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| Author | : Sarah Dustagheer |
| Publisher | : Cambridge University Press |
| Total Pages | : 237 |
| Release | : 2017-08-03 |
| Genre | : Drama |
| ISBN | : 1107190169 |
Sarah Dustagheer offers the first in-depth, comparative analysis of the performance conditions of the Globe and the Blackfriars Theatres.
| Author | : Sarah Dustagheer |
| Publisher | : Cambridge University Press |
| Total Pages | : 237 |
| Release | : 2017-08-03 |
| Genre | : Literary Criticism |
| ISBN | : 1108118283 |
In what ways did playwrights like Shakespeare respond to the two urban locations of the Globe and the Blackfriars? What was the effect of their different acoustic and visual experiences on actors and audiences? What did the labels 'public' for the Globe and 'private' for the Blackfriars, actually mean in practice? Sarah Dustagheer offers the first in-depth, comparative analysis of the performance conditions of the two sites. This engaging study examines how the social, urban, sensory and historical characteristics of these playhouses affected dramatists, audiences and actors. Each chapter provides new interpretations of seminal King's Men's works written as the company began to perform in both settings, including The Alchemist, The Tempest and Henry VIII. Presenting a rich and compelling account of the two early modern theatres, the book also suggests fresh insights into recent contemporary productions at Shakespeare's Globe, London and the new Sam Wanamaker Playhouse.
| Author | : Andrew Gurr |
| Publisher | : Cambridge University Press |
| Total Pages | : 307 |
| Release | : 2014-03-06 |
| Genre | : Literary Criticism |
| ISBN | : 1107040639 |
This book examines the conditions of the original performances in seventeenth-century indoor theatres.
| Author | : Sarah Dustagheer |
| Publisher | : |
| Total Pages | : |
| Release | : 2017 |
| Genre | : |
| ISBN | : 9781108119887 |
| Author | : Peter Thomson |
| Publisher | : Routledge |
| Total Pages | : 221 |
| Release | : 2013-06-17 |
| Genre | : Performing Arts |
| ISBN | : 1136113568 |
Reviews of the First Edition `...valuable and enjoyable reading for all studying Shakespeare's plays.' Following in the patternestablished by John Russell Brown for the excellent series (Theatre and Production Studies), he provides first an account of Shakespeare's company, then a study of three individual plays Twelfth Night, Hamlet and Macbeth as performed by the company. Peter Thomson writes in a crisp, sharp, enlivening style.' TLS '`...the best analysis yet of Elizabethan acting practices, excavated form the texts themselves rather than reconstructed on basis of one monolithic theory, and an essay on Hamlet that is a model of Critical intelligence and theatrical invention.' Yearbook of English Studies `Synthesizes the important facts and summarizes projects with a vigorous prose style, and expertly applies his experience in both practical drama and academic teaching to his discussion.' Review of English Studies
| Author | : Laurie Johnson |
| Publisher | : Routledge Studies in Shakespeare |
| Total Pages | : 214 |
| Release | : 2019-12-10 |
| Genre | : |
| ISBN | : 9780367888831 |
The playhouse at Newington Butts has long remained on the fringes of histories of Shakespeare's career and of the golden age of the theatre with which his name is associated. A mile outside London, and relatively disused by the time Shakespeare began his career in the theatre, this playhouse has been easy to forget. Yet for eleven days in June, 1594, it was home to the two companies that would come to dominate the London theatres. Thanks to the ledgers of theatre entrepreneur, Philip Henslowe, we have a record of this short venture. Shakespeare's Lost Playhouse is an exploration of a brief moment in time when the focus of the theatrical world in England was on this small playhouse. To write this history, Laurie Johnson draws on archival studies, archaeology, environmental studies, geography, social, political, and cultural studies as well as methods developed within literary and theatre history to expand the scope of our understanding of the theatres, the rise of the playing business, and the formations of the playing companies.
| Author | : Joseph Quincy Adams |
| Publisher | : |
| Total Pages | : 129 |
| Release | : 2021-10-31 |
| Genre | : |
| ISBN | : |
But the Queen's Men were probably dissatisfied with the Curtain. It was small and antiquated, and it must have suffered by comparison with the more splendid Globe and Fortune. So the Queen's players had built for themselves a new and larger playhouse, called "The Red Bull." This was probably ready for occupancy in 1605, yet it is impossible to say exactly when the Queen's Men left the Curtain; their patent of April 15, 1609, gives them permission to act "within their now usual houses called the Red Bull, in Clerkenwell, and the Curtain in Holywell." It may be that they retained control of the Curtain in order to prevent competition. Joseph Quincy Adams Jr. (March 23, 1880 - November 10, 1946) was a prominent Shakespeare scholar and the first officially appointed director of the Folger Shakespeare Library in Washington, D.C. Adams, a scion of the famous Adams family that produced two American Presidents, John Adams and John Quincy Adams,[1] was born in Greenville, South Carolina, the son of a Rev.
| Author | : Joseph Quincy Adams |
| Publisher | : |
| Total Pages | : 648 |
| Release | : 1917 |
| Genre | : London (England) |
| ISBN | : |
| Author | : Callan Davies |
| Publisher | : Taylor & Francis |
| Total Pages | : 242 |
| Release | : 2022-08-05 |
| Genre | : Performing Arts |
| ISBN | : 1000629775 |
This book offers an accessible introduction to England’s sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses. It builds on recent scholarship and new documentary and archaeological discoveries to answer the questions: what did playhouses do, what did they look like, and how did they function? The book will accordingly introduce readers to a rich and exciting spectrum of "play" and playhouses, not only in London but also around England. The detailed but wide-ranging case studies examined here go beyond staged drama to explore early modern sport, gambling, music, drinking, and animal baiting; they recover the crucial influence of female playhouse owners and managers; and they recognise rich provincial performance cultures as well as the burgeoning of London’s theatre industry. This book will have wide appeal with readers across Shakespeare, early modern performance studies, theatre history, and social history.
| Author | : Laurie Johnson |
| Publisher | : Routledge |
| Total Pages | : 363 |
| Release | : 2017-09-14 |
| Genre | : Literary Criticism |
| ISBN | : 1351578820 |
The playhouse at Newington Butts has long remained on the fringes of histories of Shakespeare’s career and of the golden age of the theatre with which his name is associated. A mile outside London, and relatively disused by the time Shakespeare began his career in the theatre, this playhouse has been easy to forget. Yet for eleven days in June, 1594, it was home to the two companies that would come to dominate the London theatres. Thanks to the ledgers of theatre entrepreneur, Philip Henslowe, we have a record of this short venture. Shakespeare's Lost Playhouse is an exploration of a brief moment in time when the focus of the theatrical world in England was on this small playhouse. To write this history, Laurie Johnson draws on archival studies, archaeology, environmental studies, geography, social, political, and cultural studies as well as methods developed within literary and theatre history to expand the scope of our understanding of the theatres, the rise of the playing business, and the formations of the playing companies.
