Spanish Song, La Colasa
Author | : Fortunata Tedesco |
Publisher | : |
Total Pages | : 6 |
Release | : 1856 |
Genre | : |
ISBN | : |
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Author | : Fortunata Tedesco |
Publisher | : |
Total Pages | : 6 |
Release | : 1856 |
Genre | : |
ISBN | : |
Author | : Fortunata Tedesco |
Publisher | : |
Total Pages | : 0 |
Release | : 1856 |
Genre | : |
ISBN | : |
Author | : Vera Brodsky Lawrence |
Publisher | : University of Chicago Press |
Total Pages | : 756 |
Release | : 1995-04 |
Genre | : Music |
ISBN | : 9780226470092 |
In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin. On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly
Author | : Suzanne Rhodes Draayer |
Publisher | : Scarecrow Press |
Total Pages | : 547 |
Release | : 2009-04-16 |
Genre | : Music |
ISBN | : 0810863626 |
More than 90 composers are discussed in detail with biographies, examples of the song literature, and comprehensive listings of stage works, books and recordings, compositions in non-vocal genres, and vocal repertoire.
Author | : Albert Stoutamire |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 374 |
Release | : 1972 |
Genre | : Music |
ISBN | : 9780838679104 |
Each chapter covers a specific period of the eighteenth or nineteenth century, and major areas of activity examined include music on public and social occasions, music merchantry and instruction, concerts, the theater, and music of the church. 42 photographic reproductions.
Author | : |
Publisher | : |
Total Pages | : 448 |
Release | : 1869 |
Genre | : Music |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 890 |
Release | : 1870 |
Genre | : Music |
ISBN | : |
Author | : John S Dwight |
Publisher | : BoD – Books on Demand |
Total Pages | : 442 |
Release | : 2022-07-30 |
Genre | : Fiction |
ISBN | : 3368121324 |
Reprint of the original, first published in 1871.
Author | : K. Meira Goldberg |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 735 |
Release | : 2017-01-06 |
Genre | : Music |
ISBN | : 1443870617 |
The fandango, emerging in the early-eighteenth century Black Atlantic as a dance and music craze across Spain and the Americas, came to comprise genres as diverse as Mexican son jarocho, the salon and concert fandangos of Mozart and Scarlatti, and the Andalusian fandangos central to flamenco. From the celebrations of humble folk to the theaters of the European elite, with boisterous castanets, strumming strings, flirtatious sensuality, and dexterous footwork, the fandango became a conduit for the syncretism of music, dance, and people of diverse Spanish, Afro-Latin, Gitano, and even Amerindian origins. Once a symbol of Spanish Empire, it came to signify freedom of movement and of expression, given powerful new voice in the twenty-first century by Mexican immigrant communities. What is the full array of the fandango? The superb essays gathered in this collection lay the foundational stone for further exploration.
Author | : John Spitzer |
Publisher | : University of Chicago Press |
Total Pages | : 504 |
Release | : 2012-03-07 |
Genre | : History |
ISBN | : 0226769771 |
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.