Technology and Culture, the Film Reader

Technology and Culture, the Film Reader
Author: Andrew Utterson
Publisher: Psychology Press
Total Pages: 172
Release: 2005
Genre: Cinematography
ISBN: 9780415319850

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Bringin together key theoretical texts from respected names in the field including Andre Bevin, Walter Benjamin and Vivian Sobchack, this book examines more than a century of writing on film and technology.

The Film Cultures Reader

The Film Cultures Reader
Author: Graeme Turner
Publisher: Psychology Press
Total Pages: 550
Release: 2002
Genre: Motion pictures
ISBN: 0415252814

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This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon.

Technology, Literature and Culture

Technology, Literature and Culture
Author: Alex Goody
Publisher: John Wiley & Sons
Total Pages: 240
Release: 2013-04-25
Genre: Literary Criticism
ISBN: 0745637280

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Technology, Literature and Culture provides a detailed and accessible exploration of the ways in which literature across the twentieth century has represented the inescapable presence and progress of technology. As this study argues, from the Fordist revolution in manufacturing to computers and the internet, technology has reconfigured our relationship to ourselves, each other, and to the tools and material we use. The book considers such key topics as the legacy of late-nineteenth century technology, the literary engagement with cinema and radio, the place of typewriters and computers in formal and thematic literary innovations, the representations of technology in spy fiction and the figures of the robot and the cyborg. It considers the importance of broadcast technology and the internet in literature and covers major literary movements including modernism, cold war writing, postmodernism and the emergence of new textualities at the end of the century. An insightful and wide-ranging study, Technology, Literature and Culture offers close readings of writers such as Virginia Woolf, Samuel Beckett, Ian Fleming, Kurt Vonnegut, Don DeLillo, Jeanette Winterson and Shelley Jackson. It is an invaluable resource for students and scholars alike in literary and cultural studies, and also introduces the topic to a general reader interested in the role of technology in the twentieth century.

Hollywood and War, The Film Reader

Hollywood and War, The Film Reader
Author: J. David Slocum
Publisher: Taylor & Francis
Total Pages: 464
Release: 2023-04-28
Genre: Performing Arts
ISBN: 1000938565

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Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films. Topics covered include: the early formation of war cinema the apotheosis of the Hollywood war film the ascendancy of ambivalence Hollywood and the war since Vietnam war as a way of seeing. For any student of film studies or American cultural studies, this is a valuable companion.

Culture + Technology

Culture + Technology
Author: Jennifer Daryl Slack
Publisher: Peter Lang
Total Pages: 248
Release: 2005
Genre: Biography & Autobiography
ISBN: 9780820450070

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"Culture + Technology is an essential guide to the fascinating history of these debates, and offers new perspectives that give readers the tools they need to make informed decisions about the role of technology in our lives. In clear and compelling language, Slack and Wise untangle and expose the cultural assumptions that underlie our thinking about technology, stories so deeply held we often don't recognize their influence. The book considers the perceived inevitability of technological advance and our myths about progress. It also looks at sources of resistance to these stories from the Luddites of the 19th century to the Unabomber in our own time. Slack and Wise help readers sift through the confusions about culture and technology that arise in their own everyday lives."--BOOK JACKET.

Human-Built World

Human-Built World
Author: Thomas P. Hughes
Publisher: University of Chicago Press
Total Pages: 237
Release: 2005-05-13
Genre: Technology & Engineering
ISBN: 022612066X

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To most people, technology has been reduced to computers, consumer goods, and military weapons; we speak of "technological progress" in terms of RAM and CD-ROMs and the flatness of our television screens. In Human-Built World, thankfully, Thomas Hughes restores to technology the conceptual richness and depth it deserves by chronicling the ideas about technology expressed by influential Western thinkers who not only understood its multifaceted character but who also explored its creative potential. Hughes draws on an enormous range of literature, art, and architecture to explore what technology has brought to society and culture, and to explain how we might begin to develop an "ecotechnology" that works with, not against, ecological systems. From the "Creator" model of development of the sixteenth century to the "big science" of the 1940s and 1950s to the architecture of Frank Gehry, Hughes nimbly charts the myriad ways that technology has been woven into the social and cultural fabric of different eras and the promises and problems it has offered. Thomas Jefferson, for instance, optimistically hoped that technology could be combined with nature to create an Edenic environment; Lewis Mumford, two centuries later, warned of the increasing mechanization of American life. Such divergent views, Hughes shows, have existed side by side, demonstrating the fundamental idea that "in its variety, technology is full of contradictions, laden with human folly, saved by occasional benign deeds, and rich with unintended consequences." In Human-Built World, he offers the highly engaging history of these contradictions, follies, and consequences, a history that resurrects technology, rightfully, as more than gadgetry; it is in fact no less than an embodiment of human values.

The Tabloid Culture Reader

The Tabloid Culture Reader
Author: Biressi, Anita
Publisher: McGraw-Hill Education (UK)
Total Pages: 401
Release: 2007-12-01
Genre: Social Science
ISBN: 0335219314

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The Tabloid Culture Reader provides an accessible and useful introduction to the field.

From IBM to MGM

From IBM to MGM
Author: Andrew Utterson
Publisher: Bloomsbury Publishing
Total Pages: 184
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1838715886

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Andrew Utterson's unique study charts the beginnings of digital cinema, addressing both how filmmakers used new digital technologies and how attitudes and anxieties about the rise of the computer were represented in films such as Lang's Desk Set, Godard's Alphaville, Kubrick's 2001: A Space Odyssey and Crichton's Westworld.

Postnaturalism

Postnaturalism
Author: Shane Denson
Publisher: transcript Verlag
Total Pages: 433
Release: 2014-07-31
Genre: Social Science
ISBN: 3839428173

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»Postnaturalism« offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies and philosophy of technology to rethink histories of cinema, media, technology, and ultimately of the affective channels of our own embodiment. With a foreword by media theorist Mark B. N. Hansen.

The Film Reader's Guide to James Cameron's Avatar

The Film Reader's Guide to James Cameron's Avatar
Author: Bryn V. Young-Roberts
Publisher: Lulu.com
Total Pages: 83
Release: 2012-01-30
Genre: Fiction
ISBN: 147170548X

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Director of The Terminator, Aliens and Titanic, James Cameron's latest movie, Avatar, is the most viewed cinema release of all time, yet to date receives little academic attention. Filling the gap, editor of www.DeepFocusFilm.com, Bryn V. Young-Roberts, researches Avatar's historical and cultural relevance with its first in-depth examination while simultaneously discussing the Cameron oeuvre. From the perspective of historical contextualisation and cultural analysis we decipher its socially significant subtext, encouraging a view that Avatar is not exclusively a generic entertainment spectacle. Providing foundations for future studies, we examine the film as metaphor for the Iraq War, advocator of the Internet as liberation tool, and political stance to the Bush administration. Fear of the industrial-military complex, and romantic ideals of Class are also analysed. Ultimately, the volume summarizes Avatar in relation to Cameron's other work and how it fits into our larger, contemporary society.