Songs of Ourselves

Songs of Ourselves
Author: Joan Shelley Rubin
Publisher: Harvard University Press
Total Pages: 487
Release: 2007
Genre: History
ISBN: 0674035127

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Listen to a short interview with Joan Shelley RubinHost: Chris Gondek | Producer: Heron & Crane In the years between 1880 and 1950, Americans recited poetry at family gatherings, school assemblies, church services, camp outings, and civic affairs. As they did so, they invested poems--and the figure of the poet--with the beliefs, values, and emotions that they experienced in those settings. Reciting a poem together with others joined the individual to the community in a special and memorable way. In a strikingly original and rich portrait of the uses of verse in America, Joan Shelley Rubin shows how the sites and practices of reciting poetry influenced readers' lives and helped them to find meaning in a poet's words. Emphasizing the cultural circumstances that influenced the production and reception of poets and poetry in this country, Rubin recovers the experiences of ordinary people reading poems in public places. We see the recent immigrant seeking acceptance, the schoolchild eager to be integrated into the class, the mourner sharing grief at a funeral, the grandparent trying to bridge the generation gap--all instances of readers remaking texts to meet social and personal needs. Preserving the moral, romantic, and sentimental legacies of the nineteenth century, the act of reading poems offered cultural continuity, spiritual comfort, and pleasure. Songs of Ourselves is a unique history of literary texts as lived experience. By blurring the boundaries between "high" and "popular" poetry as well as between modern and traditional, it creates a fuller, more democratic way of studying our poetic language and ourselves.

Book on Music

Book on Music
Author: Florentius
Publisher: Harvard University Press
Total Pages: 374
Release: 2010
Genre: History
ISBN: 9780674049437

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Edited here for the first time is Florentius de Faxolis' music treatise for Cardinal Ascanio Sforza. The richly illuminated small parchment codex bears witness to the musical interests of the cardinal, himself an avid singer. The author's unusual insights into the musical thinking of his day are discussed in the ample commentary.

The New Harvard Song Book

The New Harvard Song Book
Author:
Publisher:
Total Pages: 110
Release: 1892
Genre: Students' songs
ISBN:

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Songs of Harvard

Songs of Harvard
Author:
Publisher:
Total Pages: 258
Release: 1913
Genre: Students' songs
ISBN:

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A Storm of Songs

A Storm of Songs
Author: John Stratton Hawley
Publisher: Harvard University Press
Total Pages: 457
Release: 2015-03-09
Genre: History
ISBN: 0674425286

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India celebrates itself as a nation of unity in diversity, but where does that sense of unity come from? One important source is a widely-accepted narrative called the “bhakti movement.” Bhakti is the religion of the heart, of song, of common participation, of inner peace, of anguished protest. The idea known as the bhakti movement asserts that between 600 and 1600 CE, poet-saints sang bhakti from India’s southernmost tip to its northern Himalayan heights, laying the religious bedrock upon which the modern state of India would be built. Challenging this canonical narrative, John Stratton Hawley clarifies the historical and political contingencies that gave birth to the concept of the bhakti movement. Starting with the Mughals and their Kachvaha allies, North Indian groups looked to the Hindu South as a resource that would give religious and linguistic depth to their own collective history. Only in the early twentieth century did the idea of a bhakti “movement” crystallize—in the intellectual circle surrounding Rabindranath Tagore in Bengal. Interactions between Hindus and Muslims, between the sexes, between proud regional cultures, and between upper castes and Dalits are crucially embedded in the narrative, making it a powerful political resource. A Storm of Songs ponders the destiny of the idea of the bhakti movement in a globalizing India. If bhakti is the beating heart of India, this is the story of how it was implanted there—and whether it can survive.

Songs of Harvard (Classic Reprint)

Songs of Harvard (Classic Reprint)
Author: Lloyd Adams Noble
Publisher: Forgotten Books
Total Pages: 238
Release: 2018-03-21
Genre: Poetry
ISBN: 9780365219057

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Excerpt from Songs of Harvard Every production stamped specifically with the name of Harvard is pre sented here in a tangible form as a part of the present collection. Nearly every one of this class of songs has been hitherto accessible only as sheet-music, each being published separately. The first and most important duty of the compiler of this volume has been to make a complete and standardized collec tion of these songs, such as can be duplicated in no other publication. The music has been carefully revised, and the words are printed here, often for the first time, in full. But along with these songs that belong both by their tradition and by authorship solely to Harvard, to the stadium, to the torch-light procession, and to commencement-day, there is a large number of songs not originating at Harvard, but which belong to Harvard through long use and familiarity. Every student and every alumnus is familiar with most of them, and it has been the aim of the compiler to make this volume embrace every song that is dear to the hearts of Harvard men. It is almost unnecessary to say that the earlier and less voluminous so - called song books are no longer adequate, if ever they were, nor in any sense truly representative. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Songs in Dark Times

Songs in Dark Times
Author: Amelia M. Glaser
Publisher: Harvard University Press
Total Pages: 369
Release: 2020-11-24
Genre: Literary Criticism
ISBN: 0674248457

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A probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples. Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed. The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York–based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee’s “God’s Black Lamb,” Moyshe Nadir’s “Closer,” and Esther Shumiatsher’s “At the Border of China.” These poets dreamed of a moment when “we” could mean “we workers” rather than “we Jews.” Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.

Folk-songs of the South

Folk-songs of the South
Author: John Harrington Cox
Publisher:
Total Pages: 606
Release: 1925
Genre: American ballads and songs
ISBN:

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Music in Time

Music in Time
Author: Suzannah Clark
Publisher: Harvard University Press
Total Pages: 0
Release: 2016
Genre: Musical meter and rhythm
ISBN: 9780964031760

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Music in Time probes the temporality of music from many perspectives, in response to Christopher F. Hasty's groundbreaking Meter as Rhythm. The essays bridge the conventional divides between theory, history, ethnomusicology, aesthetics, performance practice, cognitive psychology, and dance studies.

Three Songs, Three Singers, Three Nations

Three Songs, Three Singers, Three Nations
Author: Greil Marcus
Publisher: Harvard University Press
Total Pages: 177
Release: 2015-10-07
Genre: Biography & Autobiography
ISBN: 0674187083

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Greil Marcus delves into three distinct episodes in the history of American commonplace song and shows how each one manages to convey the uncanny sense that it was written by no one. In these seemingly anonymous productions, we discover three different ways of talking about the United States, and three separate nations within its borders.