This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1907 edition. Excerpt: ... Chapter XIV Conclusion-- Concerning Colour-- Difficulty of Comparisons betwixt Art and Nature THE art of painting has been usually treated under four distinct heads, viz.: Composition; Design, or Drawing; Expression; and Colouring, -- each of which may, in some measure, be applied to landscape gardening, as it has been treated in this work. Composition includes those observations on utility, scale, perspective, etc., contained in Chapters I and II. Design may be considered as belonging to the remarks on water, woods, fences, lines, etc., contained in Chapters III, IV, V, VI, and VII. Expression includes all that relates to character, situation, arrangement, and the adaptation of works of art to the scenery of nature, which have been discussed in the remaining Chapters of this work; and, lastly, Colouring, so far as it relates to certain artificial objects, has been mentioned in Chapter XI. Having since been led to consider this subject more attentively, in consequence of a conversation with Mr. Wilberforce concerning a new theory of colours and shadows, I have, through his intervention, obtained permission to enrich my work with the following curious remarks: and as Mr. Wilberforce, in his letter which enclosed them, observes of their reverend and learned author that" he is a man unequalled " " for the store of knowledge he possesses, for the clearness with which he views, and the happy perspicuity with which he communicates his conceptions," so I shall give this theory in his own words.47 This curious and satisfactory theory demonstrates that the choice of colours which so often distinguishes good from bad taste in manufactures, furniture, dress, and in every circumstance where colour may be artificially introduced, is not the effect of...