publisher: Henry Holt and Company
Total Pages: 530
Release: 2015-06-02
Genre: Performing Arts
ISBN: 1627796452

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At a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's tradional blend of business and art. This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making-and unmaking-of movies, from Frankenstein to Spellbound to Grand Hotel. Richly illustrated and highly readable, The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.

The Silent Cinema Reader

The Silent Cinema Reader
Author: Lee Grieveson
Publisher: Psychology Press
Total Pages: 448
Release: 2004
Genre: History
ISBN: 9780415252843

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The Silent Cinema Reader brings together key writings on cinema from the beginnings of film in 1894 to the advent of sound in 1927, addressing the development of film production and exhibition technologies, methods of distribution, film form, and film culture during this critical period on film history. Thematic sections address: film projection and variety shows; storytelling and the Nickelodeon; cinema and reform; feature films and cinema programs; classical Hollywood cinema and European national cinemas. Each section is introduced by the editors, and contains suggestions for further readings and film viewings.

Screening the Stage

Screening the Stage
Author: Steven Neale
Publisher: Indiana University Press
Total Pages: 250
Release: 2017-06-06
Genre: Art
ISBN: 0861969294

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Introduced by a comprehensive account of the factors governing the adaptation of stage plays and musicals in Hollywood from the early 1910s to the mid-to-late 1950s, Screening the Stage consists of a series of chapter-length studies of feature-length films, the plays and musicals on which they were based, and their remakes where pertinent. Founded on an awareness of evolving technologies and industrial practices rather than the tenets of adaptation theory, particular attention is paid to the evolving practices of Hollywood as well as to the purport and structure of the plays and stage musicals on which the film versions were based. Each play or musical is contextualized and summarized in detail, and each film is analyzed so as to pinpoint the ways in which they articulate, modify, or rework the former. Examples range from dramas, comedies, melodramas, musicals, operettas, thrillers, westerns and war film, and include The Squaw Man, The Poor Little Rich Girl, The Merry Widow, 7th Heaven, The Cocoanuts, Waterloo Bridge, Stage Door, I Remember Mama, The Pirate, Dial M for Murder and Attack.

The Hollywood Film Music Reader

The Hollywood Film Music Reader
Author: Mervyn Cooke
Publisher: Oxford University Press, USA
Total Pages: 394
Release: 2010-11-04
Genre: Biography & Autobiography
ISBN: 0195331184

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This wide-ranging, stimulating, and entertaining anthology of writings about the experiences of composers working in the high-pressure environment of the US film industry from the silent era to the present day includes both vivid first-hand accounts from the composers themselves and a representative selection of contemporaneous criticism and commentary.

Saying It With Songs

Saying It With Songs
Author: Katherine Spring
Publisher: Oxford University Press
Total Pages: 244
Release: 2013-11
Genre: Music
ISBN: 0199842213

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Hollywood's conversion from silent to synchronized sound film production not only instigated the convergence of the film and music industries but also gave rise to an extraordinary period of songs in American cinema. Saying It With Songs considers how the increasing interdependence of Hollywood studios and Tin Pan Alley music publishing firms influenced the commercial and narrative functions of popular songs. While most scholarship on film music of the period focuses on adaptations of Broadway musicals, this book examines the functions of songs in a variety of non-musical genres, including melodramas, romantic comedies, Westerns, prison dramas, and action-adventure films, and shows how filmmakers tested and refined their approach to songs in order to reconcile the spectacle of song performance, the classical norms of storytelling, and the conventions of background orchestral scoring from the period of silent cinema. Written for film and music scholars alike as well as for general readers, Saying It With Songs illuminates the origins of the popular song score aesthetic of American cinema.