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| Author | : Cleo McNelly Kearns |
| Publisher | : Cambridge University Press |
| Total Pages | : 312 |
| Release | : 1987-06-26 |
| Genre | : Literary Criticism |
| ISBN | : 9780521324397 |
An exploration of Eliot's lifelong interest in Indic philosophy and religion.
| Author | : Jeffrey M. Perl |
| Publisher | : |
| Total Pages | : 131 |
| Release | : 1985 |
| Genre | : |
| ISBN | : |
| Author | : John Theodore Mayer |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 376 |
| Release | : 1989 |
| Genre | : Literary Criticism |
| ISBN | : |
This is the first comprehensive, in-depth study of Eliot's unpublished verse. Through a close reading of the poems themselves, Mayer offers a new look at the familiar works by approaching them as a Modernist poetry of consciousness, expressed in a new poetic form as the psychic monologue. Uncovering new themes discovered in unpublished poetry, he develops a new approach to The Wasteland that shows for the first time how the separate voices of the poem relate to the poem's protagonist, how they simultaneously shape his experience of release, and how they culminate in a prophetic statement. Calling attention to the operation of play, routines, and cycles in the unpublished and familiar works, to the interplay of City and Psyche, and to the relationship between voices and vision, the book establishes the undeniable value of Eliot's unpublished verse in shaping the form and preoccupations of his early poetry.
| Author | : Grover Smith |
| Publisher | : Bucknell University Press |
| Total Pages | : 198 |
| Release | : 1996 |
| Genre | : Literary Criticism |
| ISBN | : 9780838753286 |
"This book explores poetry of T. S. Eliot and three plays, Sweeney Agonistes, The Family Reunion, and The Cocktail Party, in the light of his responses to his cultural tradition." "The concept of memory, as an acknowledgment both of a cultural heritage and of its availability for original works of mind and imagination, unifies this study by Grover Smith. Eliot was tradition-oriented, drawing upon various cultures - primitive, Indic, European, and American - for poetic inspiration and models. By education, he was multicultural in a thoroughly legitimate sense." "In separate chapters, Smith, though commenting on a few verbal sources of types familiar from Eliot's practice of stylistic borrowing, focuses on thematic concerns. Included are the psychological labyrinth of death-in-life of Poe's tales and poems; transfigurations of Hamlet from Shakespeare to Goethe, Coleridge, and Freud; popular stage entertainment in nineteenth-century America; poetic stimuli from James Barrie, Arnold Bennett, and Aldous Huxley; twentieth-century speculations on time and serialism; the world of occult phenomena in W. B. Yeats and, later, the novelist Charles Williams; and Eliot's obsessive critiques of primitive myth and ritual." "In various ways, all of these interests intersected. Smith shows in Eliot's dedication to diverse traditions a practical imperative, and to a great extent a moral one, for a poetic art grounded in traditional American reverence for inherited values."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
| Author | : Vinod Sena |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 216 |
| Release | : 1992 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
Eloise Hay explores in her essay the dual nature of Eliot's allegiance to the American and British traditions. A.D. Moody and Harish Trivedi explore the ambivalent nature of Eliot's relationship to Indic thought and sources. There are several essays which deal with Eliot's crowning poetic achievement, Four Quartets. John Holloway looks at the manner in which Beethoven's later music inspired the form of these poems; R.A.
| Author | : Edward Upton |
| Publisher | : University of Virginia Press |
| Total Pages | : 276 |
| Release | : 2023-09-21 |
| Genre | : Literary Criticism |
| ISBN | : 0813950503 |
The Hindu words "Shantih shantih shantih" provide the closing of The Waste Land, perhaps the most famous poem of the twentieth century. This is just one example among many of T. S. Eliot’s immersion in Sanskrit and Indian philosophy and of how this fascination strongly influenced his work. Centering on Eliot’s study of sources from ancient India, this new book offers a rereading of the poet’s work, analyzing his unpublished graduate school notebooks on Indian philosophy and exploring Eliot’s connection with Buddhist thought. Eliot was crucially influenced by his early engagement with Indian texts, and when analyzed through this lens, his poems reveal a criticism of the attachments of human desire and the suggestion that asceticism might hold out the possibility that desire can be cultivated toward a metaphysical absolute. Full of such insights, Upton’s book represents an important intervention in modernist studies.
| Author | : Paul Murray |
| Publisher | : Springer |
| Total Pages | : 334 |
| Release | : 1991-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 1349134635 |
'At last, we have a study that tackles these questions, and does so with a wealth of learning, a poet's sensibility and a thorough theological literacy...Murray has given us a superb study.' Rowan Williams, Doctrine and Life 'His point of view is always that of someone practised in meditation, and his book is in consequence one of the half-dozen really valuable guides to Eliot's poetry.' Stephen Medcalf, Times Literary Supplement The story of the composition of Four Quartets, in relation to mysticism, constitutes one of the most interesting pages in modern literary history. T.S. Eliot drew his inspiration not only from the literature of orthodox Christian mysticism and from a variety of Hindu and Buddhist sources, but also from the literature of the occult, and from several unexpected and so far unacknowledged sources such as the 'mystical' symbolism of Shakespeare's later plays and the visionary poetry of Rudyard Kipling. But the primary concern of this study is not with sources as such, nor with an area somewhere behind the work, but rather with that point in Four Quartets where Eliot's own mystical attitude and his poetry unite and intersect.
| Author | : Martin Kindermann |
| Publisher | : Springer Nature |
| Total Pages | : 338 |
| Release | : 2020-10-19 |
| Genre | : Literary Criticism |
| ISBN | : 3030552691 |
Exploring the Spatiality of the City across Cultural Texts: Narrating Spaces, Reading Urbanity explores the narrative formations of urbanity from an interdisciplinary perspective. Within the framework of the “spatial turn,” contributors from disciplines ranging from geography and history to literary and media studies theorize narrative constructions of the city and cities, and analyze relevant examples from a variety of discourses, media, and cities. Subdivided into six sections, the book explores the interactions of city and text—as well as other media—and the conflicting narratives that arise in these interactions. Offering case studies that discuss specific aspects of the narrative construction of Berlin and London, the text also considers narratives of urban discontinuity and their theoretical implications. Ultimately, this volume captures the narratological, artistic, material, social, and performative possibilities inherent in spatial representations of the city.
| Author | : Harriet Davidson |
| Publisher | : Taylor & Francis |
| Total Pages | : 138 |
| Release | : 2022-09-09 |
| Genre | : Literary Criticism |
| ISBN | : 1317898877 |
One of the most influential poets of the twentieth century, T. S. Eliot is generally regarded as a leading exponent of the literary movement which came to be known as Modernism. In this volume, Harriet Davidson collects key recent essays by such internationally renowned critics as Terry Eagleton, Sandra Gilbert, Jacqueline Rose, Jeffrey Perl, Christine Froula, Maud Ellmann, and Michael North, placing Eliot's work centrally in the context of postmodern critical theory. Eliot's writing is often perceived as incompatible with or resistant to new theoretical approaches, but this volume demonstrates the continuity between Eliot's own theoretical writings and contemporary theory, and illuminates his poetry with imaginative readings from deconstructive, Marxist, psychoanalytic, and feminist perspectives. Headnotes to the essays and a bibliography which lists other informative readings make this book an invaluable guide to all students of twentieth-century poetry, and to scholars interested in the relationship between critical and creative writing.
| Author | : Craig Bradshaw Woelfel |
| Publisher | : Univ of South Carolina Press |
| Total Pages | : 247 |
| Release | : 2018-10-15 |
| Genre | : Religion |
| ISBN | : 1611179068 |
An exploration of belief as an experience, both secular and religious, through the study of major literary works At the height of modernism in the 1920s, what did it mean to believe and how was it experienced? Craig Woelfel seeks to answer this pivotal question in Varieties of Aesthetic Experience: Literary Modernism and Dissociation of Belief, a groundbreaking exploration of the relationship between secular modernity and religious engagement. Woelfel hinges his argument on the unlikely comparison of two revered modern writers: T. S. Eliot and E. M. Forster. They had vastly different experiences with religion, as Eliot converted to Christianity later in life and Forster became a steadfast nonbeliever over time, but Woelfel contends that their stories offer a compelling model for belief as broken and ambivalent rather than constant. Narratives of faith—its loss or gain—are no longer linear but instead are just as fractured and varied as the modernists themselves. Drawing from Eliot's and Forster's major and minor creative and critical works, Woelfel makes the case for a "dissociation of belief" during the modern era—a separation of emotional and spiritual religious experience from its reduction to forms. He contextualizes belief in the modern era alongside modernist religious studies scholarship and current secularization theory, with particular attention to Charles Taylor's A Secular Age, paving the way for a more nuanced understanding of religious engagement at the time. In Varieties of Aesthetic Experience, Woelfel considers major literary works—including Eliot's The Waste Land and Forster's A Passage to India—as well as the Cambridge Clark Lectures and previously unstudied personal writings from both authors. The volume revolves around a line from Eliot himself, from a lecture in which he said that he wanted "to see art, and to see it whole." Rather than excluding belief from the conversation, Woelfel contends that modernist art can become a critical liminal space for exploring what it means to believe in a secular age.
