Studies In The Performance Of Late Medieval Music
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Author | : Stanley Boorman |
Publisher | : Cambridge University Press |
Total Pages | : 328 |
Release | : 2008-10-30 |
Genre | : Music |
ISBN | : 9780521088312 |
Download Studies in the Performance of Late Medieval Music Book in PDF, Epub and Kindle
This volume presents a series of important essays on some of the problems involved in attempting to perform music of the late Middle Ages.
Author | : Ross W. Duffin |
Publisher | : Indiana University Press |
Total Pages | : 618 |
Release | : 2000 |
Genre | : Music |
ISBN | : 9780253215338 |
Download A Performer's Guide to Medieval Music Book in PDF, Epub and Kindle
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Author | : Stanley Boorman |
Publisher | : |
Total Pages | : 0 |
Release | : 1983 |
Genre | : |
ISBN | : |
Download Studies in the Performance of Late Medieval Music Book in PDF, Epub and Kindle
Author | : Reinhard Strohm |
Publisher | : |
Total Pages | : 522 |
Release | : 2001 |
Genre | : Music |
ISBN | : 9780198162056 |
Download Music as Concept and Practice in the Late Middle Ages Book in PDF, Epub and Kindle
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
Author | : E. Upton |
Publisher | : Springer |
Total Pages | : 242 |
Release | : 2012-12-28 |
Genre | : Performing Arts |
ISBN | : 1137310073 |
Download Music and Performance in the Later Middle Ages Book in PDF, Epub and Kindle
This book seeks to understand the music of the later Middle Ages in a fuller perspective, moving beyond the traditional focus on the creative work of composers in isolation to consider the participation of performers and listeners in music-making.
Author | : Anna Maria Busse Berger |
Publisher | : University of California Press |
Total Pages | : 304 |
Release | : 2019-10-08 |
Genre | : Music |
ISBN | : 0520314271 |
Download Medieval Music and the Art of Memory Book in PDF, Epub and Kindle
Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.
Author | : Mark Everist |
Publisher | : Cambridge University Press |
Total Pages | : |
Release | : 2018-08-09 |
Genre | : Music |
ISBN | : 1108577075 |
Download The Cambridge History of Medieval Music Book in PDF, Epub and Kindle
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author | : Jane D. Hatter |
Publisher | : Cambridge University Press |
Total Pages | : 301 |
Release | : 2019-05-02 |
Genre | : Art |
ISBN | : 1108474918 |
Download Composing Community in Late Medieval Music Book in PDF, Epub and Kindle
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
Author | : Randall Rosenfeld |
Publisher | : Routledge |
Total Pages | : 473 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351557688 |
Download Music and Medieval Manuscripts Book in PDF, Epub and Kindle
The interdisciplinary approach of Music and Medieval Manuscripts is modeled on the work of the scholar to whom the book is dedicated. Professor Andrew Hughes is recognized internationally for his work on medieval manuscripts, combining the areas of paleography, performance, liturgy and music. All these areas of research are represented in this collection with an emphasis on the continuity between the physical characteristics of medieval manuscripts and their different uses. Albert Derolez provides a landmark and controversial essay on the origins of pre-humanistic script, while Margaret Bent proposes a new interpretation of a famous passage from a fifteenth-century poem by Martin Le Franc. Timothy McGee contributes an innovative essay on late-medieval music, text and rhetoric. David Hiley discusses musical changes and variation in the offices of a major saint‘s feast, and Craig Wright presents an original study of Guillaume Dufay. Jan Ziolkowski treats the topic of neumed classics, an under-explored aspect of the history of medieval pedagogy and the transmission of texts. The essays that comprise this volume offer a unique focus on medieval manuscripts from a wide range of perspectives, and will appeal to musicologists and medievalists alike.
Author | : Elina Gertsman |
Publisher | : Routledge |
Total Pages | : 367 |
Release | : 2017-07-05 |
Genre | : Performing Arts |
ISBN | : 1351537377 |
Download Visualizing Medieval Performance Book in PDF, Epub and Kindle
Taking a fresh look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this explicitly interdisciplinary volume explores various manifestations of performance and meanings of performativity in the Middle Ages. The contributors - from their various perspectives as scholars of art history, religion, history, literary studies, theater studies, music and dance - combine their resources to reassess the complexity of expressions and definitions of medieval performance in a variety of different media. Among the topics considered are interconnections between ritual and theater; dynamics of performative readings of illuminated manuscripts, buildings and sculptures; linguistic performances of identity; performative models of medieval spirituality; social and political spectacles encoded in ceremonies; junctures between spatial configurations of the medieval stage and mnemonic practices used for meditation; performances of late medieval music that raise questions about the issues of historicity, authenticity, and historical correctness in performance; and tensions inherent in the very notion of a medieval dance performance.