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| Author | : Shawn James Rosenheim |
| Publisher | : JHU Press |
| Total Pages | : 388 |
| Release | : 1995-08-28 |
| Genre | : Literary Criticism |
| ISBN | : 9780801850257 |
Renza, Shawn Rosenheim, and Laura Saltz.--Kenneth Dauber, State University of New York, Buffalo
| Author | : J. Gerald Kennedy |
| Publisher | : Oxford University Press |
| Total Pages | : 256 |
| Release | : 2001-01-04 |
| Genre | : Literary Criticism |
| ISBN | : 0199728135 |
Edgar Allan Poe (1809-1849), son of itinerant actors, holds a secure place in the firmament of history as America's first master of suspense. Displaying scant interest in native scenes or materials, Edgar Allan Poe seems the most un-American of American writers during the era of literary nationalism; yet he was at the same time a pragmatic magazinist, fully engaged in popular culture and intensely concerned with the "republic of letters" in the United States. This Historical Guide contains an introduction that considers the tensions between Poe's "otherworldly" settings and his historically marked representations of violence, as well as a capsule biography situating Poe in his historical context. The subsequent essays in this book cover such topics as Poe and the American Publishing Industry, Poe's Sensationalism, his relationships to gender constructions, and Poe and American Privacy. The volume also includes a bibliographic essay, a chronology of Poe's life, a bibliography, illustrations, and an index.
| Author | : Shawn James Rosenheim |
| Publisher | : JHU Press |
| Total Pages | : 334 |
| Release | : 2020-03-24 |
| Genre | : Literary Criticism |
| ISBN | : 1421437163 |
Originally published in 1996. In The Cryptographic Imagination, Shawn Rosenheim uses the writings of Edgar Allan Poe to pose a set of questions pertaining to literary genre, cultural modernity, and technology. Rosenheim argues that Poe's cryptographic writing—his essays on cryptography and the short stories that grew out of them—requires that we rethink the relation of poststructural criticism to Poe's texts and, more generally, reconsider the relation of literature to communication. Cryptography serves not only as a template for the language, character, and themes of much of Poe's late fiction (including his creation, the detective story) but also as a "secret history" of literary modernity itself. "Both postwar fiction and literary criticism," the author writes, "are deeply indebted to the rise of cryptography in World War II." Still more surprising, in Rosenheim's view, Poe is not merely a source for such literary instances of cryptography as the codes in Conan Doyle's "The Dancing-Men" or in Jules Verne, but, through his effect on real cryptographers, Poe's writing influenced the outcome of World War II and the development of the Cold War. However unlikely such ideas sound, The Cryptographic Imagination offers compelling evidence that Poe's cryptographic writing clarifies one important avenue by which the twentieth century called itself into being. "The strength of Rosenheim's work extends to a revisionistic understanding of the entirety of literary history (as a repression of cryptography) and then, in a breathtaking shift of register, interlinks Poe's exercises in cryptography with the hyperreality of the CIA, the Cold War, and the Internet. What enables this extensive range of applications is the stipulated tension Rosenheim discerns in the relationship between the forms of the literary imagination and the condition of its mode of production. Cryptography, in this account, names the technology of literary production—the diacritical relationship between decoding and encoding—that the literary imagination dissimulates as hieroglyphics—the hermeneutic relationship between a sign and its content."—Donald E. Pease, Dartmouth College
| Author | : John Cullen Gruesser |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 183 |
| Release | : 2019-01-24 |
| Genre | : Literary Criticism |
| ISBN | : 1501334557 |
Winner of the 2019 Patrick F. Quinn Award for the best book on Poe (awarded by the Poe Studies Association) Edgar Allan Poe and His Nineteenth-Century American Counterparts addresses Poe's connections with, critical assessments of, borrowings from, and effect on his literary peers. It situates Poe within his own time and place, paying particular attention to his interactions with, and impact on, figures such as Nathaniel Hawthorne, Walt Whitman, Herman Melville, Mark Twain, Harriet Jacobs, and Pauline Hopkins. John Cullen Gruesser rebuts myths that continue to cling to Poe, demonstrates Poe's ability to transform themes he encountered in the works of his literary contemporaries into great literature, and establishes the profound influence of Poe's invention of detective fiction on nineteenth-century American writers.
| Author | : J. Gerald Kennedy |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 881 |
| Release | : 2019-01-08 |
| Genre | : Literary Criticism |
| ISBN | : 0190641878 |
No American author of the early 19th century enjoys a larger international audience than Edgar Allan Poe. Widely translated, read, and studied, he occupies an iconic place in global culture. Such acclaim would have gratified Poe, who deliberately wrote for "the world at large" and mocked the provincialism of strictly nationalistic themes. Partly for this reason, early literary historians cast Poe as an outsider, regarding his dark fantasies as extraneous to American life and experience. Only in the 20th century did Poe finally gain a prominent place in the national canon. Changing critical approaches have deepened our understanding of Poe's complexity and revealed an author who defies easy classification. New models of interpretation have excited fresh debates about his essential genius, his subversive imagination, his cultural insight, and his ultimate impact, urging an expansive reconsideration of his literary achievement. Edited by leading experts J. Gerald Kennedy and Scott Peeples, this volume presents a sweeping reexamination of Poe's work. Forty-five distinguished scholars address Poe's troubled life and checkered career as a "magazinist," his poetry and prose, and his reviews, essays, opinions, and marginalia. The chapters provide fresh insights into Poe's lasting impact on subsequent literature, music, art, comics, and film and illuminate his radical conception of the universe, science, and the human mind. Wide-ranging and thought-provoking, this Handbook reveals a thoroughly modern Poe, whose timeless fables of peril and loss will continue to attract new generations of readers and scholars.
| Author | : Scott Peeples |
| Publisher | : Camden House |
| Total Pages | : 216 |
| Release | : 2007 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781571133571 |
Scott Peeples here examines the many controversies surrounding the work and life of Poe, shedding light on such issues as the relevance of literary criticism to teaching, the role of biography in literary study, and the importance of integrating various interpretations into one's own reading of literature.
| Author | : Jonathan Hartmann |
| Publisher | : Routledge |
| Total Pages | : 245 |
| Release | : 2008-02-19 |
| Genre | : Literary Criticism |
| ISBN | : 1135893357 |
Edgar Allan Poe is today considered one of the greatest masters and most fascinating figures of the American literary world. However, an examination of Poe's essays and criticism throughout his prose publishing career (1831-1849) reveals that the author himself played a vital role in the creation and manipulation of his own reputation. During his twenties and thirties, Poe promoted his writing to magazine editors in the United States and in Europe through several strategies. He painted a Romantic and patriotic self-portrait in his fiery literary reviews, even as he played up his own connections, both real and imaginary, to literary celebrities including Washington Irving, Charles Dickens, George Gordon Lord Byron and Samuel Taylor Coleridge. Through recycling plots, atmosphere, and language (including his own) from American and British magazines, he built stories and essays which were linked in a complex network of references to each other and their author. Teachers and students alike will enjoy this single-volume treatment of Poe’s self-promotional tales and criticism.
| Author | : Kevin J. Hayes |
| Publisher | : Cambridge University Press |
| Total Pages | : 431 |
| Release | : 2013 |
| Genre | : Literary Criticism |
| ISBN | : 1107009979 |
Spend the holidays with the Master of the Macabre
| Author | : Gerardo Del Guercio |
| Publisher | : Logos Verlag Berlin GmbH |
| Total Pages | : 167 |
| Release | : 2019-08-20 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3832549404 |
This collection offers six critical essays on the topic of psychology in Edgar Allan Poe. It came together as a response to a visible absence of this subject in recent scholarship. The volume presents Edgar Allan Poe as one of the pioneers in psychology, who often anticipated major theoretical trends and ideas in psychology in his incessant explorations of the relationship between behavior and the psyche. Scrutinizing serial killer narratives, obsessive narratives through Jungian unconscious, Lacanian Das Ding, doppelgängers, intersubjectivity, and the interrelationship between the material world and imaginative faculties, the essays reveal the richness and the complexity of Poe's work and its pertinence to contemporary culture. With contributions by Gerardo Del Guercio, Phillip Grayson, Sean J. Kelly, Rachel McCoppin, Tatiana Prorokova, and Karen J. Renner.
| Author | : Nathaniel Lewis |
| Publisher | : U of Nebraska Press |
| Total Pages | : 318 |
| Release | : 2003-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780803229389 |
The test of western literature has invariably been Is it real? Is it accurate? Authentic? The result is a standard anything but literary, as Nathaniel Lewis observes in this ambitious work, a wholesale rethinking of the critical terms and contexts?and thus of the very nature?of western writing. ø Why is western writing virtually missing from the American literary canon but a frequent success in the marketplace? The skewed status of western literature, Lewis contends, can be directly attributed to the strategies of the region?s writers, and these strategies depend consistently on the claim of authenticity. A perusal of western American authorship reveals how these writers effectively present themselves as accurate and reliable recorders of real places, histories, and cultures?but not as stylists or inventors. The imaginative qualities of this literature are thus obscured in the name of authentic reproduction. Through a study of a set of western authors and their relationships to literary and cultural history, Lewis offers a reconsideration of the deceptive and often undervalued history of western American literature. ø With unequivocal admiration for the literature under scrutiny, Lewis exposes the potential for startling new readings once western writing is freed from its insistence on a questionable authenticity. His book sets out a broader system of inquiry that points writers and critics of western literature in the direction of a new and truly sustaining literary tradition.
