Originally presented at the 1987 meeting of the Symposium on Golden Age Theater, these contributions include: "The Role of Fortuna and Three Levels of Meaning in the Auto del Rey Assuero cuando ahorco a Aman," by Nancy Mayberry; "Magia y hermetismo en La cueva de Salamanca," by Ysla Campbell; "Symbols, Referents, and Theatrical Semantics: The Use of Hands in Comedia," by Matthew Stroud; "La representacion del sueno y de la imaginacion en el teatro historico-legendario de Lope de Vega," by Teresa J. Kirschner; "Peribanez and Economics," by William R. Blue; "Don Alvaro de Luna and the Unity of Lope de Vega's Caballero de Olmedo," by Kenneth A. Stackhouse; "Toward a Definition of Tirsian Tragedy," by Henry W. Sullivan; "Alarcon's Ganar amigos: The King, the Privado, and the Law," by Willard King; "El 'infame rito, ' del honor: War in Calderon's A secreto agravio, secreta venganza," by Carol Bingham Kirby; "Ellipsis in Calderon's La vida es sueno: The Lack of Feminine Perspectives," by Ester W. Nelson; "The Skeptical Premises of Calderon's En esta vida todo es verdad y todo mentira," by Barbara Mujica; "Calderonian Honor and the Commedia dell'Arte: Il Medico di Suo Honore," by Nancy L. D'Antuono; "The Authorship and Interpretation of the Second Part of La hija del aire," by Michael McGaha; "The Harmony/Dissonance of Calderon's El monstruo de los jardines," by Thomas A. O'Connor. Co-published with the Golden Age Spanish Drama Symposium.