Slicing Spaces: Performance of Architecture in Cinema

Slicing Spaces: Performance of Architecture in Cinema
Author: Gul Kacmaz Erk
Publisher: Common Ground Research Networks
Total Pages: 557
Release: 2023-05-26
Genre: Architecture
ISBN: 1957792116

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As suggested in the title, Slicing Spaces: Performance of Architecture in Cinema, this project slices through the multifaceted layers of film space. The text investigates how architecture performs as an altruist, proving that environed space is not merely a backdrop in film scenes, but an active performing character. The performance of architecture varies depending on what the filmmakers wish the viewer to feel, whether it is fear, compassion or joy. Considerations take an interdisciplinary approach, not solely observing film and architecture but also studying the likes of urbanism, politics, philosophy, history, psychology, art and design. The substantial spectrum of opinions from contributing authors allows the reader to absorb the diverse relationships of architecture in cinema, inviting the reader to form their own opinions on the topic and inspiring a new way of thinking. Slicing Spaces explores the interconnected relationship between architecture and film via distinct approaches to spaces of the city, confinement, actuality, the psyche and the imagination. Diverse views on cinematic architecture are probed, such as the psychological ramifications of film architecture, the portrayals of the city as a character and the potentials of exploring fantastic places in film. Overall, the book focuses on the authoritative contribution of architecture to the realm of filmmaking. It uncovers a path to look at lived spaces of architectural design from an alternative perspective, be it interiors, buildings or cities. Utilising the architectural ingenuity of drawings and graphics, the collection takes the reader on a visual journey as well as one through narratives.

Film and Domestic Space

Film and Domestic Space
Author: Stefano Baschiera
Publisher: Edinburgh University Press
Total Pages: 256
Release: 2020-05-28
Genre: Performing Arts
ISBN: 1474428940

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Drawing on a broad range of theoretical disciplines - and with case studies of directors such as Chantal Akerman, Agnès Varda, Claire Denis and Todd Haynes, Amos Gitai, Martin Ritt, John Ford, Ila Bêka and Louise Lemoine - this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif.

ARCHITECTURE OF CINEMATIC SPACES BY INTERIORS

ARCHITECTURE OF CINEMATIC SPACES BY INTERIORS
Author: ARMEN. KARAOGHLANIAN
Publisher:
Total Pages:
Release: 2020
Genre: Architecture in motion pictures
ISBN: 9781789382075

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A highly visual, graphic analysis of film in terms of architecture, cinematic spaces and production design. Architectural floor plan drawings are presented alongside short, critical discussions of key twentieth and twenty-first century films which help the reader to evaluate architectural spaces in film and think about the stories they tell.

Spaces of the Cinematic Home

Spaces of the Cinematic Home
Author: Eleanor Andrews
Publisher: Routledge
Total Pages: 256
Release: 2015-07-24
Genre: Social Science
ISBN: 131764882X

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This book examines the ways in which the house appears in films and the modes by which it moves beyond being merely a backdrop for action. Specifically, it explores the ways that domestic spaces carry inherent connotations that filmmakers exploit to enhance meanings and pleasures within film. Rather than simply examining the representation of the house as national symbol, auteur trait, or in terms of genre, contributors study various rooms in the domestic sphere from an assortment of time periods and from a diversity of national cinemas—from interior spaces in ancient Rome to the Chinese kitchen, from the animated house to the metaphor of the armchair in film noir.

Film, Architecture and Spatial Imagination

Film, Architecture and Spatial Imagination
Author: Renée Tobe
Publisher: Taylor & Francis
Total Pages: 216
Release: 2016-08-25
Genre: Architecture
ISBN: 1315533723

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Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Illustrated by a diverse range of films from different eras and cultures, this book investigates the reciprocity between film and architecture. Using a phenomenological approach, it describes how we, the viewers, can learn how to read architecture and design in film in order to see the many inherent messages. Architecture’s representational capacity contributes to the plausibility or 'reality' possible in film. The book provides an ontological understanding that clarifies and stabilizes the reciprocity of the actual world and a filmic world of illusion and human imagination, thereby shedding light on both film and architecture.

ARCHITECTURE IN CINEMA

ARCHITECTURE IN CINEMA
Author: Gül Kaçmaz Erk
Publisher: LAP Lambert Academic Publishing
Total Pages: 132
Release: 2009-08
Genre: Architecture in motion pictures
ISBN: 9783838308692

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Architecture, whether in the foreground or background, is an intrinsic part of any film, and cinema holds a position as a transformative reference in contemporary architecture. This book addresses the role of architecture in cinema, and through a focus on the use of space, it presents a critical overview of the relation between the two. The cinematic camera, with its unique viewpoint, has the ability to transform architectural space. Through framing, flattening and editing, cinematic space, as the representation of architectural space, focuses on its certain qualities, while eliminating others. Thus, cinema emphasizes individual aspects of space that may be overlooked when the whole context is considered. Space 'acts' in the foreground rather than simply filling the background in the films of Peter Greenaway and Wim Wenders, which are used to analyze two significant cinematic approaches to space, space as form and space as symbol. The detailed analysis of Greenaway's The Belly of an Architect and Wenders' Der Himmel uber Berlin (Wings of Desire) offers an innovative and original perspective on space to those interested in both fields of architecture and film studies.

Architecture of Image

Architecture of Image
Author:
Publisher:
Total Pages: 183
Release:
Genre: Motion pictures
ISBN:

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Stories and Spaces

Stories and Spaces
Author: Cori Alesandra Munro
Publisher:
Total Pages: 284
Release: 2011
Genre: Interior architecture
ISBN:

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Within this thesis, "Stories and Spaces: Adapting the Narrative of Cinema into Interior Architecture," the researcher will address how architecture can adapt a film narrative into a functional, interior environment. In the same way that film takes a narrative and brings the story to life through moving image and sound, successful architecture takes a space and gives it life through thoughtful design. The researcher theorizes that cinema can be re-stated within interior architecture that is sustainable, functional, and socially relevant. Cinematographers use a combination of set design principles and existing locations to produce and film a movie. Similarly, the researcher will apply and combine principles of set design, interior planning and architecture toward redesigning an existing space. One or more popular films of various genres will be used to inform how the space is utilized and developed, thus creating a visual narrative. The researcher has defined that the narrative will be determined by her individual interpretation and analysis of these films, based on specific elements derived from the characters and storyline. Additionally, the process by which these films will be analyzed is to be created by the researcher as a new form of methodology. The location will be an existing structure that can be revitalized through adaptive reuse. This thesis will examine how architects and production designers within the film industry have used a film narrative to inform their design process, and how architecture is used to reinforce and progress the storyline. Additionally, the researcher will examine the results that these professionals produced. Within the Methodology section, case studies will determine how narration through design the researcher will be informed of how to develop an inspiring interior space that is based on one or more popular films. In conclusion, the Recommendation will be to design and create a sustainable, interior space through adaptive reuse that is influenced by one or more popular films, with enough functionality and sophistication to be appreciated by all age groups.

Film Architecture and the Transnational Imagination

Film Architecture and the Transnational Imagination
Author: Tim Bergfelder
Publisher: Amsterdam University Press
Total Pages: 320
Release: 2007
Genre: Performing Arts
ISBN: 9053569804

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Summary: "Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers ʼ drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns."--Publisher description.

New Approaches to Cinematic Space

New Approaches to Cinematic Space
Author: Filipa Rosário
Publisher: Routledge
Total Pages: 254
Release: 2020-09-30
Genre: Motion pictures
ISBN: 9780367663353

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New Approaches to Cinematic Space aims to discuss the process of creation of cinematic spaces through moving images and the subsequent interpretation of their purpose and meaning. Throughout seventeen chapters, this edited collection will attempt to identify and interpret the formal strategies used by different filmmakers to depict real or imaginary places and turn them into abstract, conceptual spaces. The contributors to this volume will specifically focus on a series of systems of representation that go beyond the mere visual reproduction of a given location to construct a network of meanings that ultimately shapes our spatial worldview.