The Carracci: Selected Drawings

The Carracci: Selected Drawings
Author: Sofia Pagani
Publisher:
Total Pages: 54
Release: 2017-07-14
Genre:
ISBN: 9781548911164

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Brothers Annibale and Agostino along with their cousin Ludovico (1555-1619) worked collaboratively on art works and art theories pertaining to the Baroque style. The Carracci family left their legacy in art theory by starting a school for artists in 1582. The school was called the Accademia degli Incamminati, and its main focus was to oppose and challenge Mannerist artistic practices and principles in order to create art that was avant-garde with a new modernist edge. Agostino Carracci (1557 - 1602) was an Italian painter and printmaker. He was the brother of the more famous Annibale and cousin of Lodovico Carracci.He posited the ideal in nature, and was the founder of the competing school to the more gritty view of nature as expressed by Caravaggio. He was one of the founders of the Accademia degli Incamminati along with his brother, Annibale Carracci, and cousin, Ludovico Carracci. The academy helped propel painters of the School of Bologna to prominence.Agostino Carracci was born in Bologna, and trained at the workshop of the architect Domenico Tibaldi. Starting from 1574 he worked as a reproductive engraver, copying works of 16th century masters such as Federico Barocci, Tintoretto, Antonio Campi, Veronese and Correggio. He also produced some original prints, including two etchings.He travelled to Venice (1582, 1587-1589) and Parma (1586-1587). Together with Annibale and Ludovico he worked in Bologna on the fresco cycles in Palazzo Fava (Histories of Jason and Medea, 1584) and Palazzo Magnani (Histories of Romulus, 1590-1592). In 1592 he also painted the Communion of St. Jerome, now in the Pinacoteca di Bologna and considered his masterwork. From 1586 is his altarpiece of the Madonna with Child and Saints, in the National Gallery of Parma. In 1598 Carracci joined his brother Annibale in Rome, to collaborate on the decoration of the Gallery in Palazzo Farnese. From 1598-1600 is a triple Portrait, now in Naples, an example of genre painting. In 1600 he was called to Parma by Duke Ranuccio I Farnese to begin the decoration of the Palazzo del Giardino, but he died before it was finished.Agostino's son Antonio Carracci was also a painter, and attempted to compete with his father's Academy.Annibale Carracci (1560 - 1609) was an Italian painter, active in Bologna and later in Rome. Along with his brothers, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.Annibale Carracci was remarkably eclectic in thematic, painting landscapes, genre scenes, and portraits, including a series of self-portraits across the ages. He was one of the first Italian painters to paint a canvas wherein landscape took priority over figures, such as his masterful The Flight into Egypt; this is a genre in which he was followed by Domenichino (his favorite pupil) and Claude Lorrain.Carracci's art also had a less formal side that comes out in his caricatures (he is generally credited with inventing the form) and in his early genre paintings, which are remarkable for their lively observation and free handling and his painting of The Beaneater. He is described by biographers as inattentive to dress, obsessed with work: his self-portraits vary in his depiction.

The Drawings of Annibale Carracci

The Drawings of Annibale Carracci
Author: Daniele Benati
Publisher: Lund Humphries Publishers
Total Pages: 304
Release: 2000
Genre: Art
ISBN: 9780853317647

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Widely regarded as one of the greatest draughtsmen of all time, Annibale Carracci (1560-1609) is celebrated for his naturalism. Born in a time when the elegant deformations and exaggerations of Italian mannerism were still in vogue, Carracci turned instead to nature as his principal inspiration. Much attuned to the everyday world around him, he took as much interest in studying a man bowling, a butcher weighing a piece of meat, or a street entertainer with his monkey as he did in the preparatory studies for his grand mythological and religious paintings. The fruit of this intensive study is abundantly evident in his magnificent drawings of the human figure - from his early works in Bologna to those made in preparation for his greatest commission, the decoration of the Farnese Gallery in Rome. This stunning publication brings together a plethora of Carracci's masterful drawings to provide a unique insight into the technique and skill of one of the premier artists of his time.

Breathing Life Into Stone

Breathing Life Into Stone
Author: Rachel Boyd
Publisher:
Total Pages: 108
Release: 2002
Genre: Drawing
ISBN:

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Drawings by the Carracci from British Collections

Drawings by the Carracci from British Collections
Author: Clare Robertson
Publisher: Ashmolean Museum
Total Pages: 160
Release: 1996
Genre: Art
ISBN: 9781854440921

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The rich holdings of drawings by the Carracci in British collections can only be partially represented in this book; nevertheless, the variety of types of drawings and the high quality of the sheets here presented are striking. Over thirty of the drawing

The Drawings of Annibale Carracci

The Drawings of Annibale Carracci
Author: Annibale Carracci
Publisher:
Total Pages: 304
Release: 1999-01-01
Genre: Art
ISBN: 9780894682438

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Annibale Carracci, the Farnese Gallery, Rome

Annibale Carracci, the Farnese Gallery, Rome
Author: Charles Dempsey
Publisher: George Braziller
Total Pages: 112
Release: 1995
Genre: Antiques & Collectibles
ISBN:

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The magnificent frescoes in chapels, town halls, and palaces across Italy together represent one of the greatest achievements of Renaissance art. Commissioned both by private patrons and by the Church, artists such as Giotto, Masaccio, Piero della Francesca, Mantegna, and Annibale Carracci responded with images of matchless beauty. Leading scholars of Renaissance art and culture treat the works selected for this series in their artistic and historical contexts; each cycle is illustrated with a complete set of the highest quality color reproductions.

The Carracci

The Carracci
Author: King's College (University of Durham). Department of Fine Art
Publisher:
Total Pages: 108
Release: 1961
Genre: Drawing, Italian
ISBN:

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