Shakespearean Inside

Shakespearean Inside
Author: Marcus Nordlund
Publisher: Edinburgh University Press
Total Pages: 256
Release: 2016-12-05
Genre: Literary Criticism
ISBN: 1474418996

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The Shakespearean Inside is a study of all soliloquies and solo asides (dubbed "e;insides"e; for short) in Shakespeare's complete plays. The first step in the research process was the creation of the Shakespearean Inside Database (SID) where these speeches were annotated according to variables of genuine literary interest (such as act, dramatic subgenre, probable time of composition, dramatic speech acts, selected figures of speech, and character attributes such as gender and class). Such comprehensive and detailed data makes it possible to generalize dependably about Shakespeare's authorial habits, and, by extension, to identify situations where the author departs in interesting ways from his habitual practices. The monograph uses these broad patterns and significant exceptions as a backdrop for fresh interpretations of various Shakespeare plays (from early works such as The Taming of the Shrew and The Two Gentlemen of Verona to mature tragedies like Hamlet and late plays like The Tempest and The Two Noble Kinsmen).

Shakespearean Allusion in Crime Fiction

Shakespearean Allusion in Crime Fiction
Author: Lisa Hopkins
Publisher: Springer
Total Pages: 208
Release: 2016-04-21
Genre: Literary Criticism
ISBN: 1137538759

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This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four ‘queens of crime’ (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid. It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders, Inspector Morse and Lewis, and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value.

Shakespearean

Shakespearean
Author: Robert McCrum
Publisher: Picador
Total Pages: 256
Release: 2020-11-10
Genre: Biography & Autobiography
ISBN: 1760983799

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Why do we return to Shakespeare time and again? When Robert McCrum began his recovery from a life-changing stroke, described in My Year Off, he discovered that the only words that made sense to him were snatches of Shakespeare. Unable to travel or move as he used to, McCrum found the First Folio became his ‘book of life’, an endless source of inspiration through which he could embark on ‘journeys of the mind’, and see a reflection of our own disrupted times. An acclaimed writer and journalist, McCrum has spent the last twenty-five years immersed in Shakespeare's work, on stage and on the page. During this prolonged exploration, Shakespeare’s poetry and plays, so vivid and contemporary, have become his guide and consolation. In Shakespearean he asks: why is it that we always return to Shakespeare, particularly in times of acute crisis and dislocation? What is the key to his hold on our imagination? And why do the collected works of an Elizabethan writer continue to speak to us as if they were written yesterday? Shakespearean is a rich, brilliant and superbly drawn portrait of an extraordinary artist, one of the greatest writers who ever lived. Through an enthralling narrative, ranging widely in time and space, McCrum seeks to understand Shakespeare within his historical context while also exploring the secrets of literary inspiration, and examining the nature of creativity itself. Witty and insightful, he makes a passionate and deeply personal case that Shakespeare’s words and ideas are not just enduring in their relevance – they are nothing less than the eternal key to our shared humanity.

The Shakespearean International Yearbook

The Shakespearean International Yearbook
Author: Professor Tom Bishop
Publisher: Ashgate Publishing, Ltd.
Total Pages: 231
Release: 2014-08-28
Genre: Drama
ISBN: 1472439643

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In 2002, for the second volume of this journal, Ian Lancashire reflected on the state of computing in Shakespeare. The decade since his review has seen dramatic change in the web of ‘digital Shakespeares’. This issue’s special section on Digital Shakespeares reflects on these developments and achievements, highlights current research in the field, and speculates on future directions.

Religion Around Shakespeare

Religion Around Shakespeare
Author: Peter Iver Kaufman
Publisher: Penn State Press
Total Pages: 341
Release: 2015-06-26
Genre: Religion
ISBN: 0271069589

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For years scholars and others have been trying to out Shakespeare as an ardent Calvinist, a crypto-Catholic, a Puritan-baiter, a secularist, or a devotee of some hybrid faith. In Religion Around Shakespeare, Peter Kaufman sets aside such speculation in favor of considering the historical and religious context surrounding his work. Employing extensive archival research, he aims to assist literary historians who probe the religious discourses, characters, and events that seem to have found places in Shakespeare’s plays and to aid general readers or playgoers developing an interest in the plays’ and playwright’s religious contexts: Catholic, conformist, and reformist. Kaufman argues that sermons preached around Shakespeare and conflicts that left their marks on literature, law, municipal chronicles, and vestry minutes enlivened the world in which (and with which) he worked and can enrich our understanding of the playwright and his plays.

Music in Shakespearean Tragedy

Music in Shakespearean Tragedy
Author: Frederick William Sternfeld
Publisher: Psychology Press
Total Pages: 392
Release: 2005
Genre: Literary Criticism
ISBN: 9780415353274

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First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.

Shakespeare in a Divided America

Shakespeare in a Divided America
Author: James Shapiro
Publisher: Penguin
Total Pages: 322
Release: 2020-03-10
Genre: History
ISBN: 0525522298

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One of the New York Times Ten Best Books of the Year • A National Book Critics Circle Award Finalist • A New York Times Notable Book A timely exploration of what Shakespeare’s plays reveal about our divided land. “In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life.” —The Guardian (London) The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned. From Abraham Lincoln’s and his assassin, John Wilkes Booth’s, competing Shakespeare obsessions to the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated, Shakespeare in a Divided America reveals how no writer has been more embraced, more weaponized, or has shed more light on the hot-button issues in our history.

The Love Story in Shakespearean Comedy

The Love Story in Shakespearean Comedy
Author: Anthony J. Lewis
Publisher: University Press of Kentucky
Total Pages: 248
Release: 2014-10-17
Genre: Drama
ISBN: 0813156432

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In this fascinating study, Anthony J. Lewis argues that it is the hero himself, rejecting a woman he apprehends as a threat, who is love's own worst enemy. Drawing upon classical and Renaissance drama, iconography, and a wide range of traditional and feminist criticism, Lewis demonstrates that in Shakespeare the actions and reactions of hero and heroine are contingent upon social setting -- father-son relations, patriarchal restrictions on women, and cultural assumptions about gender-appropriate behavior. This compelling analysis shows how Shakespeare deepened the familiar love stores he inherited from New Comedy and Greek romance. Beginning with a penetrating analysis of the hero's contradictory response to sexual attraction, Lewis's discussion traces the heroine's reaction to abandonment and slander, and the lover's subsequent parallel descents into versions of bastardy and death. In arguing that comedy's happy ending is the product of the gender role reversals brought on by their evolving relationship itself, Lewis shows in meticulous detail how sexual stereotypes influence attitudes and restrict behavior. This perceptive discussion of male response to family and of female response to rejection will appeal to Shakespeare scholars and students, as well as to the theater community. Lewis's persuasive argument, that Shakespeare's heroes and heroines are, from the first, three-dimensional figures far removed from the stock types of Plautus, Terence, and his continental sources, will prove a valuable contribution to the ongoing feminist reappraisal of Shakespeare.

A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature

A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature
Author: Gordon Williams
Publisher: A&C Black
Total Pages: 1650
Release: 2001-09-13
Genre: Literary Criticism
ISBN: 0485113937

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Providing an alphabetical listing of sexual language and locution in 16th and 17th-century English, this book draws especially on the more immediate literary modes: the theatre, broadside ballads, newsbooks and pamphlets. The aim is to assist the reader of Shakespearean and Stuart literature to identify metaphors and elucidate meanings; and more broadly, to chart, through illustrative quotation, shifting and recurrent linguistic patterns. Linguistic habit is closely bound up with the ideas and assumptions of a period, and the figurative language of sexuality across this period is highly illuminating of socio-cultural change as well as linguistic development. Thus the entries offer as much to those concerned with social history and the history of ideas as to the reader of Shakespeare or Dryden.

Disability, Health, and Happiness in the Shakespearean Body

Disability, Health, and Happiness in the Shakespearean Body
Author: Sujata Iyengar
Publisher: Routledge
Total Pages: 442
Release: 2014-12-05
Genre: Literary Criticism
ISBN: 1317620070

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This book considers early modern and postmodern ideals of health, vigor, ability, beauty, well-being, and happiness, uncovering and historicizing the complex negotiations among physical embodiment, emotional response, and communally-sanctioned behavior in Shakespeare's literary and material world. The volume visits a series of questions about the history of the body and how early modern cultures understand physical ability or vigor, emotional competence or satisfaction, and joy or self-fulfillment. Individual essays investigate the purported disabilities of the "crook-back" King Richard III or the "corpulent" Falstaff, the conflicts between different health-care belief-systems in The Taming of the Shrew and Hamlet, the power of figurative language to delineate or even instigate puberty in the Sonnets or Romeo and Juliet, and the ways in which the powerful or moneyed mediate the access of the poor and injured to cure or even to care. Integrating insights from Disability Studies, Health Studies, and Happiness Studies, this book develops both a detailed literary-historical analysis and a provocative cultural argument about the emphasis we place on popular notions of fitness and contentment today.