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| Author | : J. David Spurlock |
| Publisher | : Vanguard |
| Total Pages | : 0 |
| Release | : 2013-05-24 |
| Genre | : Fantasy |
| ISBN | : 9781934331514 |
A compilation of the work of illustrator Margaret Brundage, including all her magazine covers for Weird tales and her work as the first Conan cover artist, as well as a collection of essays about Brundage's life and work.
| Author | : Stephen D. Korshak |
| Publisher | : Vanguard |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Young Adult Fiction |
| ISBN | : 9781934331507 |
A compilation of the work of illustrator Margaret Brundage, including all her magazine covers for Weird tales and her work as the first Conan cover artist, as well as a collection of essays about Brundage's life and work.
| Author | : Stephen D. Korshak |
| Publisher | : Vanguard |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Young Adult Fiction |
| ISBN | : 9781934331491 |
A compilation of the work of illustrator Margaret Brundage, including all her magazine covers for Weird tales and her work as the first Conan cover artist, as well as a collection of essays about Brundage's life and work.
| Author | : Lee Server |
| Publisher | : Infobase Publishing |
| Total Pages | : 321 |
| Release | : 2014-05-14 |
| Genre | : Literary Collections |
| ISBN | : 1438109121 |
Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.
| Author | : Jan Baetens |
| Publisher | : Cambridge University Press |
| Total Pages | : 1315 |
| Release | : 2018-07-19 |
| Genre | : Literary Criticism |
| ISBN | : 1316771938 |
The Cambridge History of the Graphic Novel provides the complete history of the graphic novel from its origins in the nineteenth century to its rise and startling success in the twentieth and twenty-first century. It includes original discussion on the current state of the graphic novel and analyzes how American, European, Middle Eastern, and Japanese renditions have shaped the field. Thirty-five leading scholars and historians unpack both forgotten trajectories as well as the famous key episodes, and explain how comics transitioned from being marketed as children's entertainment. Essays address the masters of the form, including Art Spiegelman, Alan Moore, and Marjane Satrapi, and reflect on their publishing history as well as their social and political effects. This ambitious history offers an extensive, detailed and expansive scholarly account of the graphic novel, and will be a key resource for scholars and students.
| Author | : Douglas Ellis |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2017-10-24 |
| Genre | : Antiques & Collectibles |
| ISBN | : 168405091X |
Experts in the ten major Pulp genres, from action Pulps to spicy Pulps and more, chart for the first time the complete history of Pulp magazines—the stories and their writers, the graphics and their artists, and, of course, the publishers, their market, and readers. Each chapter in the book, which is illustrated with more than 400 examples of the best Pulp graphics (many from the editors’ collections—among the world’s largest) is organized in a clear and accessible way, starting with an introductory overview of the genre, followed by a selection of the best covers and interior graphics, organized chronologically through the chapter. All images are fully captioned (many are in essence "nutshell" histories in themselves). Two special features in each chapter focus on topics of particular interest (such as extended profiles of Daisy Bacon, Pulp author and editor of Love Story, the hugely successful romance Pulp, and of Harry Steeger, co-founder of Popular Publications in 1930 and originator of the "Shudder Pulp" genre). With an overall introduction on "The Birth of the Pulps" by Doug Ellis, and with two additional chapters focusing on the great Pulp writers and the great Pulp artists, The Art of the Pulps covers every aspect of this fascinating genre; it is the first definitive visual history of the Pulps. "The Art of the Pulps is a must for any pulp fans, anywhere." - LOCUS Magazine Winner of the 2018 LOCUS Award for Best Art Book
| Author | : J. David Spurlock |
| Publisher | : Vanguard Frazetta Classics |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : |
| ISBN | : 9781934331743 |
Vampirella, Weird Science, Dejah Thoris... No one renders exotic women better than Frazetta, the World s greatest Fantasy artist. Until now, only the most ardent collectors possessed the elusive grail items from the short period of Frazetta s early-1960s Men s magazine and risqué paperback illustrations. Often selling for hundreds of dollars each, these rare publications bridged Frazetta s exodus from traditional comics work, to his now-legendary Conan, John Carter of Mars and Death Dealer oil paintings. Now, in an affordable volume, Vanguard expands their authorized line of Frazetta books with this, the most complete collection ever, of rare, vintage, Sensuous Frazetta. This book includes a Foreword by popular Cry For Dawn creator, Joseph Michael Linsner. Contents: FOREWORD Joseph Michael Linsner; Chapter One Between the Sheets (Paperback Interiors); Chapter Two Romance & Cigarettes (Sequential Art); Chapter Three Pretty Funny Women (Sex in a Humorous Vein); Chapter Four Saucy Stories (Men s Magazine Art); Chapter Five From Casting Couch to... (Hollywood Vignettes); Chapter Six Stars in her Eyes (The Zodiac Calendar).
| Author | : Blake Bell |
| Publisher | : Fantagraphics Books |
| Total Pages | : 305 |
| Release | : 2013-11-16 |
| Genre | : Literary Criticism |
| ISBN | : 1606995529 |
The Secret History of Marvel Comics digs back to the 1930s when Marvel Comics wasn't just a comic-book producing company. Marvel Comics owner Martin Goodman had tentacles into a publishing world that might have made that era’s conservative American parents lynch him on his front porch. Marvel was but a small part of Goodman’s publishing empire, which had begun years before he published his first comic book. Goodman mostly published lurid and sensationalistic story books (known as “pulps”) and magazines, featuring sexually-charged detective and romance short fiction, and celebrity gossip scandal sheets. And artists like Jack Kirby, who was producing Captain America for eight-year-olds, were simultaneously dipping their toes in both ponds. The Secret History of Marvel Comics tells this parallel story of 1930s/40s Marvel Comics sharing offices with those Goodman publications not quite fit for children. The book also features a comprehensive display of the artwork produced for Goodman’s other enterprises by Marvel Comics artists such as Jack Kirby and Joe Simon, Alex Schomburg, Bill Everett, Al Jaffee, and Dan DeCarlo, plus the very best pulp artists in the field, including Norman Saunders, John Walter Scott, Hans Wesso, L.F. Bjorklund, and Marvel Comics #1 cover artist Frank R. Paul. Goodman’s magazines also featured cover stories on celebrities such as Jackie Gleason, Elizabeth Taylor, Liberace, and Sophia Loren, as well as contributions from famous literary and social figures such as Isaac Asimov, Theodore Sturgeon, and L. Ron Hubbard.
| Author | : Ronald S. Magliozzi |
| Publisher | : The Museum of Modern Art |
| Total Pages | : 65 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 0870708430 |
This richly illustrated publication presents the Quay brothers' betterknown films as well as previously unseen moving image works and a little-known body of works on paper, including graphic design, drawings, typography and notebooks for films.
| Author | : Arthur Charles Clarke |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Illustrators |
| ISBN | : 9780980093100 |
Born in 1884, Frank R Paul was slated to study for the priesthood; instead, he studied art and architectural and mechanical drafting. The impact of these studies are evident in his brilliant and original science-fiction artwork. In 1914 Paul met Hugo Gernsback and began illustrating for Gernsback's Electrical Experimenter & Science & Invention. By 1926 when Gernsback's Amazing Stories was born Paul was ready: a talented calligrapher, Paul not only created the magazine's famed comet logo, but also the front cover painting and all of the interior black and white illustrations. Subsequently, over the span of his career, Paul was to paint over 200 published sci-fi covers and in excess of 1,000 black-and-white interiors. To say that Frank R Paul is the father of science-fiction illustration art is an understatement: his fertile imagination, amply demonstrated by the paintings and drawings in this book, speak for themselves and his legacy continues to influence the field today. Here, in this giant compendium, is the very first collection ever published showcasing many of Paul's full-colour science-fiction artwork along with appreciations and critical essays by Sir Arthur C Clarke and by Stephen Korshak; Jerry Weist and Roger Hill; Sam Moskowitz; Gerry de la Ree; Forrest J Ackerman and Frank Wu. Here is a volume to be enjoyed and cherished.
