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| Author | : Janet M. Stoppard |
| Publisher | : NYU Press |
| Total Pages | : 239 |
| Release | : 2003-05 |
| Genre | : Psychology |
| ISBN | : 0814798012 |
'Situating Sadness' sheds light on the influence of sociocultural factors, such as economic distress, child-bearing or child-care difficulties, or feelings of powerlessness which may play a significant role, and points to the importance of centext for understanding women's depression.
| Author | : Janet M. Stoppard |
| Publisher | : NYU Press |
| Total Pages | : 238 |
| Release | : 2003-05 |
| Genre | : Psychology |
| ISBN | : 0814798004 |
'Situating Sadness' sheds light on the influence of sociocultural factors, such as economic distress, child-bearing or child-care difficulties, or feelings of powerlessness which may play a significant role, and points to the importance of centext for understanding women's depression.
| Author | : Joyce J. Fitzpatrick |
| Publisher | : Springer Publishing Company |
| Total Pages | : 730 |
| Release | : 2011-08-24 |
| Genre | : Medical |
| ISBN | : 0826107508 |
Print+CourseSmart
| Author | : Tasha N. Dubriwny |
| Publisher | : Rutgers University Press |
| Total Pages | : 251 |
| Release | : 2012-11-14 |
| Genre | : Medical |
| ISBN | : 0813554020 |
The feminist women’s health movement of the 1960s and 1970s is credited with creating significant changes in the healthcare industry and bringing women’s health issues to public attention. Decades later, women’s health issues are more visible than ever before, but that visibility is made possible by a process of depoliticization The Vulnerable Empowered Woman assesses the state of women’s healthcare today by analyzing popular media representations—television, print newspapers, websites, advertisements, blogs, and memoirs—in order to understand the ways in which breast cancer, postpartum depression, and cervical cancer are discussed in American public life. From narratives about prophylactic mastectomies to young girls receiving a vaccine for sexually transmitted disease, the representations of women’s health today form a single restrictive identity: the vulnerable empowered woman. This identity defuses feminist notions of collective empowerment and social change by drawing from both postfeminist and neoliberal ideologies. The woman is vulnerable because of her very femininity and is empowered not to change the world, but to choose from among a limited set of medical treatments. The media’s depiction of the vulnerable empowered woman’s relationship with biomedicine promotes traditional gender roles and affirms women’s unquestioning reliance on medical science for empowerment. The book concludes with a call to repoliticize women’s health through narratives that can help us imagine women—and their relationship to medicine—differently.
| Author | : Lynda R. Ross |
| Publisher | : Canadian Scholars’ Press |
| Total Pages | : 357 |
| Release | : 2010-04 |
| Genre | : Psychology |
| ISBN | : 0889614717 |
"Speaking in a clear, accessible, and highly engaging voice, it introduces readers to many key elements of contemporary feminist theory that are absolutely essential for learning and practice in today's diverse counselling contexts. Contributors to the collection embrace the complexities of marginalized people's lives and capture the histories and legacies--such as colonization, racism, and violence--that shape women's varied situations and subjectivities, within and beyond Canada's borders. Of equal value, the wide array of voices, issues, and vantage points included in this text all recognize the agency and creativity of individuals in contexts not of their own making."--Carla Rice, Associate Professor Women's Studies Department, Trent University --Page 4 de la couverture.
| Author | : Kimberly K. Emmons |
| Publisher | : Rutgers University Press |
| Total Pages | : 228 |
| Release | : 2010-02-16 |
| Genre | : Social Science |
| ISBN | : 0813549221 |
His "black dog"--that was how Winston Churchill referred to his own depression. Today, individuals with feelings of sadness and irritability are encouraged to "talk to your doctor." These have become buzz words in the aggressive promotion of wonder-drug cures since 1997, when the Food and Drug Administration changed its guidelines for the marketing of prescription pharmaceuticals. Black Dogs and Blue Words analyzes the rhetoric surrounding depression. Kimberly K. Emmons maintains that the techniques and language of depression marketing strategies--vague words such as "worry," "irritability," and "loss of interest"--target women and young girls and encourage self-diagnosis and self-medication. Further, depression narratives and other texts encode a series of gendered messages about health and illness. As depression and other forms of mental illness move from the medical-professional sphere into that of the consumer-public, the boundary at which distress becomes disease grows ever more encompassing, the need for remediation and treatment increasingly warranted. Black Dogs and Blue Words demonstrates the need for rhetorical reading strategies as one response to these expanding and gendered illness definitions.
| Author | : Hilary Clark |
| Publisher | : State University of New York Press |
| Total Pages | : 277 |
| Release | : 2008-10-09 |
| Genre | : Literary Criticism |
| ISBN | : 0791477592 |
Depression and Narrative examines stories of depression in the context of recent scholarship on illness and narrative, which up to this point has largely focused on physical illness and disability. Contributors from a number of disciplinary perspectives address these narrative accounts of depression, by both sufferers and those who treat them, as they appear in memoirs, diaries, novels, poems, oral interviews, fact sheets, blogs, films, and television shows. Together, they explore the stories we tell about depression: its contested causes; its gendering; the transformations in identity that it entails; and the problems it presents for communication, associated as it is with stigma and shame. Unlike certain physical illnesses, such as cancer, depression is stigmatized—sometimes as a nonproblem (the sufferer should "snap out of it") and sometimes as the slippery slope to madness. Thus, depression narratives have their work cut out for them. This book highlights the work these stories do, including bringing meaning to sufferers, explaining depression, justifying therapies and treatments, and reducing the burden of shame—accounting for a suffering that is, in the end, unaccountable.
| Author | : Dana C. Jack |
| Publisher | : Oxford University Press |
| Total Pages | : 564 |
| Release | : 2010-04-28 |
| Genre | : Psychology |
| ISBN | : 019976638X |
Winner of the 2011 Ursula Gielen Global Psychology Book Award! This award is presented by APA Division 52 to the authors or editors of a book that makes the greatest contribution to psychology as an international discipline and profession. This international volume offers new perspectives on social and psychological aspects of depression. The twenty-one contributors hailing from thirteen countries represent contexts with very different histories, political and economic structures, and gender role disparities. Authors rely on Silencing the Self theory, which details the negative psychological effects that result when individuals silence themselves in close relationships, and the importance of social context in precipitating depression. Specific patterns of thought on how to achieve closeness in relationships (self-silencing schema) are known to predict depression. This book breaks new ground by demonstrating that the link between depressive symptoms and self-silencing occurs across a range of cultures. Silencing the Self Across Cultures explains why women's depression is more widespread than men's, and why the treatment of depression lies in understanding that a person's individual psychology is inextricably related to the social world and close relationships. Several chapters describe the transformative possibilities of community-driven movements for disadvantaged women that support healing through a recovery of voice, as well as the need to counter violations of human rights as a means of reducing women's risk of depression. Bringing the work of these researchers together in one collection furthers international dialogue about critical social factors that affect the rising rates of depression around the globe.
| Author | : Tamara Beauboeuf-Lafontant |
| Publisher | : Temple University Press |
| Total Pages | : 195 |
| Release | : 2009-06-26 |
| Genre | : Psychology |
| ISBN | : 1592136699 |
Explores the restrictive myth of the strong black woman through interviews, revealing the emotional and physical toll this "performance" can have.
| Author | : Allison Pease |
| Publisher | : Cambridge University Press |
| Total Pages | : 175 |
| Release | : 2012-08-27 |
| Genre | : Literary Criticism |
| ISBN | : 1139537083 |
Bored women populate many of the most celebrated works of British modernist literature. Whether in popular offerings such as Robert Hitchens's The Garden of Allah, the esteemed middlebrow novels of May Sinclair or H. G. Wells, or now-canonized works such as Virginia Woolf's The Voyage Out, women's boredom frequently serves as narrative impetus, antagonist and climax. In this book, Allison Pease explains how the changing meaning of boredom reshapes our understanding of modernist narrative techniques, feminism's struggle to define women as individuals and male modernists' preoccupation with female sexuality. To this end, Pease characterizes boredom as an important category of critique against the constraints of women's lives, arguing that such critique surfaces in modernist fiction in an undeniably gendered way. Engaging with a wide variety of well- and lesser-known modernist writers, Pease's study will appeal especially to researchers and graduates in modernist studies and British literature.
