Shakespeare and the Uses of Antiquity

Shakespeare and the Uses of Antiquity
Author: Michelle Martindale
Publisher: Routledge
Total Pages: 246
Release: 2005-07-15
Genre: Literary Criticism
ISBN: 1134848501

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Although a third of his plays are set in the ancient world and he constantly used classical mythology, history, and ideas, Shakespeare received a simple grammar school education and did not have a scholar's knowledge of the classics. The critical implications of this are the subject of Shakespeare and the Uses of Antiquity. Against a recent academic tendency to exaggerate Shakespeare's learning, the authors investigate how he used his comparatively restricted knowledge to create, for example, an unusually convincing picture of Rome, and analyse, by presenting us with careful readings of specific passages, the styles Shakespeare employed under the influence of classical writers, especially Ovid, Seneca, and (in translation) Homer and Plutarch.

Shakespeare and Classical Antiquity

Shakespeare and Classical Antiquity
Author: Colin Burrow
Publisher: Oxford Shakespeare Topics
Total Pages: 290
Release: 2013-09-05
Genre: Literary Collections
ISBN: 0199684782

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This book explains for students and scholars the nature and extent of Shakespeare's classical learning. It shows why Ben Jonson was wrong to claim that he had 'small Latin and less Greek', and demonstrates that Shakespeare acquired the central foundations of his art from his classical reading. It explores in detail his relationship to Virgil, Ovid, Plautus, Terence, Seneca, and Plutarch, as well as showing how his beliefs about and attitudes towards classicalliterature changed in the course of his career.

Shakespeare and Classical Antiquity

Shakespeare and Classical Antiquity
Author: Paul Stapfer
Publisher: Forgotten Books
Total Pages: 494
Release: 2018-02-04
Genre: Literary Collections
ISBN: 9780267805181

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Excerpt from Shakespeare and Classical Antiquity: Greek and Latin Antiquity as Presented in Shakespeare's Plays (Crowned by the French Academy) For those readers who only care for discussion of some Obscure passage or Obsolete word, there will, I fear, be nothing but disappointment in store; the aim of the book is of a purely literary character, and it Offers no information Of an etymological or philological nature. But though this may render it valueless to one class of readers, it enables it, I trust, to appeal the more surely to those by whom literature - in contradistinction to science, history, and to all books written entirely for the sake of imparting information, without the devotion Of any special care to the manner in which the informa tion is given - is prized as one Of the most precious forms of art. It is no easy task to translate a book in which so great a part is played by the style Of the author, the charm of which, with all its lightness, point, and grace, it must be vain to hope to render in a translation. I have endeavoured, as far as might be, to convey some slight notion of it, and although the echoes of the original sound can, at best, be only few and faint, I hope the impression may somehow make itself felt that the book in its original form aims at being a work of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Shakespeare and Classical Antiquity

Shakespeare and Classical Antiquity
Author: Paul Stapfer
Publisher: Forgotten Books
Total Pages: 495
Release: 2015-06-26
Genre: Literary Collections
ISBN: 9781330417119

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Excerpt from Shakespeare and Classical Antiquity: Greek and Latin Antiquity as Presented in Shakespeare's Plays (Crowned by the French Academy) A few words to explain why it has been thought well to add, to the already overwhelming number of Shakespeare studies, this translation of the first part of M. Stapfer's "Shakespeare et l'Antiquite," seem not uncalled for in these days, when Shakespeare criticism has already reached such huge proportions as to cause its very name to be received with a half weary, half impatient sigh. We have heard a good deal lately of German commentators on Shakespeare, but no word has for a long time come to us from France - that land peculiarly famed for literary skill and for acute and delicate criticism; and, therefore, to hear what one of the first French literary critics of the day has to say concerning our great English poet can hardly fail to be of great interest and value. Moreover, the subject of M. Stapfer's book - not Shakespeare, but Greek and Roman antiquity as represented in Shakespeare's plays - invests it with a special character, and offers many fresh and suggestive points of view; the comparative smallness of the framework admitting also of a more minute and thorough mode of treatment than would otherwise be possible. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Antiquity Forgot

Antiquity Forgot
Author: Howard B. White
Publisher: Springer Science & Business Media
Total Pages: 176
Release: 2012-12-06
Genre: History
ISBN: 9400996632

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It was probably Rousseau who first thought of dreams as ennobling experiences. Anyone who has ever read Reveries du Promeneur Solitaire must be struck by the dreamlike quality of Rousseau's meditations. This dreamlike quality is still with us, and those who experience it find themselves ennobled by it. Witness Martin Luther King's famous "1 have a dream. " Dreaming and inspiration raise the artist to the top rung in the ladder ofhuman relations. That is probably the prevailing view among educated people of our time. Rousseau made that view respectable and predominant. Yet in another sense, the problem is much older. It is the problem of political philosophy and poetry, the problem of Socrates and Aristophanes, of Plato and Homer. Yet, while antiquity usually gives the crown to philosophy, since Rous seau, the alternative view tends to prevail. The distinction is not, however, a formal one. Sir Philip Sidney enlisted Plato on the side of poetry. The true distinction is between imagination and reason. If reason is to rule, as Aristotle points out,l the most architectonic of the sciences, that is political science, should rule. It is political philosophy which must determine the nature of the arts which will help or which will hinder the good of the city or the polity. That does not mean that a mere professor should stand in judgment of Shake speare, Bacon, and Rembrandt. It means that ifhe studies these three great artists, he is not over-stepping disciplinary limits.

Shakespeare and Greece

Shakespeare and Greece
Author: Alison Findlay
Publisher: Bloomsbury Publishing
Total Pages: 205
Release: 2017-01-26
Genre: Literary Criticism
ISBN: 1474244262

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This book seeks to invert Ben Jonson's claim that Shakespeare had 'small Latin and less Greek' and to prove that, in fact, there is more Greek and less Latin in a significant group of Shakespeare's texts: a group whose generic hybridity (tragic-comical-historical-romance) exemplifies the hybridity of Greece in the early modern imagination. To early modern England, Greece was an enigma. It was the origin and idealised pinnacle of Western philosophy, tragedy, democracy, heroic human endeavour and, at the same time, an example of decadence: a fallen state, currently under Ottoman control, and therefore an exotic, dangerous, 'Other' in the most disturbing senses of the word. Indeed, while Britain was struggling to establish itself as a nation state and an imperial authority by emulating classical Greek models, this ambition was radically unsettled by early modern Greece's subjection to the Ottoman Empire, which rendered Europe's eastern borders dramatically vulnerable. Focusing, for the first time, on Shakespeare's 'Greek' texts (Venus and Adonis, The Comedy of Errors, A Midsummer Night's Dream, Love's Labour's Lost, Troilus and Cressida, Timon of Athens, King Lear, Pericles and The Two Noble Kinsmen), the volume considers how Shakespeare's use of antiquity and Greek myth intersects with early modern perceptions of the country and its empire.

How the Classics Made Shakespeare

How the Classics Made Shakespeare
Author: Jonathan Bate
Publisher: Princeton University Press
Total Pages: 378
Release: 2020-10-13
Genre: Literary Criticism
ISBN: 0691210144

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"This book grew from the inaugural E. H. Gombrich Lectures in the Classical Tradition that I delivered in the autumn of 2013 at the Warburg Institute of the University of London, under the title, "Ancient Strength: Shakespeare and the Classical Tradition"--Preface, page ix.

Shakespeare and Classical Antiquity

Shakespeare and Classical Antiquity
Author: Colin Burrow
Publisher: OUP Oxford
Total Pages: 290
Release: 2013-09-05
Genre: Literary Criticism
ISBN: 0191507687

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OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. This book explains that Shakespeare did not have 'small Latin and less Greek' as Ben Jonson claimed. Shakespeare and Classical Antiquity shows the range, extent and variety of Shakespeare's responses to classical antiquity. Individual chapters on Virgil, Ovid, Classical Comedy, Seneca, and Plutarch show how Shakespeare's understanding of and use of classical authors, and of the classical past more generally, changed and developed in the course of his career. An opening chapter shows the kind of classical learning he acquired through his education, and subsequent chapters provide stimulating introductions to a range of classical authors as well as to Shakespeare's responses to them. Shakespeare and Classical Antiquity shows how Shakespeare's relationship to classical authors changed in response to contemporary events and to contemporary authors. Above all, it shows that Shakespeare's reading in classical literature informed more or less every aspect of his work.

Shakespeare and the Fall of the Roman Republic

Shakespeare and the Fall of the Roman Republic
Author: Patrick Gray
Publisher: Edinburgh University Press
Total Pages: 321
Release: 2018-09-17
Genre: Literary Criticism
ISBN: 1474427472

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Explores Shakespeare's representation of the failure of democracy in ancient Rome This book introduces Shakespeare as a historian of ancient Rome alongside figures such as Sallust, Cicero, St Augustine, Machiavelli, Gibbon, Hegel and Nietzsche. It considers Shakespeare's place in the history of concepts of selfhood and reflects on his sympathy for Christianity, in light of his reception of medieval Biblical drama, as well as his allusions to the New Testament. Shakespeare's critique of Romanitas anticipates concerns about secularisation, individualism and liberalism shared by philosophers such as Hannah Arendt, Alasdair MacIntyre, Charles Taylor, Michael Sandel and Patrick Deneen.