The Cinema of Louis Malle

The Cinema of Louis Malle
Author: Philippe Met
Publisher: Columbia University Press
Total Pages: 612
Release: 2018-09-11
Genre: Performing Arts
ISBN: 023185126X

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Arguably a pioneer of the French New Wave (with Ascenseur pour l’échafaud, 1957) Louis Malle went on to enjoy an acclaimed yet provocative and versatile transatlantic career. This collection of original essays proposes to reassess his richly eclectic and boldly subversive oeuvre and redress the surprising critical neglect it has suffered over the years. It does so through a combination of transversal and monographic analyses that use a variety of critical lenses and theoretical tools in order to examine Malle’s documentaries as well as his fiction features (and, more importantly, the constant shuttling and uniquely persistent cross-pollination between those two cinematic approaches), illuminate the profound, lasting dialogue his films entertained with literature and theater, bring to the fore their sustained, albeit often oblique autobiographical thrust along with their scathing sociopolitical critique, and scrutinize the alternating use of stars and non-professional actors. In addition, the volume features an exclusive interview with the acclaimed playwright John Guare (a close friend and collaborator of Louis Malle’s who scripted Atlantic City) and is bookended by a foreword by Volker Schlöndorff and an afterword by Wes Anderson, two renowned filmmakers who articulate their admiration for, and the seminal influence of, their predecessor.

Louis Malle

Louis Malle
Author: Hugo Frey
Publisher: Manchester University Press
Total Pages: 174
Release: 2019-01-11
Genre: Performing Arts
ISBN: 1526141612

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This book analyses one of France's most controversial directors. It discusses Louis Malle's treatment of topics such as fascism, incest, child prostitution and the Holocaust. It is the first work published on the director in the English Language.

The Films of Louis Malle

The Films of Louis Malle
Author: Nathan Southern
Publisher: McFarland
Total Pages: 432
Release: 2006
Genre: Performing Arts
ISBN:

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This is a critical study of Malle's life's work. It is approached non-theoretically on a film-by-film basis; each is examined as an individualistic and self-reverential exploration of its own subjects and themes.

Louis Malle

Louis Malle
Author: Christopher Beach
Publisher: Univ. Press of Mississippi
Total Pages: 194
Release: 2022-06-15
Genre: Performing Arts
ISBN: 1496839641

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A filmmaker whose work exhibits a wide range of styles and approaches, Louis Malle (1932–1995) was the only French director of his generation to enjoy a significant career in both France and the United States. Although Malle began his career alongside members of the French New Wave like François Truffaut, Jean-Luc Godard, and Claude Chabrol, he never associated himself with that group. Malle is perhaps best known for his willingness to take on such difficult or controversial topics as suicide, incest, child prostitution, and collaboration with the Nazis during World War II. His filmography includes narrative films like Zazie dans le Métro, Murmur of the Heart, Atlantic City, My Dinner with Andre, and Au revoir les enfants, as well as several major documentaries. In the late 1970s, Malle moved to the United States, where he worked primarily outside of the Hollywood studio system. The films of his American period display his keen outsider’s eye, which allowed him to observe diverse aspects of American life in settings that ranged from turn-of-the-century New Orleans to present-day Atlantic City and the Texas Gulf Coast. Louis Malle: Interviews covers the entirety of Malle’s career and features seventeen interviews, the majority of which are translated into English here for the first time. As the collection demonstrates, Malle was an extremely intelligent and articulate filmmaker who thought deeply about his own choices as a director, the ideological implications of those choices, and the often-controversial themes treated in his films. The interviews address such topics as Malle’s approach to casting and directing actors, his attitude toward provocative subject matter and censorship, his understanding of the relationship between documentary and fiction film, and the differences between the film industries in France and the US. Malle also discusses his sometimes-challenging work with such actors as Brigitte Bardot, Pierre Blaise, and Brooke Shields, and sheds new light on the making of his films.

Malle on Malle

Malle on Malle
Author: Louis Malle
Publisher: Faber & Faber
Total Pages: 256
Release: 1996
Genre: Biography & Autobiography
ISBN: 9780571178803

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Malle discusses his career and development as an artist, reflected in his direction of films and production of many documentaries. He talks about the recurrent themes of his work and the people he has worked with.

A Foreigner's Gaze

A Foreigner's Gaze
Author: Margarita De la Vega-Hurtado
Publisher:
Total Pages: 394
Release: 1992
Genre: Motion picture producers and directors
ISBN:

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Lacombe, Lucien

Lacombe, Lucien
Author: Louis Malle
Publisher: Penguin Books
Total Pages: 140
Release: 1975
Genre: Drama
ISBN:

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Peasant boy living in Nazi-occupied France who joins a group of Fascist Frenchmen who collaborate with the Gestapo in preying on their countrymen.

A History of the French New Wave Cinema

A History of the French New Wave Cinema
Author: Richard Neupert
Publisher: Univ of Wisconsin Press
Total Pages: 442
Release: 2007-04-20
Genre: Performing Arts
ISBN: 0299217035

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The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.

Nationalism and the Cinema in France

Nationalism and the Cinema in France
Author: Hugo Frey
Publisher: Berghahn Books
Total Pages: 250
Release: 2014-07-01
Genre: Performing Arts
ISBN: 1782383662

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It is often taken for granted that French cinema is intimately connected to the nation’s sense of identity and self-confidence. But what do we really know about that relationship? What are the nuances, insider codes, and hidden history of the alignment between cinema and nationalism? Hugo Frey suggests that the concepts of the ‘political myth’ and ‘the film event’ are the essential theoretical reference points for unlocking film history. Nationalism and the Cinema in France offers new arguments regarding those connections in the French case, examining national elitism, neo-colonialism, and other exclusionary discourses, as well as discussing for the first time the subculture of cinema around the extreme right Front National. Key works from directors such as Michel Audiard, Jean-Luc Godard, Jean-Pierre Melville, Marcel Pagnol, Jean Renoir, Jacques Tati, François Truffaut, and others provide a rich body of evidence.

Historical Dictionary of French Cinema

Historical Dictionary of French Cinema
Author: Dayna Oscherwitz
Publisher: Historical Dictionaries of Literature and the Arts
Total Pages: 514
Release: 2007
Genre: History
ISBN:

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It can be argued that cinema was created in France by Louis Lumière in 1895 with the invention of the cinématographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinématographe was the first device capable of recording and externally projecting images in such a way as to convey motion. Early films such as Lumière's La Sortie de l'usine, a minute-long film of workers leaving the Lumière factory, captured the imagination of the nation and quickly inspired the likes of Georges Méliès, Alice Guy, and Charles Pathé. Through the years, French cinema has been responsible for producing some of the world's best directors--Jean Renoir, Jean-Luc Godard, François Truffaut, and Louis Malle--and actors--Charles Boyer, Catherine Deneuve, Gérard Depardieu, and Audrey Tautou. The Historical Dictionary of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.