Sonata no. 3 for solo piano, op. 68
Author | : Isaac Albéniz |
Publisher | : |
Total Pages | : 30 |
Release | : 2001 |
Genre | : Piano music |
ISBN | : |
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Author | : Isaac Albéniz |
Publisher | : |
Total Pages | : 30 |
Release | : 2001 |
Genre | : Piano music |
ISBN | : |
Author | : Isaac Albeniz |
Publisher | : |
Total Pages | : 0 |
Release | : 2002 |
Genre | : |
ISBN | : |
Author | : Karol Szymanowski |
Publisher | : |
Total Pages | : 31 |
Release | : 1995 |
Genre | : |
ISBN | : |
Author | : Karol Szymanowski |
Publisher | : |
Total Pages | : 0 |
Release | : 1995 |
Genre | : |
ISBN | : |
Author | : Domenico Scarlatti |
Publisher | : |
Total Pages | : 48 |
Release | : 1922 |
Genre | : Sonatas (Harpsichord) |
ISBN | : |
Author | : Trevor Barnard |
Publisher | : Hal Leonard Corporation |
Total Pages | : 185 |
Release | : 2006 |
Genre | : Music |
ISBN | : 1574630458 |
(Meredith Music Resource). An invaluable, quick reference tool for any teacher, performer or student of the piano who desires an extensive listing of the most significant works composed for solo piano. Accurate, concise and thoroughly researched entries provide an at-a-glance overview of a composer's output, with information on difficulty levels, opus numbers, movement titles, publisher sources and so forth. Whether searching for new material or refreshing one's perspective, this portable database of information will prove itself indispensable for repertoire study and planning. A must-have resource for any pianist's bookshelf or piano. (a href="http://youtu.be/FyL_dNk9z8w" target="_blank")Click here for a YouTube video on A Practical Guide to Solo Piano Music(/a)
Author | : Carolyn Maxwell |
Publisher | : |
Total Pages | : 352 |
Release | : 1984 |
Genre | : Music |
ISBN | : |
This book provides the musician with an invaluable guide to the innovative keyboard works of the genius of the romantic era, Robert Schumann. Complete with thematics, this survey reviews all of his published piano music in order of opus numbers. Each piece is graded according to level of difficulty, and a thorough description is provided. Pertinent historical background and acute critical observation make this book an indispensable tool for the student, teacher, and performing artist.
Author | : Aleksandr Nikolayevich Scriabin |
Publisher | : |
Total Pages | : 18 |
Release | : 1947 |
Genre | : Sonatas (Piano) |
ISBN | : |
Author | : Eric Wen |
Publisher | : Rowman & Littlefield |
Total Pages | : 390 |
Release | : 2019-02-14 |
Genre | : Music |
ISBN | : 1538104679 |
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
Author | : James Hepokoski |
Publisher | : Oxford University Press |
Total Pages | : 692 |
Release | : 2011-02-11 |
Genre | : Music |
ISBN | : 0199890234 |
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.