The Cambridge Companion to American Women Playwrights

The Cambridge Companion to American Women Playwrights
Author: Brenda Murphy
Publisher: Cambridge University Press
Total Pages: 328
Release: 1999-06-28
Genre: Biography & Autobiography
ISBN: 9780521576802

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This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930.

The Cambridge Companion to Modern British Women Playwrights

The Cambridge Companion to Modern British Women Playwrights
Author: Elaine Aston
Publisher: Cambridge University Press
Total Pages: 419
Release: 2000-05-25
Genre: Drama
ISBN: 1139825720

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This Companion, first published in 2000, addresses the work of women playwrights in Britain throughout the twentieth century. The chapters explore the historical and theatrical contexts in which women have written for the theatre and examine the work of individual playwrights. A chronological section on playwriting from the 1920s to the 1970s is followed by chapters which raise issues of nationality and identity. Later sections question accepted notions of the canon and include chapters on non-mainstream writing, including black and lesbian performance. Each section is introduced by the editors, who provide a narrative overview of a century of women's drama and a thorough chronology of playwriting, set in political context. The collection includes essays on the individual writers Caryl Churchill, Sarah Daniels, Pam Gems and Timberlake Wertenbaker as well as extensive documentation of contemporary playwriting in Wales, Scotland and Northern Ireland, including figures such as Liz Lochhead and Anne Devlin.

The Cambridge Companion to African American Theatre

The Cambridge Companion to African American Theatre
Author: Harvey Young
Publisher: Cambridge University Press
Total Pages: 359
Release: 2023-05-31
Genre: Drama
ISBN: 1009359584

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This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.

The Cambridge Companion to Modern British Women Playwrights

The Cambridge Companion to Modern British Women Playwrights
Author: Elaine Aston
Publisher: Cambridge University Press
Total Pages: 318
Release: 2000-05-25
Genre: Drama
ISBN: 9780521595339

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This Companion addresses the work of women playwrights in Britain throughout the twentieth century. Chapters explore the historical and theatrical contexts in which women have written for the theater and examine the work of individual playwrights such as Caryl Churchill, Pam Gems, and Timberlake Wertenbaker. The volume brings together a transatlantic team of feminist theater scholars and practitioners. A chronological section on playwriting from the 1920s to the 1970s is followed by chapters that raise issues of nationality and identity. Later sections question accepted notions of the canon and include chapters on nonmainstream writing, including black and lesbian performance.

Plays by American Women, 1900-1930

Plays by American Women, 1900-1930
Author: Judith E. Barlow
Publisher: Hal Leonard Corporation
Total Pages: 308
Release: 2001
Genre: Drama
ISBN: 9781557830081

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Traces the contributions of women to the American theater and offers the texts of five plays that deal with a sick child, a murdered husband, and family life

The Cambridge Companion to Modern British Women Playwrights

The Cambridge Companion to Modern British Women Playwrights
Author: Elaine Aston
Publisher: Cambridge University Press
Total Pages: 300
Release: 2000
Genre: Drama
ISBN: 9780521595339

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This Companion, first published in 2000, addresses the work of women playwrights in Britain throughout the twentieth century.

The Cambridge Companion to Nineteenth-Century American Women's Writing

The Cambridge Companion to Nineteenth-Century American Women's Writing
Author: Dale M. Bauer
Publisher: Cambridge University Press
Total Pages: 372
Release: 2001-11-15
Genre: Literary Criticism
ISBN: 9780521669757

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A 2001 Companion providing an overview of the history of writing by women in nineteenth-century America.

The Cambridge Companion to American Theatre since 1945

The Cambridge Companion to American Theatre since 1945
Author: Julia Listengarten
Publisher: Cambridge University Press
Total Pages: 489
Release: 2021-09-09
Genre: Drama
ISBN: 1108570267

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The Cambridge Companion to American Theatre since 1945 provides an overview and analysis of developments in the organization and practices of American theatre. It examines key demographic and geographical shifts American theatre after 1945 experienced in spectatorship, and addresses the economic, social, and political challenges theatre artists have faced across cultural climates and geographical locations. Specifically, it explores artistic communities, collaborative practices, and theatre methodologies across mainstream, regional, and experimental theatre practices, forms, and expressions. As American theatre has embraced diversity in practice and representation, the volume examines the various creative voices, communities, and perspectives that prior to the 1940s was mostly excluded from the theatrical landscape. This diversity has led to changing dramaturgical and theatrical languages that take us in to the twenty-first century. These shifting perspectives and evolving forms of theatrical expressions paved the ground for contemporary American theatrical innovation.