The 10-Day Screenplay

The 10-Day Screenplay
Author: Darrin Donnelly
Publisher:
Total Pages: 202
Release: 2015-11-18
Genre:
ISBN: 9780692582626

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This #1 Bestseller in Screenwriting is now COMPLETELY UPDATED AND EXPANDED! The Step-By-Step Course That Shows You How to Write Your Screenplay in Just 10 Days! "If you want to write screenplays for a living, there is nothing more valuable for a writer than being able to produce a quality screenplay quickly. We created this course to give you all the tools you need to accomplish exactly that. This system is laid out in a way that we hope writers of all experience levels will find easy to use. Our promise is simple: follow this system and in 10 days, you'll have a powerful scriptfinished!" - Travis Donnelly, writer & producer of Medium,co-author of The 10-Day Screenplay Some of the most famous movies in history were written in 10 days or less. Sylvester Stallone wrote Rocky in just three days. The movie became one of the most successful of all time and made Stallone an international superstar. Kevin Williamson wrote Scream in four days. The script created a hot bidding war and made Williamson one of the highest-paid screenwriters in Hollywood. John Hughes, one of the most successful screenwriters ever, loved to write fast. He wrote National Lampoon's Vacation in seven days, Ferris Bueller's Day Off in four days, Planes, Trains, and Automobiles in three days, and The Breakfast Club in just two days. Joe Eszterhas wrote Basic Instinct in 10 days. When he was finished, he shipped the script to his agent and sold it three days later for $3 million. Not only is it possible to write a great screenplay in 10 days or less, but spending too much time on a script is actually one of the worst mistakes a screenwriter can make! It can lead to boring, dull, and unoriginal scripts. Stop wasting so much time and energy trying to write your next screenplay. Simply follow this program and in as little as 10 days, you'll finish the screenplay that could just launch your screenwriting career! The 10-Day Screenplay system works like this: STEP 1: The 10-Day Screenplay shows you how to evaluate your initial idea using the five requirements of every great movieidea. Is your idea unique? Is it big enough? Will it make for a compelling two-hour movie? What can be done to make your idea bigger and better? STEP 2: The 10-Day Screenplay system forces you to flesh out your characters. Contrary to anything you may have heard, great characters make great movies. You need to really know your characters and let THEM dictate your plot, NOT the other way around. Amateur screenwriters come up with a plot and then plug in forced characters to play it out. This is a huge mistake and you'll never succeed this way! STEP 3: Once you have your idea and your characters, it's time to write your script following The 10-Day Screenplay course. Each day of the course includes an important lesson on what your story objective should be for that day along with a manageable writing assignment. If you simply follow this course, at the end of the 10 days, you will have a finished script! To make this process easy to understand, The 10-Day Screenplay breaks down 10 blockbuster movies along the way - Rocky, Braveheart, Home Alone, My Big Fat Greek Wedding, There's Something About Mary, Bridesmaids, Toy Story, Back to the Future, Die Hard, and Scream. You'll see how our plot and charactertechniques worked in each movie and how they can be applied to your screenplay. It's time to stop dreaming and start writing! This book will show you theway.

How to Write a Screenplay in 10 Weeks

How to Write a Screenplay in 10 Weeks
Author: Marilyn Horowitz
Publisher: Marilyn Horowitz
Total Pages: 0
Release: 2008
Genre: Motion picture authorship
ISBN: 9780979908910

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The Horowitz System shows how to turn an idea into the first draft of a screenplay in 10 weeks or less - 80 percent of students who have used the method have completed original, well-structured scripts, many of which have gone on to win screenplay competitions, be optioned, or get produced. Used as a textbook at New York University for over 10 years, How to Write a Screenplay in 10 Weeks Using the Horowitz System teaches screenwriters to better fulfill their creative vision by giving them a clear, focused method. The Horowitz System uses a series of intuitive, visual exercises combined with a nonlinear approach to traditional three-act structure-the result is an organic, finely tuned first draft with high stakes and memorable characters.

The 90-Day Screenplay

The 90-Day Screenplay
Author: Alan Watt
Publisher: Writers Tribe Books
Total Pages: 0
Release: 2014-10-13
Genre: Performing Arts
ISBN: 9780983141235

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The 90-Day Screenplay is a day-by-day guide through the process of outlining, writing, and polishing a screenplay in three months.

How to Write a Movie in 21 Days

How to Write a Movie in 21 Days
Author: Viki King
Publisher: HarperCollins
Total Pages: 212
Release: 2015-03-03
Genre: Performing Arts
ISBN: 0062405403

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In this classic bestselling screenwriting guide—now revised and updated—author and film consultant Viki King helps screenwriters go from blank page to completed manuscript through a series of clever and simple questions, ingenious writing exercises, and easy, effective new skills. Viki King's Inner Movie Method is a specific step-by-step process designed to get the story in your heart onto the page. This method doesn’t just show how to craft a classic three-act story but also delves into how to clarify the idea you don't quite have yet, how to tell if your idea is really a movie, and how to stop getting ready and start. Once you know what to write, the Inner Movie Method will show you how to write it. This ultimate scriptwriting survival guide also addresses common issues such as: how to pay the rent while paying your dues, what to say to your partner when you can't come to bed, and how to keep going when you think you can't. How to Write a Movie in 21 Days, first published in 1987, has been translated in many languages around the world and has become an industry-standard guide for filmmakers both in Hollywood and internationally. For accomplished screenwriters honing their craft, as well as those who have never before brought their ideas to paper, How to Write a Movie in 21 Days is an indispensable guide. And Viki King's upbeat, friendly style is like having a first-rate writing partner every step of the way.

What’s the Story? The Director Meets Their Screenplay

What’s the Story? The Director Meets Their Screenplay
Author: Peter Markham
Publisher: Routledge
Total Pages: 285
Release: 2020-09-07
Genre: Performing Arts
ISBN: 1000173895

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A structured perspective on the crucial interface of director and screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a director needs to understand before embarking on all other facets of the director’s craft. Drawing on seventeen years of teaching filmmaking at a graduate level and on his prior career as a director and in production at the BBC, Markham shows how the filmmaker can apply rigorous analysis of the elements of dramatic narrative in a screenplay to their creative vision, whether of a short or feature, TV episode or season. Combining examination of such fundamental topics as story, premise, theme, genre, world and setting, tone, structure, and key images with the introduction of less familiar concepts such as cultural, social, and moral canvas, narrative point of view, and the journey of the audience, What’s The Story? The Director Meets Their Screenplay applies the insights of each chapter to a case study—the screenplay of the short film Contrapelo, nominated for the Jury Award at Tribeca in 2014. This book is an essential resource for any aspiring director who wants to understand exactly how to approach a screenplay in order to get the very best from it, and an invaluable resource for any filmmaker who wants to understand the important creative interplay between the director and screenplay in bringing a story to life.

10 Days in a Madhouse - the Nellie Bly Story: Screenplay

10 Days in a Madhouse - the Nellie Bly Story: Screenplay
Author: Timothy Hines
Publisher:
Total Pages: 249
Release: 2018-03-23
Genre:
ISBN: 9781980624974

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This pocketbook edition of the screenplay, "10 DAYS IN A MADHOUSE - The Nellie Bly Story" written by Timothy Hines ("War of the Worlds the True Story", "Sean Young: Honesty", "Earth Angel"), was made into a 2015 American biographical feature film directed by Hines. This screenplay edition features an alternate opening based in Nellie Bly's childhood, filmed but cut from the movie before its release. The movie encapsulates the life of the first-ever female Journalist, Nellie Bly, world-known for her notorious and brave commitment to work with Blackwell's Island Insane Asylum.10 Days in a Madhouse - The Nellie Bly Story stars Caroline Barry, Christopher Lambert and Julia Chantrey with Kelly Le Brock, about real life reporter, 23 year old Nellie Bly who, working for Joseph Pulitzer, infiltrated the notorious Blackwell's Island Insane Asylum by feigning insanity to report on abuses from within. The movie had its US festival premiere to a sold out audience at Geena Davis' Bentonville Film Festival celebrating women and diversity in film and had its European premiere at the 68th Cannes Film Festival in France. 10 Days in a Madhouse opened in the U.S. with a red carpet theatrical premiere at the AMC Empire 25 in Times Square then went on to play at AMC Theaters across the US. The picture had an Oscar® qualifying run in North Hollywood, California at the Laemmle NoHo 7.MS. Magazine labeled the picture a "Must See." Timothy Hines' 10 Days in a Madhouse competed in the 89th Academy Awards.Universal Home entertainment and Broad Green picked the movie up distributing on DVD to WalMart, BestBuy, Target, Barnes and Nobles, etc. 10 Days in a Madhouse premiered on cable on DirecTV and Time Warner Comcast Cable, The picture is on all VOD platforms including iTunes, Google Play, Amazon, Amazon Prime and Vudu. 10 Days in a Madhouse is being distributed worldwide, dubbed in many languages such as German and Turkish.Filmed in Salem, Oregon, where One Flew Over The Cuckoo's Nest was filmed, as well as Culver City, 10 Days in a Madhouse was selected for the Los Angeles Women's International Film Festival in 2017 and recently played at the Regal Live Stadium Theaters in Los Angeles.The movies director, Timothy Hines observes, at the success of the picture, "I think the movie's continuing success is in part due to the fact that Nellie Bly's story is so fascinating. She had three dollars to her name when she was hired by Joseph Pulitzer to go undercover in Blackwell's. 10 Days in a Madhouse is a testament to the words, as Nellie Bly always said and lived, "Energy rightly applied and directed will accomplish anything."

How to Write a Selling Screenplay

How to Write a Selling Screenplay
Author: Christopher Keane
Publisher: Three Rivers Press
Total Pages: 321
Release: 2009-11-04
Genre: Performing Arts
ISBN: 0307567745

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Christopher Keane has spent 20 years in the business, learning the truths--and the tricks--of writing a selling screenplay. In How to Write a Selling Screenplay, he takes writers through the entire process, from developing a story to finding the best agent. Using an annotated version of an often-optioned screenplay of his own, and citing examples from movies ranging from Casablanca and Lethal Weapon to Sling Blade and The English Patient, he discusses how to create three-dimensional characters, find a compelling story, build an airtight plot structure, fine-tune dialogue, and much more. Keane's tips on the difference between writing for film and television, as well as his advice on dealing with Hollywood movers and shakers, make this an essential companion for people writing their first--or their fortieth--screenplay. From the Trade Paperback edition.

The Hours

The Hours
Author: David Hare
Publisher:
Total Pages: 122
Release: 2003
Genre: Creation (Literary, artistic, etc.)
ISBN: 9780571214761

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The Hours is David Hare's screen adaptation of Michael Cunningham's Pulitzer Prize-winning novel. In Richmond, England in 1923, Virginia Woolf is setting out to write the first words of her new book. In Los Angeles in 1951, a housewife, Laura Brown, is contemplating suicide. And in present-day New York, a hostess, Clarissa Vaughan, is planning a party for her friends. In extraordinary and ingenious ways, the film shows how a single day - and the novel Mrs Dalloway - inextricably link the lives of three very different women.

Poking a Dead Frog

Poking a Dead Frog
Author: Mike Sacks
Publisher: Penguin
Total Pages: 475
Release: 2014-06-24
Genre: Humor
ISBN: 0143123785

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A NEW YORK TIMES BESTSELLER NAMED A BEST BOOK OF THE YEAR BY NPR Amy Poehler, Mel Brooks, Adam McKay, George Saunders, Bill Hader, Patton Oswalt, and many more take us deep inside the mysterious world of comedy in this fascinating, laugh-out-loud-funny book. Packed with behind-the-scenes stories—from a day in the writers’ room at The Onion to why a sketch does or doesn’t make it onto Saturday Night Live to how the BBC nearly erased the entire first season of Monty Python’s Flying Circus—Poking a Dead Frog is a must-read for comedy buffs, writers and pop culture junkies alike.

On Story—Screenwriters and Their Craft

On Story—Screenwriters and Their Craft
Author: Barbara Morgan
Publisher: University of Texas Press
Total Pages: 197
Release: 2013-10-15
Genre: Performing Arts
ISBN: 0292754604

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Introduction / by Barbara Morgan -- 1. Inspiration. A conversation with Randall Wallace -- 2. Story. What makes a great story : a conversation with Bill Wittliff ; Steven Zaillian on where the story originates ; Peter Hedges on crafting story ; Lawrence Kasdan on story and theme -- 3. Process. A conversation with John Lee Hancock ; Sacha Gervasi on getting started ; The basics with Nicholas Kazan ; Advice from Bill Wittliff ; Anne Rapp's writing routine ; Caroline Thompson's writing process ; Lawrence Kasdan on the challenges of writing -- 4. Structure. Structure and format : a conversation with Frank Pierson, Whit Stillman, Robin Swicord, and Nicholas Kazan ; Caroline Thompson on structure ; Lawrence Kasdan on the rules of script formatting ; Visual storytelling : a conversation with John August, John Lee Hancock, and Randall Wallace -- 5. Character and dialogue. Building characters and mapping their journeys : a conversation with Lawrence Kasdan and Anne Rapp ; Nicholas Kazan on writing characters ; Crafting characters : a conversation with Lawrence Kasdan ; Dialogue and finding the voice : a conversation with John August and John Lee Hancock -- 6. Rewritng. Writer's block : a conversation with Bud Shrake and Bill Wittliff ; Bill Wittliff on when to let something go ; Steven Zaillian on defining scenes : what to keep in, what to leave out ; Anne Rapp on keeping writing fresh ; Nicholas Kazan's rewriting process ; On rewriting : a conversation with Daniel Petrie Jr., Peter Hedges, and Sacha Gervasi ; Lawrence Kasdan on how to know when you're done -- 7. Collaboration. A conversation with Steven Zaillian ; Peter Hedges on collaborating ; Lawrence Kasdan on writing with a partner ; Randall Wallace on working with other writers -- 8. Go forth.