Shakespearean Tragedy
Author | : Andrew Cecil Bradley |
Publisher | : |
Total Pages | : 510 |
Release | : 1922 |
Genre | : |
ISBN | : |
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Author | : Andrew Cecil Bradley |
Publisher | : |
Total Pages | : 510 |
Release | : 1922 |
Genre | : |
ISBN | : |
Author | : Claire McEachern |
Publisher | : Cambridge University Press |
Total Pages | : 325 |
Release | : 2013-08-08 |
Genre | : Drama |
ISBN | : 110701977X |
This updated Companion has been fully revised and includes an extensively overhauled bibliography and four new chapters by leading scholars.
Author | : John Drakakis |
Publisher | : Routledge |
Total Pages | : 465 |
Release | : 2014-06-06 |
Genre | : Drama |
ISBN | : 131789989X |
Shakespearean Tragedy brings together fifteen major contemporary essays on individual plays and the genre as a whole. Each piece has been carefully chosen as a key intervention in its own right and as a representative of an influential critical approach to the genre. The collection as a whole, therefore, provides both a guide and explanation to the various ways in which contemporary criticism has determined our understanding of the tragedies, and the opportunity for assessing the wider issues such criticism raises. The collection begins by considering the impact of social semiotics on approaches to the tragedies, before moving on to deal, in turn, with the various forms of Marxist criticism, New Historicism, Cultural Materialism, Feminism, Psychoanalysis, and Poststructuralism.
Author | : John Bayley |
Publisher | : Routledge |
Total Pages | : 290 |
Release | : 2021-03-30 |
Genre | : Literary Criticism |
ISBN | : 1000350444 |
Every generation develops its own approach to tragedy, attitudes successively influenced by such classic works as A. C. Bradley’s Shakespearean Tragedy and the studies in interpretation by G. Wilson Knight. A comprehensive new book on the subject by an author of the same calibre was long overdue. In his book, originally published in 1981, John Bayley discusses the Roman plays, Troilus and Cressida and Timon of Athens as well as the four major tragedies. He shows how Shakespeare’s most successful tragic effects hinge on an opposition between the discourses of character and form, role and context. For example, in Lear the dramatis personae act in the dramatic world of tragedy which demands universality and high rhetoric of them. Yet they are human and have their being in the prosaic world of domesticity and plain speaking. The inevitable intrusion of the human world into the world of tragedy creates the play’s powerful off-key effects. Similarly, the existential crisis in Macbeth can be understood in terms of the tension between accomplished action and the free-ranging domain of consciousness. What is the relation between being and acting? How does an audience become intimate with a protagonist who is alienated from his own play? What did Shakespeare add to the form and traditions of tragedy? Do his masterpieces in the genre disturb and transform it in unexpected ways? These are the issues raised by this lucid and imaginative study. Professor Bayley’s highly original rethinking of the problems will be a challenge to the Shakespearean scholar as well as an illumination to the general reader.
Author | : H. B. Charlton |
Publisher | : Cambridge University Press |
Total Pages | : 262 |
Release | : 1948 |
Genre | : Literary Criticism |
ISBN | : 0521081041 |
H. B. Charlton focuses on Shakespeare's tragedies specifically as plays along with the themes of man and morality.
Author | : Kent Cartwright |
Publisher | : Penn State Press |
Total Pages | : 301 |
Release | : 2010-11-01 |
Genre | : Literary Criticism |
ISBN | : 0271039639 |
Author | : William Shakespeare |
Publisher | : Simon and Schuster |
Total Pages | : 704 |
Release | : 2020-04-14 |
Genre | : Drama |
ISBN | : 1645171868 |
Twelve of Shakespeare’s most profound and moving dramas in one elegant volume. William Shakespeare’s tragedies introduced the world to some of the most well-known characters in literature, including Romeo, Juliet, Macbeth, Hamlet, King Lear, and Othello. This handsome Word Cloud volume includes all twelve works from the First Folio that are commonly classified as tragedies—but the feelings that Shakespeare’s words can evoke range across the spectrum of human emotion.
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 236 |
Release | : 1902 |
Genre | : |
ISBN | : |
Author | : Frederick William Sternfeld |
Publisher | : Psychology Press |
Total Pages | : 392 |
Release | : 2005 |
Genre | : Literary Criticism |
ISBN | : 9780415353274 |
First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.
Author | : A.C. Bradley |
Publisher | : Bloomsbury Publishing |
Total Pages | : 496 |
Release | : 2018-03-17 |
Genre | : Literary Criticism |
ISBN | : 113709253X |
A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures, Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakespearean thought and art. This centenary edition features a new Introduction by Robert Shaughnessy which places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself.