Semiotik und Erkenntnistheorie

Semiotik und Erkenntnistheorie
Author: Georg Klaus
Publisher:
Total Pages: 190
Release: 1969
Genre: Semantics (Philosophy)
ISBN:

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Semiotik und Erkenntnistheorie

Semiotik und Erkenntnistheorie
Author: Georg Klaus
Publisher:
Total Pages: 196
Release: 1973
Genre: Semantics (Philosophy).
ISBN:

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Erkenntniswelten

Erkenntniswelten
Author: Silja Freudenberger
Publisher:
Total Pages: 232
Release: 2004
Genre: Knowledge, Theory of
ISBN:

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Es ist viel von einer 'Krise der Repräsentation' die Rede. In erkenntnistheoretischer Hinsicht bedeutet diese 'Krise' eine Krise der Gewißheit, daß in Erkenntnisprozessen eine vorgängig existierende Welt einfach abgebildet werden soll. Die entgegengesetzte These, daß in solchen Prozessen die Welt überhaupt erst hergestellt wird, droht nach Meinung vieler aber in einen Relativismus zu münden, in dem erlaubt ist, was gefällt und der Gedanke einer wie auch immer gearteten Repräsentation von 'Welt' ganz aufgegeben werden muß. In diesem Buch werden Ansätze vorgestellt, die sich dem Problem der Repräsentation unterschiedlich nähern und dabei doch zu ähnlichen Ergebnissen gelangen: Die Peircesche Semiotik, die der analytischen Philosophie entstammende Theorie der Begriffsschemata und feministische Erkenntnistheorien gelangen unabhängig voneinander zu dem Schluß, daß der Gedanke der 'Repräsentation' nicht aufgegeben werden kann, aber neu gedacht werden muß: So werden die Bausteine für eine neue Repräsentationstheorie bereitgestellt.

Semiotik / Semiotics. 1. Teilband

Semiotik / Semiotics. 1. Teilband
Author: Roland Posner
Publisher: Walter de Gruyter
Total Pages: 1249
Release: 2008-07-14
Genre: Language Arts & Disciplines
ISBN: 3110203251

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This series of HANDBOOKS OF LINGUISTICS AND COMMUNICATION SCIENCE is designed to illuminate a field which not only includes general linguistics and the study of linguistics as applied to specific languages, but also covers those more recent areas which have developed from the increasing body of research into the manifold forms of communicative action and interaction. For "classic" linguistics there appears to be a need for a review of the state of the art which will provide a reference base for the rapid advances in research undertaken from a variety of theoretical standpoints, while in the more recent branches of communication science the handbooks will give researchers both an overview and orientation. To attain these objectives, the series aims for a standard comparable to that of the leading handbooks in other disciplines, and to this end strives for comprehensiveness, theoretical explicitness, reliable documentation of data and findings, and up-to-date methodology. The editors, both of the series and of the individual volumes, and the individual contributors, are committed to this aim. The language of publication is English. The main aim of the series is to provide an appropriate account of the state of the art in the various areas of linguistics and communication science covered by each of the various handbooks; however no inflexible pre-set limits will is imposed on the scope of each volume. The series is open-ended, and can thus take account of further developments in the field. This conception, coupled with the necessity of allowing adequate time for each volume to be prepared with the necessary care, means that there is no set time-table for the publication of the whole series. Each volume is a self-contained work, complete in itself. The order in which the handbooks are published does not imply any rank ordering, but is determined by the way in which the series is organized; the editors of the whole series enlist a competent editor for each individual volume. Once the principal editor for a volume has been found, he or she then has a completely free hand in the choice of co-editors and contributors. The editors plan each volume independently of the others, being governed only by general formal principles. The series editors only intervene where questions of delineation between individual volumes are concerned. It is felt that this (modus operandi) is best suited to achieving the objectives of the series, namely to give a competent account of the present state of knowledge and of the perception of the problems in the area covered by each volume. To discuss your handbook idea or submit a proposal, please contact Birgit Sievert.

Zeichen des Menschen

Zeichen des Menschen
Author: Jürgen Trabant
Publisher:
Total Pages: 190
Release: 1989
Genre: Semiotics
ISBN:

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Semiotics

Semiotics
Author: Roland Posner
Publisher: Walter de Gruyter
Total Pages: 550
Release: 2004
Genre: Language Arts & Disciplines
ISBN: 3110179628

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This series of HANDBOOKS OF LINGUISTICS AND COMMUNICATION SCIENCE is designed to illuminate a field which not only includes general linguistics and the study of linguistics as applied to specific languages, but also covers those more recent areas which have developed from the increasing body of research into the manifold forms of communicative action and interaction. For "classic" linguistics there appears to be a need for a review of the state of the art which will provide a reference base for the rapid advances in research undertaken from a variety of theoretical standpoints, while in the more recent branches of communication science the handbooks will give researchers both an verview and orientation. To attain these objectives, the series will aim for a standard comparable to that of the leading handbooks in other disciplines, and to this end will strive for comprehensiveness, theoretical explicitness, reliable documentation of data and findings, and up-to-date methodology. The editors, both of the series and of the individual volumes, and the individual contributors, are committed to this aim. The languages of publication are English, German, and French. The main aim of the series is to provide an appropriate account of the state of the art in the various areas of linguistics and communication science covered by each of the various handbooks; however no inflexible pre-set limits will be imposed on the scope of each volume. The series is open-ended, and can thus take account of further developments in the field. This conception, coupled with the necessity of allowing adequate time for each volume to be prepared with the necessary care, means that there is no set time-table for the publication of the whole series. Each volume will be a self-contained work, complete in itself. The order in which the handbooks are published does not imply any rank ordering, but is determined by the way in which the series is organized; the editor of the whole series enlist a competent editor for each individual volume. Once the principal editor for a volume has been found, he or she then has a completely free hand in the choice of co-editors and contributors. The editors plan each volume independently of the others, being governed only by general formal principles. The series editor only intervene where questions of delineation between individual volumes are concerned. It is felt that this (modus operandi) is best suited to achieving the objectives of the series, namely to give a competent account of the present state of knowledge and of the perception of the problems in the area covered by each volume.

Bertolt Brecht

Bertolt Brecht
Author: Steve Giles
Publisher: Rodopi
Total Pages: 274
Release: 1998
Genre: German literature
ISBN: 9789042003194

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The publication of this volume of essays marks the centenary of the birth of Bertolt Brecht on 10 February 1898. The essays were commissioned from scholars and critics around the world, and cover six main areas: recent biographical controversies; neglected theoretical writings; the semiotics of Brechtian theatre; new readings of classic texts; Brecht's role and reception in the GDR; and contemporary appropriations of Brecht's work. This volume will be essential reading for all those interested in twentieth century theatre, modern German studies, and the contemporary reassessment of post-war culture in the wake of German unification and the collapse of Stalinist communism in Central and Eastern Europe. The essays in this volume also address a variety of general questions, concerning - for example - authorship and textuality; the nature of Brecht's Marxism in relation to his understanding of modernity, science and Enlightenment reason; Marxist aesthetics; radical cultural politics; and feminist performance theory.

Zeichen, Text, Sinn

Zeichen, Text, Sinn
Author: Wilhelm Köller
Publisher:
Total Pages: 180
Release: 1977
Genre: Criticism, Textual
ISBN:

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Die Semiotik als Grundlage zur Analyse von Werbeanzeigen

Die Semiotik als Grundlage zur Analyse von Werbeanzeigen
Author: Walter Scheufen
Publisher: GRIN Verlag
Total Pages: 22
Release: 2007-02-27
Genre: Language Arts & Disciplines
ISBN: 363862000X

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Studienarbeit aus dem Jahr 2006 im Fachbereich Sprachwissenschaft / Sprachforschung (fachübergreifend), Note: 1.7, Rheinisch-Westfälische Technische Hochschule Aachen (Romanistisches Institut), Veranstaltung: Semiotik, Sprache: Deutsch, Abstract: „ Semiotik - allgemeine Theorie der sprachlichen Zeichen. Die Semiotik als Teil der Erkenntnistheorie untersucht nicht die konkreten Zeichen bestimmter Sprachen, sondern ist allgemeine Sprachtheorie. Alle Erkenntnis ist letzten Endes gesellschaftliche Erkenntnis, was bedingt, dass Mittel des Austausches, der Speicherung und der Verarbeitung von Informationen usw. zur Verfügung stehen. Diese Mittel sind die sprachlichen Zeichen.“ In diesem Zitat wird die Schwierigkeit einer eindeutigen Definition des wissenschaftlichen Kerns der Semiotik deutlich. Die Vermischung aus Philosophie, Linguistik und Kulturwissenschaft macht eine klare Abgrenzung auch für die Forschung schwierig. Zeichen umgeben uns überall und auch wir als Individuen treten permanent in Interaktion mit unserer Umwelt indem wir Zeichen aller Art von uns geben. Andere Lesen diese Zeichen und ziehen daraus ihre Erkenntnis über uns, und wir aus unserer Umwelt. Diese Arbeit soll einen Einblick in die Vielschichtigkeit der bedeutendsten Wegweiser der Semiotik geben. Der theoretische, erste Teil der Arbeit soll einen Überblick über die wichtigsten Ansätze der Semiotik des 20. Jahrhunderts bieten. Die Unterschiede und Gemeinsamkeiten der Theorieansätze von Peirce, Saussure, Morris und Eco sollen verständlich herausgearbeitet und prägnant dargestellt werden. Zentral soll hierbei das linguistische Prinzip Saussures den erkenntnistheoretischen Ansätzen von Peirce entgegengesetzt werden. Aufbauend auf Peirce, soll der behavioristische Ansatz von Morris untersucht werden. Als Überleitung auf den zweiten Teil wird der konventionalistisch geprägte Semiotikansatz Ecos untersucht werden. Im zweiten Teil der Arbeit wird dann eine Untersuchung zur Semiotik in der Werbung, speziell in Bezug auf das Image das Markenzeichen dem Konsumenten vermitteln, vorgenommen. Ziel der Arbeit ist es aufbauend auf den theoretischen Ansätzen die Bedeutung der Zeichen und deren Deutung in unserem konsumdominierten Alltag.