Selfie Aesthetics

Selfie Aesthetics
Author: Nicole Erin Morse
Publisher: Duke University Press
Total Pages: 140
Release: 2022-03-18
Genre: Photography
ISBN: 1478022752

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In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience.

Selfie Aesthetics

Selfie Aesthetics
Author: Nicole Erin Morse
Publisher:
Total Pages: 216
Release: 2022
Genre: Photography
ISBN: 9781478015512

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Nicole Erin Morse examines how trans women feminine artists use selfies and self-representational art to explore how selfies produce politically meaningful encounters between creators and viewers in ways that envision trans feminist futures.

Selfie Aesthetics: Form, Performance, and Transfeminist Politics in Self-Representational Art

Selfie Aesthetics: Form, Performance, and Transfeminist Politics in Self-Representational Art
Author: Nicole Erin Morse
Publisher:
Total Pages: 240
Release: 2018
Genre:
ISBN: 9780438370647

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Selfie Aesthetics: Form, Performance, and Transfeminist Politics in Self-Representational Art analyzes selfies by trans women and transfeminine artists to reveal how they produce new ways of being and relating in the digital era. Looking beyond how selfies are usually read-as a symptom of cultural narcissism or as a liberatory tool of self-actualization-my dissertation reveals a more complicated set of political, theoretical, and aesthetic issues within this contemporary self-representational mode. Combining readings of individual images with accounts of selfie spectatorship, I identify four key themes that constitute "selfie aesthetics": the visual rhetoric of doubling, an ambivalence toward the logic of visibility, interventions into the archive, and the production of posthuman intimacies.

Improving Selfie Aesthetics with Interactive Guidance Based on Empirical Models

Improving Selfie Aesthetics with Interactive Guidance Based on Empirical Models
Author: Qifan Li
Publisher:
Total Pages: 80
Release: 2016
Genre: Aesthetics
ISBN:

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We introduce RealSelfie, a smartphone camera application providing interactive guidance to help people take better self-portrait photos (commonly called “selfies”). The application uses empirical models to estimate aesthetic quality built from data gathered by 2,700 Amazon Mechanical Turk (AMT) aesthetic quality assessments of synthetic photographs. The synthetic photographs are generated from 3D models of realistic human models by manipulating a virtual camera and virtual lighting to precisely explore the space of three photographic principle parameters: face size, face position, and light direction. The RealSelfie application calculates the current value for each parameter using computer vision techniques and then compares those values with each model's aesthetic estimates to display directional hints overlaid on the live camera preview. As part of this system, we contribute an algorithm to estimate lighting direction using the pattern of light and shade near the nose. We conduct a study to evaluate the RealSelfie application with 20 participants in a controlled environment to eliminate background and lighting confounds. AMT ratings of the photos show that RealSelfie provides a 26% increase in aesthetics over providing no guidance.

Multimodality and Aesthetics

Multimodality and Aesthetics
Author: Elise Seip Tønnessen
Publisher: Routledge
Total Pages: 346
Release: 2018-10-01
Genre: Language Arts & Disciplines
ISBN: 1351592750

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This volume explores the relationship between aesthetics and traditional multimodal communication to show how all semiotic resources, not just those situated within fine arts, have an aesthetic function. Bringing together contributions from an interdisciplinary group of researchers, the book meditates on the role of aesthetics in a broader range of semiotic resources, including urban spaces, blogs, digital scrapbooks, children’s literature, music, and online learning environments. The result is a comprehensive collection of new perspectives on how communication and aesthetics enrich and complement one another when meaning is made with semiotic resources, making this key reading for students and scholars in multimodality, fine arts, education studies, and visual culture.

The Aesthetics and Politics of the Online Self

The Aesthetics and Politics of the Online Self
Author: Donatella Della Ratta
Publisher: Springer Nature
Total Pages: 382
Release: 2022-01-01
Genre: Social Science
ISBN: 3030654974

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This volume investigates our dissonant and exuberant existences online. As social media users we know we’re under surveillance, yet we continue to click, like, love and share ourselves online as if nothing was. So, how do we overcome the current online identity regime? Can we overthrow the rule of Narcissus and destroy the planetary middle class subject? In this catalogue of strategies, the reader will find stories on hacker groups, gaming platforms in the occupied territories, art objects, selfies, augmented reality, Gen Z autoethnographies, love and life. The authors of this anthology believe we cannot simply put vanity aside and a rational analysis of platform capitalism is not going to convince the youngs on TikTok nor liberate us from Zuckerbergian indentured servitude. Do we really need to wade through the subjective mud and ‘learn more’ about online aesthetics? The answer is yes. Writing by Wendy Chun, Franco Berardi “BIFO”, Julia Preisker, Katherine Behar, Rebecca Stein, Fabio Cristiano, Emilio Distretti, Natalie Bookchin, Ana Peraica, Mitra Azar, Donatella Della Ratta, Gabriella Coleman, Marco Deseriis, Alberto Micali, Daniel de Zeeuw, Giovanni Boccia Artieri, Jodi Dean.

The SAGE Handbook of Social Media Research Methods

The SAGE Handbook of Social Media Research Methods
Author: Luke Sloan
Publisher: SAGE
Total Pages: 709
Release: 2017-01-26
Genre: Social Science
ISBN: 1473987210

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With coverage of the entire research process in social media, data collection and analysis on specific platforms, and innovative developments in the field, this handbook is the ultimate resource for those looking to tackle the challenges that come with doing research in this sphere.

Selfie Citizenship

Selfie Citizenship
Author: Adi Kuntsman
Publisher: Springer
Total Pages: 169
Release: 2017-02-09
Genre: Social Science
ISBN: 3319452703

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This collection reflects on the emerging phenomenon of ‘selfie citizenship’, which capitalises on individual visibility and agency, at the time when citizenship itself is increasingly governed through biometrics and large-scale dataisation. Today we are witnessing a global rise of politicised selfies: photographs of individuals with handwritten notes or banners, various selfie memes and hashtag actions, spread on social media in actions of protest or social mobilistion. Contributions in this collection range from discussions of citizen engagement, to political campaigning, to selfies as forms of citizen witnessing, to selfies without a face. The chapters cover uses of selfies by activists, tourists and politicians, victims and survivors, adults and children, in a broad range of geopolitical locations –China, Germany, Iran, Nepal, Pakistan, Singapore, South Korea, Sweden, the UK and the US. Written by an international and interdisciplinary group of authors, from senior professors to junior scholars, artists, graduate students and activist, the book is aimed at students, researchers, and media practitioners.

Critical Femininities

Critical Femininities
Author: Rhea Ashley Hoskin
Publisher: Taylor & Francis
Total Pages: 203
Release: 2022-11-10
Genre: Social Science
ISBN: 100078598X

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What would change about our existing world if we re-imagined and re-valued femininity? Critical Femininities presents a multidimensional framework for re-thinking femininity. Moving beyond seeing femininity as a patriarchal tool, this book considers the social, historical, and ideological forces that shape present-day norms surrounding femininity, particularly those that contribute to femmephobia: the systematic devaluation and regulation of all that is deemed feminine. Each chapter offers a unique application of the Critical Femininities framework to disparate areas of inquiry, ranging from breastfeeding stigma to Incel ideology, and attempts to answer pressing questions concerning the place of femininity within gender and social theory. How can we conceptualise feminine power? In what ways can vulnerability act as a powerful mode of resistance? How can we understand femininity as powerful without succumbing to masculinist frameworks? What ideological underpinnings maintain Critical Femininities as an emergent field, despite traceable origins pre-dating second-wave feminism? As the provocative entries within this volume will certainly generate additional questions for anyone invested in society’s treatment of femininity, this book offers a launching pad for the continued growth of a field that cultivates insight from a feminine frame of reference as a means of rendering visible the taken-for-granted presence of masculinity that remains pervasive within gender theory. The chapters in this book were originally published as a special issue of Psychology & Sexuality.

Understanding Selfies

Understanding Selfies
Author: Piotr Sorokowski
Publisher: Frontiers Media SA
Total Pages: 153
Release: 2018-04-27
Genre:
ISBN: 2889454657

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In the year 2013, ‘selfie’ was named word of the year by Oxford Dictionaries in recognition of dramatic changes in frequency, prominence, and register of the term. This drastic increase in selfie-taking was spurred by two factors. The first was the advent of smartphones equipped with front cameras and preview screens that made it easy to compose a photographic self-portrait by a process of deliberately exploring one’s image, choosing a pose, and finally taking the picture. The second key change contributing to the rise of the selfie age was the increasing availability of internet connections. It is estimated that about 50% of the world population has access to the internet today (2018; https://www.internetworldstats.com). At the end of the past century, this percentage was a mere 1%. The growth of the internet infrastructure simultaneously spurred the development of social network applications such as Facebook, Twitter, Snapchat, and Instagram, providing accessible media for sharing photographs including photographic self-portraits. However, despite their tremendous reach and popularity, selfies have so far received relatively little attention by the scientific community, especially within psychology. Thus, we proposed a Frontiers in Psychology Research Topic to expand empirical and theoretical work on the massively popular, yet scientifically unexplored, phenomenon of the selfie. The articles published in this eBook offer a multifaceted insight into current scholarly work on this topic.