No Name in the Street

No Name in the Street
Author: James Baldwin
Publisher: Vintage
Total Pages: 209
Release: 2013-09-17
Genre: Biography & Autobiography
ISBN: 0804149666

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From one of the most important American writers of the twentieth century—an extraordinary history of the turbulent sixties and early seventies that powerfully speaks to contemporary conversations around racism. “It contains truth that cannot be denied.” —The Atlantic Monthly In this stunningly personal document, James Baldwin remembers in vivid details the Harlem childhood that shaped his early conciousness and the later events that scored his heart with pain—the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his retum to the American South to confront a violent America face-to-face.

Street with No Name

Street with No Name
Author: Andrew Dickos
Publisher: University Press of Kentucky
Total Pages: 352
Release: 2021-10-26
Genre: Performing Arts
ISBN: 0813152291

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Andrew Dickos's Street with No Name traces the film noir genre back to its roots in German expressionist cinema and the French cinema of the interwar years. Dickos describes the development of the film noir in America from 1941 through the 1970s and examines how this development expresses a modern cinema. He argues that, in its most satisfying form, the film noir exists as a series of conventions with an iconography and characters of distinctive significance. Featuring stylized lighting and urban settings, these films tell melodramatic narratives involving characters who commit crimes predicated on destructive passions, corruption, and a submission to human weakness and fate. Unlike other studies of the noir, Street with No Name follows its development in a loosely historical style that associates certain noir directors with those features in their films that helped define the scope of the genre. Dickos examines notable directors such as Orson Welles, Fritz Lang, Otto Preminger, and Robert Siodmak. He also charts the genre's influence on such celebrated postwar French filmmakers as Jean-Pierre Melville, Francois Truffaut, and Jean-Luc Godard. Addressing the aesthetic, cultural, political, and social concerns depicted in the genre, Street with No Name demonstrates how the film noir generates a highly expressive, raw, and violent mood as it exposes the ambiguities of modern postwar society.

No Name in the Street

No Name in the Street
Author: Edward Murch
Publisher: Baker's Plays
Total Pages: 36
Release: 2010-12
Genre: Drama
ISBN: 9780874401189

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14 characters / 8-14 females or mixed cast 35 minutes Scenery: bare stage A play about Holy Week, dramatic and powerful in its simplicity. The events leading up to the Crucifixion are seen by a mother searching for her son. When she comes to the Cross, she asks forgiveness, and we find she is not the mother of Jesus, as we had been led to believe, but the mother of Judas. The surprise is no mere theatrical trick, but the whole point of the play. "Are you not betrayers too?" she asks the players and the audience. The play is a tournament winner in Great Britain, a popular work in American church groups, and has been televised to great acclaim.

Film Noir and the Spaces of Modernity

Film Noir and the Spaces of Modernity
Author: Edward Dimendberg
Publisher: Harvard University Press
Total Pages: 356
Release: 2004-06-15
Genre: Performing Arts
ISBN: 9780674013469

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This full-length anime action thriller follows the story started in the Sengoku Basara TV series, telling the story of a league of generals, who banded together to defeat an evil overlord, who threatened to dominate Feudal Japan. Now, their nemesis's loyal servant is on the warpath to avenge his fallen leader, and the fate of a nation once again hangs in the balance. ~ Cammila Collar, Rovi

Cinemas of the Global South

Cinemas of the Global South
Author: Dilip M Menon
Publisher: Taylor & Francis
Total Pages: 271
Release: 2024-03-19
Genre: Performing Arts
ISBN: 1040003931

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This book engages with the idea of the Global South through cinema as a concept of resistance; as a space of decolonialisation; and as an arena of virtuality, creativity and change. It opens up a dialogue amongst scholars and filmmakers from the Global South: India, Nigeria, Colombia, Brazil, South Africa, and Egypt. The essays in the volume approach cinema as an intertwined process of both production and perception not divorced from the economic, social, political and cultural. They emphasise film as a visual medium where form, structure and content are not separable. Through a wide array of film-readings, the authors explore the concept of a southern cinematic esthetics, in particular, and the concept of the Global South in general. The volume will be of interest to scholars, students and researchers of film and media studies, critical theory, cultural studies and Global South studies.

Montreal

Montreal
Author: Dany Fougères
Publisher: McGill-Queen's Press - MQUP
Total Pages: 1505
Release: 2018-04-06
Genre: History
ISBN: 0773552693

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Surrounded by water and located at the heart of a fertile plain, the Island of Montreal has been a crossroads for Indigenous peoples, European settlers, and today's citizens, and an inland port city for the movement of people and goods into and out of North America. Commemorating the city's 375th anniversary, Montreal: The History of a North American City is the definitive, two-volume account of this fascinating metropolis and its storied hinterland. This comprehensive collection of essays, filled with hundreds of illustrations, photographs, and maps, draws on human geography and environmental history to show that while certain distinctive features remain unchanged – Mount Royal, the Lachine Rapids of the Saint Lawrence River – human intervention and urban evolution mean that over time Montrealers have had drastically different experiences and historical understandings. Significant issues such as religion, government, social conditions, the economy, labour, transportation, culture and entertainment, and scientific and technological innovation are treated thematically in innovative and diverse chapters to illuminate how people's lives changed along with the transformation of Montreal. This history of a city in motion presents an entire picture of the changes that have marked the region as it spread from the old city of Ville-Marie into parishes, autonomous towns, boroughs, and suburbs on and off the island. The first volume encompasses the city up to 1930, vividly depicting the lives of First Nations prior to the arrival of Europeans, colonization by the French, and the beginning of British Rule. The crucial roles of waterways, portaging, paths, and trails as the primary means of travelling and trade are first examined before delving into the construction of canals, railways, and the first major roads. Nineteenth-century industrialization created a period of near-total change in Montreal as it became Canada's leading city and witnessed staggering population growth from less than 20,000 people in 1800 to over one million by 1930. The second volume treats the history of Montreal since 1930, the year that the Jacques Cartier Bridge was opened and allowed for the outward expansion of a region, which before had been confined to the island. From the Great Depression and Montreal's role as a munitions manufacturing centre during the Second World War to major cultural events like Expo 67, the twentieth century saw Montreal grow into one of the continent's largest cities, requiring stringent management of infrastructure, public utilities, and transportation. This volume also extensively studies the kinds of political debate with which the region and country still grapple regarding language, nationalism, federalism, and self-determination. Contributors include Philippe Apparicio (INRS), Guy Bellavance (INRS), Laurence Bherer (University of Montreal), Stéphane Castonguay (UQTR), the late Jean-Pierre Collin (INRS), Magda Fahrni (UQAM), the late Jean-Marie Fecteau (UQAM), Dany Fougères (UQAM), Robert Gagnon (UQAM), Danielle Gauvreau (Concordia), Annick Germain (INRS), Janice Harvey (Dawson College), Annie-Claude Labrecque (independent scholar), Yvan Lamonde (McGill), Daniel Latouche (INRS), Roderick MacLeod (independent scholar), Paula Negron-Poblete (University of Montreal), Normand Perron (INRS), Martin Petitclerc (UQAM), Christian Poirier (INRS), Claire Poitras (INRS), Mario Polèse (INRS), Myriam Richard (unaffiliated), Damaris Rose (INRS), Anne-Marie Séguin (INRS), Gilles Sénécal (INRS), Valérie Shaffer (independent scholar), Richard Shearmur (McGill), Sylvie Taschereau (UQTR), Michel Trépanier (INRS), Laurent Turcot (UQTR), Nathalie Vachon (INRS), and Roland Viau (University of Montreal).

Street with No Name

Street with No Name
Author: Andrew Dickos
Publisher: University Press of Kentucky
Total Pages: 327
Release: 2021-10-26
Genre: Performing Arts
ISBN: 0813152267

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Andrew Dickos's Street with No Name traces the film noir genre back to its roots in German expressionist cinema and the French cinema of the interwar years. Dickos describes the development of the film noir in America from 1941 through the 1970s and examines how this development expresses a modern cinema. He argues that, in its most satisfying form, the film noir exists as a series of conventions with an iconography and characters of distinctive significance. Featuring stylized lighting and urban settings, these films tell melodramatic narratives involving characters who commit crimes predicated on destructive passions, corruption, and a submission to human weakness and fate. Unlike other studies of the noir, Street with No Name follows its development in a loosely historical style that associates certain noir directors with those features in their films that helped define the scope of the genre. Dickos examines notable directors such as Orson Welles, Fritz Lang, Otto Preminger, and Robert Siodmak. He also charts the genre's influence on such celebrated postwar French filmmakers as Jean-Pierre Melville, Francois Truffaut, and Jean-Luc Godard. Addressing the aesthetic, cultural, political, and social concerns depicted in the genre, Street with No Name demonstrates how the film noir generates a highly expressive, raw, and violent mood as it exposes the ambiguities of modern postwar society.

Dead End Street No Outlet

Dead End Street No Outlet
Author: Emma Redington Lee Thayer
Publisher: Pickle Partners Publishing
Total Pages: 295
Release: 2019-11-01
Genre: Fiction
ISBN: 1789129532

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Dead End Street, first published in 1936 as part of the Red Badge Mystery Series, features private detective Peter Clancy, assisted by his valet Wiggars. Author Emma Redington Lee Thayer (1874-1973) published 60 novels during her long career, all but one featuring detective Peter Clancy. Synopsis from the original edition: Albert Madison picked up a strange valet in an even more peculiar way. But the haunted look on his face remained. Sally Howard’s inordinate curiosity seemed harmless enough but it was to lead to something ... Then Patrolman Duffy was found murdered by a knife, his body having been dragged some distance and dumped into Spuyten Duyvil Creek. It was the cold-bloodedness of this crime and the total absence of clues that first aroused the suspicions of Peter Clancy. It was too slick, too harmless. The only conclusion was that poor Michael Duffy was “a pawn—that had to be taken—off the board.” Dead End Street is a thriller of the first order. In it the reader will find a twisting, complex plot, moving with lightning speed and gathering suspense as the astonishing denouement draws closer ... Peter Clancy is at his quick-witted best and the other characters, odd assortment though they be, are not likely to be soon forgotten.