Shakespeare's Scepticism
Author | : Graham Bradshaw |
Publisher | : |
Total Pages | : 296 |
Release | : 1987 |
Genre | : Literary Criticism |
ISBN | : |
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Author | : Graham Bradshaw |
Publisher | : |
Total Pages | : 296 |
Release | : 1987 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Millicent Bell |
Publisher | : Yale University Press |
Total Pages | : 303 |
Release | : 2008-10-01 |
Genre | : Drama |
ISBN | : 0300127200 |
Readers of Shakespeare’s greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare’s greatest characters: why does Hamlet delay his revenge for so long? Why does King Lear choose to renounce his power? Why is Othello so vulnerable to Iago’s malice? But while many critics have chosen to overlook these omissions or explain them away, Millicent Bell demonstrates that they are essential elements of Shakespeare’s philosophy of doubt. Examining the major tragedies, Millicent Bell reveals the persistent strain of philosophical skepticism. Like his contemporary, Montaigne, Shakespeare repeatedly calls attention to the essential unknowability of our world. In a period of social, political, and religious upheaval, uncertainty hovered over matters great and small—the succession of the crown, the death of loved ones from plague, the failure of a harvest. Tumultuous social conditions raised ultimate questions for Shakespeare, Bell argues, and ultimately provoked in him a skepticism which casts shadows of existential doubt over his greatest masterpieces.
Author | : W. Hamlin |
Publisher | : Springer |
Total Pages | : 317 |
Release | : 2005-06-01 |
Genre | : Literary Criticism |
ISBN | : 0230502768 |
Hamlin's study provides the first full-scale account of the reception and literary appropriation of ancient scepticism in Elizabethan and Jacobean England (c. 1570-1630). Offering abundant archival evidence as well as fresh treatments of Florio's Montaigne and Bacon's career-long struggle with the challenges of epistemological doubt, Hamlin's book explores the deep connections between scepticism and tragedy in plays ranging from Doctor Faustus and Troilus and Cressida to The Tragedy of Mariam , The Duchess of Malfi , and 'Tis Pity She's a Whore .
Author | : John D. Cox |
Publisher | : Baylor University Press |
Total Pages | : 368 |
Release | : 2007 |
Genre | : Drama |
ISBN | : 1932792953 |
Seeming Knowledge revisits the question of Shakespeare and religion by focusing on the conjunction of faith and skepticism in his writing. Cox argues that the relationship between faith and skepticism is not an invented conjunction. The recognition of the history of faith and skepticism in the sixteenth century illuminates a tradition that Shakespeare inherited and represented more subtly and effectively than any other writer of his generation.
Author | : Millicent Bell |
Publisher | : Yale University Press |
Total Pages | : 316 |
Release | : 2002-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780300092554 |
Readers of Shakespeare's greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare's greatest characters: Why does Hamlet delay his revenge for so long? Why does King Lear choose to renounce his power? Why is Othello so vulnerable to Iago's malice? But while many critics have chosen to overlook these omissions or explain them away, Millicent Bell demonstrates that they are essential elements of Shakespeare's philosophy of doubt. Examining Hamlet, Othello, King Lear, Macbeth, Julius Caesar, and Antony and Cleopatra, Millicent Bell reveals the persistent strain of philosophical skepticism that runs throughout Shakespeare's plays. Like his contemporary Montaigne, Shakespeare repeatedly calls attention to the essential unknowability of our world.
Author | : James Kuzner |
Publisher | : Fordham Univ Press |
Total Pages | : 232 |
Release | : 2016-04-01 |
Genre | : Philosophy |
ISBN | : 0823269957 |
Shakespeare as a Way of Life shows how reading Shakespeare helps us to live with epistemological weakness and even to practice this weakness, to make it a way of life. In a series of close readings, Kuzner shows how Hamlet, Lucrece, Othello, The Winter’s Tale, The Tempest, and Timon of Athens, impel us to grapple with basic uncertainties: how we can be free, whether the world is abundant, whether we have met the demands of love and social life. To Kuzner, Shakespeare’s skepticism doesn’t have the enabling potential of Keats’s heroic “negativity capability,” but neither is that skepticism the corrosive disease that necessarily issues in tragedy. While sensitive to both possibilities, Kuzner offers a way to keep negative capability negative while making skepticism livable. Rather than light the way to empowered, liberal subjectivity, Shakespeare’s works demand lasting disorientation, demand that we practice the impractical so as to reshape the frames by which we view and negotiate the world. The act of reading Shakespeare cannot yield the practical value that cognitive scientists and literary critics attribute to it. His work neither clarifies our sense of ourselves, of others, or of the world; nor heartens us about the human capacity for insight and invention; nor sharpens our ability to appreciate and adjudicate complex problems of ethics and politics. Shakespeare’s plays, rather, yield cognitive discomforts, and it is just these discomforts that make them worthwhile.
Author | : Benjamin Bertram |
Publisher | : University of Delaware Press |
Total Pages | : 236 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : 9780874138856 |
The final decades of the sixteenth century brought tumultuous change in England. Bitter disputes concerning religious reformation divided Catholics and Protestants, radical reformers, and religious conservatives. The Church of England won the loyalty of many, but religious and political dissent continued. Social and economic change also created anxiety as social mobility, unemployment, riots, and rebellions exposed the weakness of an ideology of order. The Time is Out of Joint situates the work of four skeptics - Reginald Scot, Thomas Harriot, Christopher Marlowe, and William Shakespeare - within the context of religious and social change. These four writers responded to the dislocations of the newly formed Protestant nation by raising bold and often disturbing questions about religion and epistemology. The historical topics covered in this book - witchcraft debates, New World discovery, economic struggle, and religious reformation - reveal the diverse contexts in which skepticism appeared and the many contributions skepticism made to a nation undergoing radical change and in the process of re-thinking many of its longstanding basic assumptions.
Author | : Stanley Wells |
Publisher | : Cambridge University Press |
Total Pages | : 284 |
Release | : 2002-11-28 |
Genre | : Drama |
ISBN | : 9780521523851 |
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Author | : D. Hillman |
Publisher | : Springer |
Total Pages | : 276 |
Release | : 2006-12-14 |
Genre | : Literary Criticism |
ISBN | : 0230285929 |
Shakespeare's Entrails explores the connections between embodiment, knowledge and acknowledgement in Shakespeare's plays. Hillman sets out a theory of the emergence of modern subjectivity in the context of a world that was increasingly coming to see the human body as a closed system.
Author | : Derek Gottlieb |
Publisher | : Routledge |
Total Pages | : 214 |
Release | : 2015-08-11 |
Genre | : Literary Criticism |
ISBN | : 1317509080 |
This book recovers a sense of the high stakes of Shakespearean comedy, arguing that the comedies, no less than the tragedies, serve to dramatize responses to the condition of being human, responses that invite scholarly investigation and explanation. Taking its cue from Stanley Cavell’s influential readings of Othello and Lear, the book argues that exposure or vulnerability to others is the source of both human happiness and human misery; while the tragedies showcase attempts at the evasion of such vulnerability through the self-defeating pursuit of epistemological certainty, the comedies present the drama and the difficulty of turning away from an epistemological register in order to productively respond to the fact of our humanity. Where Shakespeare’s tragedies might be viewed in Cavellian terms as the drama of skepticism, Shakespeare’s comedies then exemplify the drama of acknowledgement. As a parallel and a preamble, Gottlieb suggests that the field of literary studies is itself a site of such revealing responses: where competing research methods strive to foreclose upon (or, alternatively, rejoice in) epistemological uncertainty, such commitments bespeak an urge to avoid or circumvent the human in the practice of scholarship. Reading Shakespeare’s comedies in tandem with a "defactoist" view of teaching and learning points in the direction of a new humanism, one that eschews both the relativism of old deconstruction and contemporary Presentism and the determinism of various kinds of structural accounts. This book offers something new in scholarly and popular understanding of Shakespeare’s work, doing so with both philosophical rigor and literary attention to the difficult work of reading.