Community Justice

Community Justice
Author: John R. Hamilton Jr.
Publisher: Routledge
Total Pages: 360
Release: 2010-12-08
Genre: Social Science
ISBN: 1135145717

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Community Justice discusses concepts of community within the context of justice policy and programs, and addresses the important relationship between the criminal justice system and the community in the USA. Taking a bold stance in the criminal justice debate, this book argues that crime management is more effective through the use of informal (as opposed to formal) social control. It demonstrates how an increasing number of criminal justice elements are beginning to understand that the development of partnerships within the community that enhance informal social control will lead to a stabilization and possible a decline in crime, especially violent crime, and make communities more liveable. Borrowing from an eclectic toolbox of ideas and strategies - community organizing, environmental crime prevention, private-public partnerships, justice initiatives – Community Justice puts forward a new approach to establishing safe communities, and highlights the failure of the current American justice system in its lack of vision and misuse of resources. Providing detailed information about how community justice fits within each area of the criminal justice system, and including relevant case studies to exemplify this philosophy in action, this book is essential reading for undergraduate and postgraduate students of subjects such as criminology, law and sociology.

Hollywood Highbrow

Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
Total Pages: 242
Release: 2018-06-05
Genre: Performing Arts
ISBN: 0691187282

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Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.