The Cambridge Companion to Pop and Rock

The Cambridge Companion to Pop and Rock
Author: Simon Frith
Publisher: Cambridge University Press
Total Pages: 336
Release: 2001-08-16
Genre: Music
ISBN: 9780521556606

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This Companion maps the world of pop and rock, pinpointing the most significant moments in its history and presenting the key issues involved in understanding popular culture's most vital art form. Expert writers chart the changing patterns in the production and consumption of popular music, the emergence of a vast industry with a turnover of billions and the rise of global stars from Elvis to Public Enemy, Nirvana to the Spice Girls. They trace the way new technologies - from the amplifier to the internet - have changed the sounds and practices of pop and they analyse the way maverick entrepreneurs have given way to multimedia corporations. In particular they focus on the controversial issues concerning race and ethnicity, politics, gender and globalisation. Contains full profiles of a selection of figures from the pop and rock world.

The Cambridge Companion to the Beatles

The Cambridge Companion to the Beatles
Author: Kenneth Womack
Publisher: Cambridge University Press
Total Pages: 344
Release: 2009-11-12
Genre: Music
ISBN: 1139828061

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From Please Please Me to Abbey Road, this collection of essays tells the fascinating story of the Beatles – the creation of the band, their musical influences, and their cultural significance, with emphasis on their genesis and practices as musicians, songwriters, and recording artists. Through detailed biographical and album analyses, the book uncovers the background of each band member and provides expansive readings of the band's music. • Traces the group's creative output from their earliest recordings through their career • Pays particular attention to the social and historical factors which contributed to the creation of the band • Investigates the Beatles' unique enduring musical legacy and cultural power • Clearly organized into three sections, covering Background, Works, and History and Influence, the Companion is ideal for course usage, and is also a must-read for all Beatles fans

The Cambridge Companion to the Rolling Stones

The Cambridge Companion to the Rolling Stones
Author: Victor Coelho
Publisher: Cambridge University Press
Total Pages: 247
Release: 2019-09-12
Genre: Music
ISBN: 1107030269

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The first collection of academic essays focused entirely on the musical, historical, cultural and media impact of the Rolling Stones.

The Cambridge Companion to Nineteen Eighty-Four

The Cambridge Companion to Nineteen Eighty-Four
Author: Nathan Waddell
Publisher: Cambridge University Press
Total Pages: 311
Release: 2020-10
Genre: Literary Collections
ISBN: 1108841090

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The Cambridge Companion to Nineteen Eighty-Four is aimed at undergraduates, postgraduates, and academics. Situating the novel in multiple frameworks, including contextual considerations and literary histories, the book asks new questions about the novel's significance in an age in which authoritarianism finds itself freshly empowered.

The Cambridge Companion to the Saxophone

The Cambridge Companion to the Saxophone
Author: Richard Ingham
Publisher: Cambridge University Press
Total Pages: 252
Release: 1999-02-13
Genre: Music
ISBN: 1107494052

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The Cambridge Companion to the Saxophone, first published in 1999, tells the story of the saxophone, its history and technical development from Adolphe Sax (who invented it c. 1840) to the end of the twentieth century. It includes extensive accounts of the instrument's history in jazz, rock and classical music as well as providing practical performance guides. Discussion of the repertoire and soloists from 1850 to the present day includes accessible descriptions of contemporary techniques and trends, and moves into the electronic age with midi wind instruments. There is a discussion of the function of the saxophone in the orchestra, in 'light music' and in rock and pop studios, as well as of the saxophone quartet as an important chamber music medium. The contributors to this volume are some of the finest performers and experts on the saxophone.

The Cambridge Companion to the String Quartet

The Cambridge Companion to the String Quartet
Author: Robin Stowell
Publisher: Cambridge University Press
Total Pages: 672
Release: 2003-11-13
Genre: Music
ISBN: 1139826549

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This Companion offers a concise and authoritative survey of the string quartet by eleven chamber music specialists. Its fifteen carefully structured chapters provide coverage of a stimulating range of perspectives previously unavailable in one volume. It focuses on four main areas: the social and musical background to the quartet's development; the most celebrated ensembles; string quartet playing, including aspects of contemporary and historical performing practice; and the mainstream repertory, including significant 'mixed ensemble' compositions involving string quartet. Various musical and pictorial illustrations and informative appendixes, including a chronology of the most significant works, complete this indispensable guide. Written for all string quartet enthusiasts, this Companion will enrich readers' understanding of the history of the genre, the context and significance of quartets as cultural phenomena, and the musical, technical and interpretative problems of chamber music performance. It will also enhance their experience of listening to quartets in performance and on recordings.

The Routledge Companion to Popular Music Analysis

The Routledge Companion to Popular Music Analysis
Author: Ciro Scotto
Publisher: Routledge
Total Pages: 442
Release: 2018-09-28
Genre: Music
ISBN: 1134830858

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The Routledge Companion to Popular Music Analysis: Expanding Approaches widens the scope of analytical approaches for popular music by incorporating methods developed for analyzing contemporary art music. This study endeavors to create a new analytical paradigm for examining popular music from the perspective of developments in contemporary art music. "Expanded approaches" for popular music analysis is broadly defined as as exploring the pitch-class structures, form, timbre, rhythm, or aesthetics of various forms of popular music in a conceptual space not limited to the domain of common practice tonality but broadened to include any applicable compositional, analytical, or theoretical concept that illuminates the music. The essays in this collection investigate a variety of analytical, theoretical, historical, and aesthetic commonalities popular music shares with 20th and 21st century art music. From rock and pop to hip hop and rap, dance and electronica, from the 1930s to present day, this companion explores these connections in five parts: Establishing and Expanding Analytical Frameworks Technology and Timbre Rhythm, Pitch, and Harmony Form and Structure Critical Frameworks: Analytical, Formal, Structural, and Political With contributions by established scholars and promising emerging scholars in music theory and historical musicology from North America, Europe, and Australia, The Routledge Companion to Popular Music Analysis: Expanding Approaches offers nuanced and detailed perspectives that address the relationships between concert and popular music.

The Cambridge Companion to Hip-Hop

The Cambridge Companion to Hip-Hop
Author: Justin A. Williams
Publisher: Cambridge University Press
Total Pages: 370
Release: 2015-02-12
Genre: Music
ISBN: 1107037468

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This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.

The Cambridge History of Twentieth-Century Music

The Cambridge History of Twentieth-Century Music
Author: Nicholas Cook
Publisher: Cambridge University Press
Total Pages: 848
Release: 2004-08-05
Genre: Music
ISBN: 9780521662567

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Publisher Description

Analyzing Popular Music

Analyzing Popular Music
Author: Allan F. Moore
Publisher: Cambridge University Press
Total Pages: 284
Release: 2003-05-22
Genre: Music
ISBN: 1139435345

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How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself. The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication. It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with and is the first collection of such essays to incorporate contextualisation in this way.