The Adagio of Gustav Mahler's Ninth Symphony
Author | : Darren L. Slider |
Publisher | : |
Total Pages | : 62 |
Release | : 1989 |
Genre | : |
ISBN | : |
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Author | : Darren L. Slider |
Publisher | : |
Total Pages | : 62 |
Release | : 1989 |
Genre | : |
ISBN | : |
Author | : Constantin Floros |
Publisher | : Amadeus Press |
Total Pages | : 355 |
Release | : 2003-03-01 |
Genre | : Biography & Autobiography |
ISBN | : 1574672657 |
(Amadeus). Mahler's 10 symphonies and Das Lied von der Erde are intensely personal statements that have touched wide audiences. This survey examines each of the works, revealing their programmatic and personal aspects, as well as Mahler's musical techniques.
Author | : Gustav Mahler |
Publisher | : Eulenburg |
Total Pages | : 191 |
Release | : 2018-03-13 |
Genre | : Music |
ISBN | : 3795728908 |
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Author | : Burnett James |
Publisher | : |
Total Pages | : 240 |
Release | : 1985 |
Genre | : Music |
ISBN | : |
Author | : Jason Patterson |
Publisher | : |
Total Pages | : 103 |
Release | : 2011 |
Genre | : Schenkerian analysis |
ISBN | : |
Author | : Norman Lebrecht |
Publisher | : Anchor |
Total Pages | : 338 |
Release | : 2011-11-01 |
Genre | : Music |
ISBN | : 140009657X |
Why Mahler? Why does his music affect us in the way it does? Norman Lebrecht, one of the world’s most widely read cultural commentators, has been wrestling obsessively with Mahler for half his life. Following Mahler’s every footstep from birthplace to grave, scrutinizing his manuscripts, talking to those who knew him, Lebrecht constructs a compelling new portrait of Mahler as a man who lived determinedly outside his own times. Mahler was—along with Picasso, Einstein, Freud, Kafka, and Joyce—a maker of our modern world. Why Mahler? is a book that shows how music can change our lives.
Author | : Richard Specht |
Publisher | : |
Total Pages | : 70 |
Release | : 1916 |
Genre | : Symphonies |
ISBN | : |
Author | : David Hurwitz |
Publisher | : Hal Leonard Corporation |
Total Pages | : 218 |
Release | : 2004 |
Genre | : Music |
ISBN | : 9781574670998 |
"Hurwitz describes the emotional extravagance that lies at the root of Mahler's popularity, the consistency of his symphonic thinking, and his dazzling and revolutionary use of orchestral instruments to create an expressive musical language that is varied in content and immediate in impact."--BOOK JACKET.
Author | : Mark Nixon |
Publisher | : |
Total Pages | : |
Release | : 2008 |
Genre | : |
ISBN | : |
Author | : Donald Mitchell |
Publisher | : Univ of California Press |
Total Pages | : 468 |
Release | : 1980-01-01 |
Genre | : Biography & Autobiography |
ISBN | : 9780520042209 |
Donald Mitchell's second book on the life and work of Gustav Mahler focuses principally on Mahler's first settings of Wunderhorn texts, volumes I and II of the Lieder und Gesaenge, his first song-cycle, the Lieder eines fahrendedn Gesellen, the later, orchestral settings of Wunderhorn poems. The central section of the book explores the extraordinary and often eccentric chronology of the First, Second and Third Symphonies' composition, an often minute exploration which reveals the interpenetration of song and symphony in this period of Mahler's art, emphasizes the significance for these works of imagery drawn from the Wunderhorn anthology, and calls attention to the ambiguous position ocupied by much of Mahler's music at this time, suspended as it was between the rival claims - and forms - of syphony and symphonic poem. The final section of the book not only looks at the Fourth Symphony as the final, perhaps most perfect, flowering of Mahler's Wunderhorn symphonies, but also investigates such fascinating topics as the relationship between Mahler and Berlioz, Mahler's addiction to the E flat clarinet, and the influence of Bach on Mahler's later masterpieces.