Spellbound Symphony
| Author | : Clement Portlander |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024-06-06 |
| Genre | : Self-Help |
| ISBN | : 9789916850701 |
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Spellbound Symphony
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Seeing Through Music
| Author | : Peter Franklin |
| Publisher | : OUP USA |
| Total Pages | : 202 |
| Release | : 2011-08 |
| Genre | : Music |
| ISBN | : 0195383451 |
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Seeing Through Music levels the critical playing-field between film-music and so-called 'serious music', reflecting upon gender-related ideas about music and modernism as much as about film. It proposes a history of twentieth-century music that would include the scores of a number of the major Hollywood movies discussed here.
Epic Sound
| Author | : Stephen C. Meyer |
| Publisher | : Indiana University Press |
| Total Pages | : 288 |
| Release | : 2014-11-27 |
| Genre | : Performing Arts |
| ISBN | : 025301459X |
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“A well-researched and thorough book examining what the author finds to be a unique facet of film music of the late 1940s and early 1950s.” —Soundtrax Lavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating biblical and cinematic interpretation. In this way, the soundscapes of these films reflected the ideological and aesthetic tensions within the genre, and more generally, within postwar American society. By examining key biblical films, Meyer adeptly engages musicology with film studies to explore cinematic interpretations of the Bible during the 1940s through the 1960s. “A major contribution to the field of film music studies and ought to be widely read by musicologists with an interest in film. Really, it ought to be read by film scholars as well: although the depth of Meyer’s engagement with the music is felt on almost every page, this is also a powerfully sustained exploration of the biblical epic as a film genre.” —American Music “Meyer’s clear and articulate study promises to be a welcome addition to the reading list of anyone interested not just in film but in mid-century music history.” —Journal of the Society for American Music “An ambitious and fascinating book.” —James Buhler, The University of Texas at Austin
Starlit Symphony
| Author | : OJ LEIGH |
| Publisher | : OJ LEIGH |
| Total Pages | : 108 |
| Release | : 2023-09-08 |
| Genre | : Fiction |
| ISBN | : |
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In the mesmerizing world of music, where harmony weaves its enchanting spell, a renowned orchestra stands as a beacon of artistic brilliance. Within the heart of this symphonic paradise, two exceptional souls find themselves entangled in a tale of creative clash and impassioned romance. Meet Eden Piper, a gifted violinist whose soul ignites with every stroke of her bow, and Louis Mitchell, a conductor whose baton orchestrates the very emotions of the musicians he leads. In Symphony Sinfonia, their paths collide, sparking a tempestuous journey that will forever change the course of their lives. At first glance, their personalities appear as discordant as clashing notes, their visions for music seeming worlds apart. Yet, beyond the surface lies a common thread, an unyielding passion for the art that unites them in an unspoken desire. As they battle their differences amid the crescendos and decrescendos of rehearsal, Eden and Louis discover that the melodies they create together mirror the symphony of their hearts. With each encounter, the boundaries between professionalism and romance blur, weaving a complex tapestry of emotions. Amidst the harmonies and dissonances of their lives, they find solace in each other's company, revealing vulnerabilities hidden beneath the polished veneers of their musical virtuosity. A torrential downpour brings them closer, granting a glimpse into the secrets they hold, and the melodies they yearn to share. However, their burgeoning romance faces challenges, as jealousy and rumor cast a shadow over their newfound unity. The once-harmonious orchestra stands divided, and their relationship hangs in the balance. Yet, this tale is not just about two musicians finding love; it is a journey of growth, forgiveness, and resilience. As Symphony Sinfonia faces a turning point, Eden and Louis must summon the courage to embrace their love openly and transform discord into an ever-lasting symphony. With every note they play, their love crescendos to a celestial height, transcending the boundaries of music and passion. Together, they create a Starlit Symphony, a symphony that will echo in the hearts of those who witness their melodic union. In this captivating tale, the power of music serves as a conduit for romance, and the audience will be swept away on a lyrical journey, captivated by the harmony of love that unfolds. So, let the curtains rise on this enchanting symphony, and let the melodies guide us through a world where music and love intertwine in perfect harmony.
Making Music in Selznick's Hollywood
| Author | : Nathan Platte |
| Publisher | : Oxford University Press |
| Total Pages | : 417 |
| Release | : 2018 |
| Genre | : Art |
| ISBN | : 0199371113 |
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This book tells the fascinating story of the evolution of David O. Selznick's style through the many artists whose work defined Hollywood sound.
The Mahler Companion
| Author | : Donald Mitchell |
| Publisher | : |
| Total Pages | : 676 |
| Release | : 2002 |
| Genre | : Music |
| ISBN | : 9780199249657 |
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'the one-stop guide to Mahler -- a volume of essays covering the widest range of Mahlerian topics, designed both for the academic and serious amateur music-lover... The core of the compendium is its coverage of all the main works, carrying recent research, with plentiful musical examples and other illustrations.' -Andrew Green, Classical Music 08/11/1999'beautifully produced volume... a tribute that surveys the familiar with affectionate new insights... all the articles on Mahler's reception outside Austria, both during his life and after, make for fascinating reading.' -David Nice, BBC Music Magazine October 1999'The Mahler Companion constitutes a distinguished and fitting monument to Mitchell's lifelong devotion to Mahler, and, in mustering so much talent in one volume, there is no doubt that it will deservedly take its place among the most significant publications on the composer.' -Jeremy Barham, Music andamp; LettersA brilliant gathering of international Mahler specialists write about Mahler's music from a variety of standpoints. The global spread of the authors is matched by a series of chapters that document the global spread of the composer's own symphonies and song cycles, while hitherto unexplored areas of research receive attention, both places (such as London and Prague) and people (Mahler's only surviving and highly talented daughter--a sculptor--Anna. In short, a volume that draws on the best resources and most up-to-date information about the composer and will undoubtedly act as the authoritative guide for Mahler enthusiasts for years to come.
Music in the Late Twentieth Century
| Author | : Richard Taruskin |
| Publisher | : Oxford University Press |
| Total Pages | : 609 |
| Release | : 2006-08-14 |
| Genre | : Music |
| ISBN | : 0199795932 |
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The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Film Music in the Sound Era
| Author | : Jonathan Rhodes Lee |
| Publisher | : Routledge |
| Total Pages | : 994 |
| Release | : 2020-02-13 |
| Genre | : Music |
| ISBN | : 1351190776 |
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Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry. A complete index is included in each volume.
Inside Mahler's Second Symphony
| Author | : Lawrence F. Bernstein |
| Publisher | : Oxford University Press |
| Total Pages | : 321 |
| Release | : 2022 |
| Genre | : Music |
| ISBN | : 0197575641 |
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This guide introduces concertgoers, serious listeners, and music students to Gustav Mahler's Second Symphony, one of the composer's most popular and most powerful works. It examines the symphony from several perspectives: Mahler's struggle to create what he called the New Symphony; his innovative approaches to traditional musical form; how he addressed the daunting challenges of writing music on a monumental scale; and how he dealt with the ineluctable force of Beethoven's symphonic precedent, especially that of the Ninth Symphony. The central focus of Inside Mahler's Second Symphony is on the music itself: how it works, how it works its magic on the listener, how it translates the earnest existential concerns that motivate the symphony into powerful and highly expressive music. Beyond this, the book ushers the Listener's Guide into the digital age with 185 dedicated audio examples. They are brief, accessible, and arranged to flow from one to another to simulate how the symphony might be presented in a classroom discussion. Each movement is also presented uninterrupted, accompanied by light annotations to remind the reader of what they learned about the movement. Each musical event in the uninterrupted presentation is keyed to its location in the orchestral score to accommodate readers who may wish to refer to one. An innovative combination of in-depth analysis and multimedia exploration, Inside Mahler's Second Symphony is a remarkable introduction to a masterpiece of the symphonic repertoire.
New World Symphonies
| Author | : Jack Sullivan |
| Publisher | : Yale University Press |
| Total Pages | : 304 |
| Release | : 1999-01-01 |
| Genre | : Music |
| ISBN | : 9780300072310 |
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This groundbreaking book shows for the first time the profound and transformative influence of American literature, music, and mythology on European music. Although the impact of the European tradition on American composers is widely acknowledged, Jack Sullivan demonstrates that an even more powerful musical current has flowed from the New World to the Old. The spread of rock and roll around the world, the author contends, is only the latest chapter in a cross-cultural story that began in the nineteenth century with Gottschalk in Paris and Dvorák in New York. Sullivan brings popular and canonical culture into his wide-ranging discussion. He explores the effects on European music of American authors as diverse as Twain, DuBois, Melville, and Langston Hughes, examining in particular Dvorák's fascination with Longfellow, the obsession of Debussy and Ravel with Poe, and the inspiration Whitman provided for Holst, Vaughan Williams, and dozens more. Sullivan uncovers the African American musical influence on Europe, beginning with spirituals and culminating in the impact of jazz on Stravinsky, Bartók, Walton, and others. He analyzes the lure of Hollywood and Broadway for such composers as Weill, Korngold, and Britten and considers the power of the American landscape--from the remoteness of the prairie to the brutal energy of the American city. In European music, Sullivan finds, American culture and mythology continue to resonate.
