The Aesthetics of Imperfection in Music and the Arts

The Aesthetics of Imperfection in Music and the Arts
Author: Andy Hamilton
Publisher: Bloomsbury Publishing
Total Pages: 417
Release: 2020-10-01
Genre: Philosophy
ISBN: 1350106070
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The aesthetics of imperfection emphasises spontaneity, disruption, process and energy over formal perfection and is often ignored by many commentators or seen only in improvisation. This comprehensive collection is the first time imperfection has been explored across all kinds of musical performance, whether improvisation or interpretation of compositions. Covering music, visual art, dance, comedy, architecture and design, it addresses the meaning, experience, and value of improvisation and spontaneous creation across different artistic media. A distinctive feature of the volume is that it brings together contributions from theoreticians and practitioners, presenting a wider range of perspectives on the issues involved. Contributors look at performance and practice across Western and non-Western musical, artistic and craft forms. Composers and non-performing artists offer a perspective on what is 'imperfect' or improvisatory within their work, contributing further dimensions to the discourse. The Aesthetics of Imperfection in Music and the Arts features 39 chapters organised into eight sections and written by a diverse group of scholars and performers. They consider divergent definitions of aesthetics, employing both 18th-century philosophy and more recent socially and historically situated conceptions making this an essential, up-to-date resource for anyone working on either side of the perfection-imperfection debate.

The Aesthetics of Imperfection in Music and the Arts

The Aesthetics of Imperfection in Music and the Arts
Author: Andy Hamilton
Publisher: Bloomsbury Publishing
Total Pages: 417
Release: 2020-10-01
Genre: Philosophy
ISBN: 1350106062
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Download The Aesthetics of Imperfection in Music and the Arts Book in PDF, Epub and Kindle

The aesthetics of imperfection emphasises spontaneity, disruption, process and energy over formal perfection and is often ignored by many commentators or seen only in improvisation. This comprehensive collection is the first time imperfection has been explored across all kinds of musical performance, whether improvisation or interpretation of compositions. Covering music, visual art, dance, comedy, architecture and design, it addresses the meaning, experience, and value of improvisation and spontaneous creation across different artistic media. A distinctive feature of the volume is that it brings together contributions from theoreticians and practitioners, presenting a wider range of perspectives on the issues involved. Contributors look at performance and practice across Western and non-Western musical, artistic and craft forms. Composers and non-performing artists offer a perspective on what is 'imperfect' or improvisatory within their work, contributing further dimensions to the discourse. The Aesthetics of Imperfection in Music and the Arts features 39 chapters organised into eight sections and written by a diverse group of scholars and performers. They consider divergent definitions of aesthetics, employing both 18th-century philosophy and more recent socially and historically situated conceptions making this an essential, up-to-date resource for anyone working on either side of the perfection-imperfection debate.

The Imperfect Art

The Imperfect Art
Author: Ted Gioia
Publisher: Oxford University Press
Total Pages: 175
Release: 1990-07-19
Genre: Music
ISBN: 0195362594
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Taking a wide-ranging approach rare in jazz criticism, Ted Gioia's brilliant volume draws upon fields as disparate as literary criticism, art history, sociology, and aesthetic philosophy in order to place jazz within the turbulent cultural environment of the twentieth century. He argues that because improvisation--the essence of jazz--must often fail under the pressure of on-the-spot creativity, we should view jazz as an "imperfect art" and base our judgments of it on an "aesthetics of imperfection." Incorporating the thought of such seminal thinkers as Walter Benjamin, José Ortega y Gasset, and Roland Barthes, The Imperfect Art offers vivid portraits of the giants of jazz and startling insights into this vital musical form and the interaction of society and art.

Imperfectionist Aesthetics in Art and Everyday Life

Imperfectionist Aesthetics in Art and Everyday Life
Author: Peter Cheyne
Publisher: Taylor & Francis
Total Pages: 413
Release: 2022-12-30
Genre: Philosophy
ISBN: 1000829081
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This book presents interdisciplinary research on the aesthetics of perfection and imperfection. Broadening this growing field, it connects the aesthetics of imperfection with issues in areas including philosophy, music, literature, urban environment, architecture, art theory, and cultural studies. The contributors to this volume argue that imperfection has value in being open and inclusive. The aesthetics of imperfection is typified by organic, unpolished production and the avoidance of perfect finish, instead representing living and natural change, and opposing the consumerist concern with the flawless and pristine. The chapters are divided into seven thematic sections. After the first section, on imperfection across the arts and culture, the next three parts are on imperfection in the arts of music, visual and theatrical arts, and literature. The second half of this book then moves to categories in everyday life and branches this further into body, self, and the person, and urban environments. Together, the chapters promote a positive ethos of imperfection that furthers individual and social engagement and supports creativity over mere passivity. Imperfectionist Aesthetics in Art and Everyday Life will appeal to a broad range of scholars and advanced students working in philosophical aesthetics, literature, music, urban environment, architecture, art theory, and cultural studies.

Aesthetics and Music

Aesthetics and Music
Author: Andy Hamilton
Publisher: Bloomsbury Publishing
Total Pages: 257
Release: 2007-06-29
Genre: Philosophy
ISBN: 144119150X
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The Continuum Aesthetics Series looks at the aesthetic questions and issues raised by all major art forms. Stimulating, engaging and accessible, the series offers food for thought not only for students of aesthetics, but also for anyone with an interest in philosophy and the arts. Aesthetics and Music is a fresh and often provocative exploration of the key concepts and arguments in musical aesthetics. It draws on the rich heritage of the subject, while proposing distinctive new ways of thinking about music as an art form. The book looks at: The experience of listening Rhythm and musical movement What modernism has meant for musical aesthetics The relation of music to other 'sound arts' Improvisation and composition as well as more traditional issues in musical aesthetics such as absolute versus programme music and the question of musical formalism. Thinkers discussed range from Pythagoras and Plato to Kant, Nietzsche and Adorno. Areas of music covered include classical, popular and traditional music, and jazz. Aesthetics and Music makes an eloquent case for a humanistic, democratic and genuinely aesthetic conception of music and musical understanding. Anyone interested in what contemporary philosophy has to say about music as an art form will find this thought-provoking and highly enjoyable book required reading.

Aesthetics of Musical Art

Aesthetics of Musical Art
Author: Ferdinand Hand
Publisher: Forgotten Books
Total Pages: 200
Release: 2017-12-14
Genre: Music
ISBN: 9780332774916
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Excerpt from Aesthetics of Musical Art: Or the Beautiful in Music There is yet one thing that I am candid enough to admit, it is, that that which is here laid before the reader, without arrogance and destitute Of polemical tendencies, is a product Of the warmest and purest love for the art. As such, may it meet with a friendly reception, and be the means Of inducing others, more intelligent. Soon to supply a better. The order which I have adhered to through out the investigation is explained in the Intro duction. The book itself I wish to be regarded as an educational work, that no one may expect to find in it a means Of delightfully amusing himself, but, rather, be induced thereby to think more deeply, and to aim at the further develop ment Of the hints which it contains. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Wabi Sabi The Art of Imperfection

Wabi Sabi The Art of Imperfection
Author: Osami Nishimura
Publisher:
Total Pages: 142
Release: 2020-03-25
Genre:
ISBN:
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Learn How to Enjoy the Beauty of Imperfection and Live a Wabi-Sabi Lifestyle! Do you want to live in harmony with nature? Are you fascinated with the simplicity and beauty of Japanese aesthetics? IF YES, READ ON! THIS BOOK GIVES A MODERN INTERPRETATION OF THE JAPANESE CONCEPT OF WABI-SABI! Wabi-sabi doesn't have a direct translation. But in traditional Japanese aesthetics, wabi-sabi could be described as finding beauty in things that are imperfect, impermanent, and incomplete. This concept is derived from Buddhist teachings. It describes a life of simplicity, modesty, intimacy, and appreciation of nature's ingenuity. Wabi-sabi aesthetic is best represented in the Japanese tea ceremonies. "Wabi-sabi nurtures all that is authentic by acknowledging three simple realities: nothing lasts, nothing is finished, and nothing is perfect." In a way, wabi-sabi is a material representation of Buddhism. As such, it can be applied in all life spheres, to help you become more mindful and aware of the present moment. Being surrounded by objects that are changing with time helps us stay grounded. And if we notice some cracks, we're just reminded of impermanence. This book will teach you: The history and concept of wabi-sabi What objects and environments embody wabi-sabi Wabi-sabi as a way of life How to find perfect love using wabi-sabi Daily Inspiration for the soul The art of imperfection and freedom of form Wabi-sabi and the Japanese character 10 steps for achieving a wabi-sabi style Even if you're not Japanese or Buddhist, you can still enjoy the beauty and serenity of a wabi-sabi lifestyle. After all, imperfection and impermanence describe the very nature of our existence. Embracing them as friends will lead to a happier life. Ready to learn about wabi-sabi? Scroll up, Click on 'Buy Now with 1-Click', and Get Your Copy!

Jazz and the Philosophy of Art

Jazz and the Philosophy of Art
Author: Lee B. Brown
Publisher: Routledge
Total Pages: 370
Release: 2018-01-31
Genre: Music
ISBN: 1315280590
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Co-authored by three prominent philosophers of art, Jazz and the Philosophy of Art is the first book in English to be exclusively devoted to philosophical issues in jazz. It covers such diverse topics as minstrelsy, bebop, Voodoo, social and tap dancing, parades, phonography, musical forgeries, and jazz singing, as well as Goodman’s allographic/autographic distinction, Adorno’s critique of popular music, and what improvisation is and is not. The book is organized into three parts. Drawing on innovative strategies adopted to address challenges that arise for the project of defining art, Part I shows how historical definitions of art provide a blueprint for a historical definition of jazz. Part II extends the book’s commitment to social-historical contextualism by exploring distinctive ways that jazz has shaped, and been shaped by, American culture. It uses the lens of jazz vocals to provide perspective on racial issues previously unaddressed in the work. It then examines the broader premise that jazz was a socially progressive force in American popular culture. Part III concentrates on a topic that has entered into the arguments of each of the previous chapters: what is jazz improvisation? It outlines a pluralistic framework in which distinctive performance intentions distinguish distinctive kinds of jazz improvisation. This book is a comprehensive and valuable resource for any reader interested in the intersections between jazz and philosophy.

The Essentials of Aesthetics in Music, Poetry, Painting, Sculpture and Architecture

The Essentials of Aesthetics in Music, Poetry, Painting, Sculpture and Architecture
Author: George Lansing Raymond
Publisher:
Total Pages: 446
Release: 1909
Genre: Aesthetics
ISBN:
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The object of this book is to determine for the reader, if possible, the qualities causing excellence in the higher arts, and to increase his appreciation of them. The phenomena of the arts of the highest class have been traced to their sources in material nature and in the human mind; the different arts have been shown to be developed by exactly similar methods; and these methods have been shown to characterize the entire work of artistic imagination, from the formulation of physical concepts to that of their most physical expressions in rhythm, proportion, and harmony. Conjointly with these subjects, the effects of all the arts together upon everything that makes for culture and for humanity have been considered in themselves, as well as in their relations to religion and to science, to both of which art is somewhat allied, and yet in such ways as to make it important that the three should be differentiated. - Preface.

Philosophy of Improvisation

Philosophy of Improvisation
Author: Susanne Ravn
Publisher: Routledge
Total Pages: 200
Release: 2021-05-31
Genre: Philosophy
ISBN: 1000399141
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This volume brings together philosophical and interdisciplinary perspectives on improvisation. The contributions connect the theoretical dimensions of improvisation with different viewpoints on its practice in the arts and the classroom. The chapters address the phenomenon of improvisation in two related ways. On the one hand, they attend to the lived practices of improvisation both within and without the arts in order to explain the phenomenon. They also extend the scope of improvisational practices to include the role of improvisation in habit and in planned action, at both individual and collective levels. Drawing on recent work done in the philosophy of mind, they address questions such as whether improvisation is a single unified phenomenon or whether it entails different senses that can be discerned theoretically and practically. Finally, they ask after the special kind of improvisational expertise which characterizes musicians, dancers, and other practitioners, an expertise marked by the artist’s ability to participate competently in complex situations while deliberately relinquishing control. Philosophy of Improvisation will appeal to anyone with a strong interest in improvisation, to researchers working in philosophy, aesthetics, and pedagogy as well as practitioners involved in different kinds of music, dance, and theater performances.