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| Author | : D.A. Stern |
| Publisher | : Simon and Schuster |
| Total Pages | : 164 |
| Release | : 2000-08 |
| Genre | : Fiction |
| ISBN | : 0743411536 |
YA. Horror. In 1941, Rustin told police he murdered seven children. But on the eve of his hanging, the priest hears a different story.
| Author | : David A. Stern |
| Publisher | : |
| Total Pages | : 216 |
| Release | : 1999 |
| Genre | : Blair Witch Project (Motion picture) |
| ISBN | : |
"The first fully detailed and illustrated investigative report on of the most disturbing cases in Maryland history."--Cover.
| Author | : Heather Donahue |
| Publisher | : Gotham |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Actors |
| ISBN | : 9781592406920 |
The actress from the cult hit "The Blair Witch Project" chronicles the year she spent in a marijuana-growing community in Nuggettown, California, where she found comfort and normalcy as she immersed herself in regional counterculture.
| Author | : Peter Turner |
| Publisher | : Liverpool University Press |
| Total Pages | : 138 |
| Release | : 2015-05-26 |
| Genre | : Performing Arts |
| ISBN | : 1906733880 |
Few films have had the influence and impact of The Blair Witch Project (1999). Its arrival was a horror cinema palette cleanser after a decade of serial killers and postmodern intertextuality, a bare bones 'found footage' trend setter. In this Devil's Advocate, Peter Turner tells the story of the film from his conception and production then provides a unique analysis of the techniques used, their appeal to audiences and the themes that helped make the film such an international hit, including the pionerring internet marketing.
| Author | : Matt Blazi |
| Publisher | : |
| Total Pages | : 338 |
| Release | : 2019-10-03 |
| Genre | : |
| ISBN | : 9781697213492 |
Have you ever heard of the Blair Witch? This simple question captivated moviegoers in the summer of 1999. From the start, The Blair Witch Project was an unconventional idea that evolved into a theatrical experience never seen before. Blurring the lines between fiction and reality, Haxan Films carefully crafted a mythology that immersed the viewer in a world of mysterious occurrences and unexplained phenomenon. Now, for the first time, the complete story behind the making of The Blair Witch Project will be told. From conceptualization, to the world wide phenomenon, 8 Days in the Woods tells the story of how first time filmmakers from UCF revolutionized a sub-genre of horror films that is still felt today. Containing interviews from cast and crew, including over 20 individuals who helped bring The Blair Witch Project to life-many who have never been interviewed before. With over 150 photographs and documents, 8 Days in the Woods is the definitive history about a film that is still terrifying audiences to this day.
| Author | : Jen Van Meter |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2000 |
| Genre | : Blair Witch Project (Motion picture) |
| ISBN | : 9781929998043 |
From the hit film of 1999 comes this graphic novel that is filled with stories based on the legends surrounding the mysterious evil that haunts the woods of Burkitsville.
| Author | : D. A. Stern |
| Publisher | : |
| Total Pages | : 148 |
| Release | : 2000 |
| Genre | : Fiction |
| ISBN | : 9780743411899 |
In October 1994, three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary.
| Author | : Howard David Ingham |
| Publisher | : |
| Total Pages | : 440 |
| Release | : 2018-07-08 |
| Genre | : Horror films |
| ISBN | : 9781722748814 |
Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of pagan village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women
| Author | : Paul Wells |
| Publisher | : Wallflower Press |
| Total Pages | : 152 |
| Release | : 2000 |
| Genre | : Literary Criticism |
| ISBN | : 9781903364000 |
A comprehensive introduction to the history and key themes of the genre. The main issues and debates raised by horror, and the approaches and theories that have been applied to horror texts are all featured. In addressing the evolution of the horror film in social and historical context, Paul Wells explores how it has reflected and commented upon particular historical periods, and asks how it may respond to the new millennium by citing recent innovations in the genre's development, such as the "urban myth" narrative underpinning Candyman and The Blair Witch Project. Over 300 films are treated, all of which are featured in the filmography.
| Author | : Sarah Lynn Higley |
| Publisher | : Wayne State University Press |
| Total Pages | : 268 |
| Release | : 2004 |
| Genre | : Performing Arts |
| ISBN | : 9780814330647 |
Daniel Myrick and Eduardo Sanchez's The Blair Witch Project seemingly appeared from nowhere to become one of 1999's highest grossing films. While generating revenue as a low budget movie backed by a media blitz, The Blair Witch Project also generated controversy and made a mockery of the Hollywood industry, billing itself as "real" footage of a supernatural event. Critics were divided over some of the most basic questions: whether the film was an artistic success or the product of its hype, for example, and whether it challenged Hollywood conventions or succumbed to them in the end. Nothing That Is: The Blair Witch Controversies examines these and other debates, and initiates some of its own about American taste for horror, hoax, independent films, the Internet, and the direction of cinema in the twenty-first century. The book explores the modest origins and rapid demise of this independent film- while also analyzing the sensational results of its broad media discourses--a Web site developing the back story of The Blair Witch Project was one of the most-accessed sites on the entire Internet at the time of the movie's release. These essays, from many diverse perspectives, also look at The Blair Witch Project's manipulation of cinematic codes, its view on technology and the occult, its film progenitors, and even its effects on the film's setting of Burkittsville, Maryland. Nothing That Is will interest both film scholars and fans of this unexpected blockbuster that emerged from, if not "nothing," a complex brew of culture, technology, and ingenuity.
