Shakespeare's Early Readers

Shakespeare's Early Readers
Author: Jean-Christophe Mayer
Publisher: Cambridge University Press
Total Pages: 277
Release: 2018-09-06
Genre: Literary Criticism
ISBN: 110865116X

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Who were Shakespeare's first readers and what did they think of his works? Offering the first dedicated account of the ways in which Shakespeare's texts were read in the centuries during which they were originally produced, Jean-Christophe Mayer reconsiders the role of readers in the history of Shakespeare's rise to fame and in the history of canon formation. Addressing an essential formative 'moment' when Shakespeare became a literary dramatist, this book explores six crucial fields: literacy; reading and life-writing; editing Shakespeare's text; marking Shakespeare for the theatre; commonplacing; and passing judgement. Through close examination of rare material, some of which has never been published before, and covering both the marks left by readers in their books and early manuscript extracts of Shakespeare, Mayer demonstrates how the worlds of print and performance overlapped at a time when Shakespeare offered a communal text, the ownership of which was essentially undecided.

Shakespeare's Early Readers

Shakespeare's Early Readers
Author: Jean-Christophe Mayer
Publisher: Cambridge University Press
Total Pages: 277
Release: 2018-09-06
Genre: Drama
ISBN: 1107138337

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This is the first dedicated account of the ways in which Shakespeare's texts were read in the two centuries after they were produced. A close examination of rare, often unpublished material offers a reconsideration of the role of readers in the history of Shakespeare's rise to fame.

First Readers of Shakespeare’s Sonnets, 1590-1790

First Readers of Shakespeare’s Sonnets, 1590-1790
Author: Faith D. Acker
Publisher: Routledge
Total Pages: 262
Release: 2020-09-22
Genre: Literary Criticism
ISBN: 1000190811

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For more than four centuries, cultural preferences, literary values, critical contexts, and personal tastes have governed readers’ responses to Shakespeare’s sonnets. Early private readers often considered these poems in light of the religious, political, and humanist values by which they lived. Other seventeenth- and eighteenth- century readers, such as stationers and editors, balanced their personal literary preferences against the imagined or actual interests of the literate public to whom they marketed carefully curated editions of the sonnets, often successfully. Whether public or private, however, many disparate sonnet interpretations from the sonnets’ first two centuries in print have been overlooked by modern sonnet scholarship, with its emphasis on narrative and amorous readings of the 1609 sequence. First Readers of Shakespeare’s Sonnets reintroduces many early readings of Shakespeare’s sonnets, arguing that studying the priorities and interpretations of these previous readers expands the modern critical applications of these poems, thereby affording them numerous future applications. This volume draws upon book history, manuscript studies, and editorial theory to recover four lost critical approaches to the sonnets, highlighting early readers’ interests in Shakespeare’s classical adaptations, political applicability, religious themes, and rhetorical skill during the seventeenth and eighteenth centuries.

Shakespeare's Stories for Young Readers

Shakespeare's Stories for Young Readers
Author: E. Nesbit
Publisher: Courier Corporation
Total Pages: 82
Release: 2012-03-05
Genre: Juvenile Fiction
ISBN: 0486114007

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Twelve of the Bard's most famous plays, delightfully adapted for young readers: Romeo and Juliet, Hamlet, King Lear, As You Like It, and eight others.

Shakespeare for the People

Shakespeare for the People
Author: Andrew Murphy
Publisher: Cambridge University Press
Total Pages: 0
Release: 2010-09-30
Genre: Literary Criticism
ISBN: 9780521176552

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Beginning by mapping out an overview of the expansion of elementary education in Britain across the nineteenth century, Andrew Murphy explores the manner in which Shakespeare acquired a working-class readership. He traces developments in publishing which meant that editions of Shakespeare became ever cheaper as the century progressed. Drawing on more than a hundred published and manuscript autobiographical texts, the book examines the experiences of a wide range of working-class readers. Particular attention is focused on a set of radical readers for whom Shakespeare's work had a special political resonance. Murphy explores the reasons why the playwright's working-class readership began to fall away from the turn of the century, noting the competition he faced from professional sports, the cinema, radio and television. The book concludes by asking whether it matters that, in our own time, Shakespeare no longer commands a general popular audience.

Bring on the Bard

Bring on the Bard
Author: Kevin Long
Publisher:
Total Pages: 0
Release: 2019
Genre: Drama
ISBN: 9780814103821

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Kevin Long and Mary T. Christel offer active drama approaches that position students to engage with a rich text through low-risk speaking and improvisation activities as a part of any ELA classroom. Shakespeare didn't write his plays for readers; he wrote individual "cue scripts" for actors who hadn't read the entire play but had to perform on the fly with almost no rehearsal. Those cue scripts have become the written form of his dramas, compiled originally in the First Folio of 1623. And the actors' cues for meaning, emotion, and emphasis are still embedded in Shakespeare's language, ripe for discovery by today's students. Shakespeare's plays rightly remain a staple of the ELA curriculum, but evolving standards and youth culture itself challenge teachers to put students--not a text--at the center of a reading experience in order to support diverse readers and learners. How can we do this? Experienced educators Kevin Long and Mary T. Christel introduce us to the Folio technique, which builds on active drama approaches that position students to engage with a rich text through low-risk speaking and improvisation activities. Without requiring students to become actors, the Folio technique helps them to discover the clues the Bard built into his works that allow actors to efficiently understand their characters' text, context, and subtext. Teachers can use excerpts from the First Folio along with a mass market paperback or digital edition of a play to help students get closer to Shakespeare's intentions; understand the language, action, and emotions of the characters; and perhaps even explore the challenges the Bard's modern editors face. The book offers suggestions for using parallel text, graphic, and abridged editions of Shakespeare's works, as well as activities using cue scripts and a variety of viewing experiences. A deep dive into the rich resources available for teaching Shakespeare's plays, Bring on the Bard is for every high school teacher--early career to veteran--looking for new, hands-on activities to draw students of all ability levels into the work and world of Shakespeare.

Playbooks and their Readers in Early Modern England

Playbooks and their Readers in Early Modern England
Author: Hannah August
Publisher: Taylor & Francis
Total Pages: 326
Release: 2022-04-24
Genre: Literary Criticism
ISBN: 1000563111

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This book is the first comprehensive examination of commercial drama as a reading genre in early modern England. Taking as its focus pre-Restoration printed drama’s most common format, the single-play quarto playbook, it interrogates what the form and content of these playbooks can tell us about who their earliest readers were, why they might have wanted to read contemporary commercial drama, and how they responded to the printed versions of plays that had initially been performed in the playhouses of early modern London. Focusing on professional plays printed in quarto between 1584 and 1660, the book juxtaposes the implications of material and paratextual evidence with analysis of historical traces of playreading in extant playbooks and manuscript commonplace books. In doing so, it presents more detailed and nuanced conclusions than have previously been enabled by studies focused on works by one author or on a single type of evidence.

The Cambridge Companion to Shakespeare's First Folio

The Cambridge Companion to Shakespeare's First Folio
Author: Emma Josephine Smith
Publisher: Cambridge University Press
Total Pages: 223
Release: 2016-08-18
Genre: Design
ISBN: 1107098785

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An international team of scholars covers every aspect of one of the most famous books in the English language.

The Book of William

The Book of William
Author: Paul Collins
Publisher: Bloomsbury Publishing USA
Total Pages: 256
Release: 2009-07-07
Genre: Literary Criticism
ISBN: 1596911956

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A history of the Bard's competitively pursued First Folio traces the author's travels from the site of a Sotheby auction to regions in Asia, throughout which he investigated the roles played by those who have sought and owned the Folios.

Shakespeare's Lives

Shakespeare's Lives
Author: Samuel Schoenbaum
Publisher: Oxford University Press
Total Pages: 658
Release: 1991
Genre: Biography (as a literary form)
ISBN: 0198186185

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This volume presents a study of the changing images and differing ways that the life of English poet and playwright William Shakespeare (1564-1616) has been interpreted throughout history. The author takes readers on a tour of the countless myths and legends which have arisen to explain the great dramatist's life and work, bringing the story right up to 1989. He reconstructs as much of the elusive author's life as possible, considering his family history, his economic standing, and his reputation with his peers; the Shakespeare who emerges may not always be the familiar one.