Shakespeare's Sisters
Author | : Sandra M. Gilbert |
Publisher | : Indiana University Press |
Total Pages | : 370 |
Release | : 1979 |
Genre | : American literature |
ISBN | : 9780253112583 |
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Author | : Sandra M. Gilbert |
Publisher | : Indiana University Press |
Total Pages | : 370 |
Release | : 1979 |
Genre | : American literature |
ISBN | : 9780253112583 |
Author | : Ramie Targoff |
Publisher | : Knopf |
Total Pages | : 345 |
Release | : 2024-03-12 |
Genre | : History |
ISBN | : 0525658033 |
This remarkable work about women writers in the English Renaissance explodes our notion of the Shakespearean period by drawing us into the lives of four women who were committed to their craft long before anyone ever imagined the possibility of “a room of one’s own.” In an innovative and engaging narrative of everyday life in Shakespeare’s England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-sixteenth century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the seventeenth century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist who fought for decades against a patriarchy that tried to rob her of her land in one of England’s most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Targoff flings those doors open, revealing the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare’s day.
Author | : Jennifer Higginbotham |
Publisher | : Edinburgh University Press |
Total Pages | : 240 |
Release | : 2013-01-17 |
Genre | : Literary Criticism |
ISBN | : 0748655913 |
The first sustained study of girls and girlhood in early modern literature and culture. Jennifer Higginbotham makes a persuasive case for a paradigm shift in our current conceptions of the early modern sex-gender system. She challenges the widespread assumption that the category of the 'girl' played little or no role in the construction of gender in early modern English culture. And she demonstrates that girl characters appeared in a variety of texts, from female infants in Shakespeare's late romances to little children in Tudor interludes to adult 'roaring girls' in city comedies. This monograph provides the first book-length study of the way the literature and drama of the sixteenth and seventeenth centuries constructed the category of the 'girl'.
Author | : Virginia Woolf |
Publisher | : Tale Blazers |
Total Pages | : 0 |
Release | : 2000 |
Genre | : Fiction |
ISBN | : 9780789153333 |
Virginia Woolf. The third chapter of Woolf's essay "A Room of One's Own," based on two lectures the author gave to female students at Cambridge in 1928 on the topic of women and fiction. 36 pages. Tale Blazers.
Author | : Laura Annawyn Shamas |
Publisher | : Peter Lang |
Total Pages | : 156 |
Release | : 2007 |
Genre | : Drama |
ISBN | : 9780820479330 |
Original Scholarly Monograph
Author | : Doris Gwaltney |
Publisher | : |
Total Pages | : 260 |
Release | : 1995 |
Genre | : Fiction |
ISBN | : 9781571740410 |
Virginia Woolf, inA Room of One's Own, wrote: "Let us imagine. . .what would have happened had Shakespeare had a wonderfully gifted sister, called Judith, let us say. . .as adventurous, as imaginative, as agog to see the world as he was." What would it have been like if a woman had attempted to follow her brother's footsteps and travel to London to loin the theater and write plays? And what if it were she, not her brother Will, who had really written Romeo and Juliet? What was it really like to be a woman in Shakespeare's world? In this imaginative and wholly fascinating novel, we have the rollicking, humorous, and sometimes dangerous answer to those questions. InShakespeare's Sister, Doris Gwaltney has made Elizabethan society come alive, in all its glory and squalor, its speech, manners, and customs. And she has also forged a truly inspirational and touching story of a woman struggling to do what she loves-in a world where women were little more than the property of men, and if you wanted to follow your dreams, you had better be, or pretend to be, a man.
Author | : Virginia Woolf |
Publisher | : Modernista |
Total Pages | : 111 |
Release | : 2024-05-30 |
Genre | : Literary Collections |
ISBN | : 9180949509 |
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
Author | : Sister Miriam Joseph |
Publisher | : Ravenio Books |
Total Pages | : 641 |
Release | : 2016-04-23 |
Genre | : Literary Criticism |
ISBN | : |
The contribution of the present work is to present in organized detail essentially complete the general theory of composition current during the Renaissance (as contrasted with special theories for particular forms of composition) and the illustration of Shakespeare’s use of it. It is organized as follows: Part One: Introduction I. The General Theory of Composition and of Reading in Shakespeare’s England 1. The Concept of Art in Renaissance England 2. Training in the Arts in Renaissance England 3. The English Works on Logic and Rhetoric 4. The Tradition 5. Invention and Disposition Part Two. Shakespeare’s Use of the Theory II. Shakespeare’s Use of the Schemes of Grammar, Vices of Language, and Figures of Repetition 1. The Schemes of Grammar 2. The Vices of Language 3. The Figures of Repetition III. Logos: The Topics of Invention 1. Inartificial Arguments or Testimony 2. Definition 3. Division: Genus and Species, Whole and Parts 4. Subject and Adjuncts 5. Contraries and Contradictories 6. Similarity and Dissimilarity 7. Comparison: Greater, Equal, Less 8. Cause and Effect, Antecedent and Consequent 9. Notation and Conjugates IV. Logos: Argumentation 1. Syllogistic Reasoning 2. Fallacious Reasoning 3. Disputation V. Pathos and Ethos 1. Pathos 2. Ethos Part Three. The General Theory of Composition and Reading as Defined and Illustrated by Tudor Logicians and Rhetoricians VI. Schemes of Grammar, Vices of Language, and Figures of Repetition 1. The Schemes of Grammar 2. Vices of Language VII. Logos: The Topics of Invention 1. Inartificial Arguments or Testimony 2. Definition 3. Division: Genus and Species, Whole and Parts 4. Subject and Adjuncts 5. Contraries and Contradictories 6. Similarity and Dissimilarity 7. Comparison: Greater, Equal, Less 8. Cause and Effect, Antecedent and Consequent 9. Notation and Conjugates 10. Genesis or Composition 11. Analysis or Reading VIII. Logos: Argumentation 1. Syllogistic Reasoning 2. Fallacious Reasoning 3. Disputation IX. Pathos and Ethos 1. Pathos 2. Ethos
Author | : Emma Whipday |
Publisher | : |
Total Pages | : 98 |
Release | : 2016-02-08 |
Genre | : Drama |
ISBN | : 9780573111907 |
Judith Shakespeare has one ambition: to be a playwright. When her debt-ridden father forces her into an engagement, she runs away with the help of dashing actor Ned Alleyn, hoping to join her brother in London. But when Judith arrives in the plague-stricken capital, she finds her brother gone, Ned engaged to another, and her play refused. Judith and the players confront poverty in the midst of economic depression, in a society where women's freedoms are curtailed, under a government confronting religious extremism in a climate of fear. Judith must choose between succumbing to social pressures, and following her dream, no matter what the cost. Shakespeare's Sister was first performed as a staged reading at the Theatre Royal Haymarket as part of the Theatre Royal Haymarket Masterclass Trust's "Pitch Your Play" scheme, supported by the Noel Coward Foundation and the Vernon Charitable Trust. It was revived as part of the Shakespeare400 celebrations at King's College London."