Screening American Independent Film

Screening American Independent Film
Author: Justin Wyatt
Publisher: Taylor & Francis
Total Pages: 564
Release: 2023-05-31
Genre: Performing Arts
ISBN: 1000872742

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This indispensable collection offers 51 chapters, each focused on a distinct American independent film. Screening American Independent Film presents these films chronologically, addressing works from across more than a century (1915−2020), emphasizing the breadth and long duration of American independent cinema. The collection includes canonical examples as well as films that push against and expand the definitions of "independence." The titles run from micro-budget films through marketing-friendly Indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters also introduce students to different approaches within film studies including historical and contextual framing, industrial and institutional analysis, politics and ideology, genre and authorship, representation, film analysis, exhibition and reception, and technology. Written by leading international scholars and emerging talents in film studies, this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films, Screening American Independent Film is an essential resource for anyone teaching or studying American cinema.

Cinema of Outsiders

Cinema of Outsiders
Author: Emanuel Levy
Publisher: NYU Press
Total Pages: 648
Release: 1999-09-01
Genre: Social Science
ISBN: 0814752896

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A deep dive into the emergence and success of independent filmmaking in America A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness. Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."

100 American Independent Films

100 American Independent Films
Author: Jason Wood
Publisher: British Film Institute
Total Pages: 288
Release: 2004-06-15
Genre: Performing Arts
ISBN:

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Indie Cinema Online

Indie Cinema Online
Author: Sarah E.S. Sinwell
Publisher: Rutgers University Press
Total Pages: 204
Release: 2020-08-14
Genre: Art
ISBN: 1978814690

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Indie Cinema Online maps out a cultural history of American independent cinema online from 1999 to the present, from Netflix and its use of online streaming to the first feature film released on YouTube to Sundance's creation of digital shorts and web series intended for cell phone viewing.

American Independent 2

American Independent 2
Author: John Berra
Publisher:
Total Pages: 0
Release: 2013
Genre: Experimental films
ISBN: 9781841506128

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American independent cinema has undergone several incarnations since its emergence as a politically charged underground movement in the 1960s. Today, with high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, these films garner more interest than ever before. This book extends its chronicle of the independent sector s rise as an outlet for directors who both challenge the status quo and enjoy considerable box office appeal, without sacrificing critical legitimacy. This book includes one hundred and fifty reviews of significant American independent films, ranging from such cult classics as Faces, My Hustler, and Supervixens to recent releases like Drive, Mysterious Skin, and Win Win. At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience among media historians, film studies scholars, and movie buffs alike.

Independent Filmmaking Around the Globe

Independent Filmmaking Around the Globe
Author: Doris Baltruschat
Publisher: University of Toronto Press
Total Pages: 328
Release: 2015-05-04
Genre: Performing Arts
ISBN: 1442620382

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Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it more and more possible for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints. With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time.

Fizzle

Fizzle
Author: Norman Gerard
Publisher: iUniverse
Total Pages: 485
Release: 2009-12-21
Genre: Performing Arts
ISBN: 1440192170

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Fizzle is a compilation, a journal if you will, of events and snippets from my experience in the film industry for over forty years. There was no place to log the bumpy ride that led to the demise of the American Independent film movement, an industry that once sizzled. You might say this book is about the Fizzle of the Sizzle. It is wishful thinking on my behalf to believe this book will explain how the sharks got away with fleecing filmmakers, and why they will continue to do so. Indie filmmakers, unlike the dinosaurs, will reinvent themselves. The hope is that this journal might save a few schmucks who are as naive as I was when I made my first two films. The nightmare is that it might attract a new generation of scumbags who can learn how to screw filmmakers. Both scenarios will undoubtedly play out. To paraphrase Shaw in my sole disclaimer: I often quote myself, in order to spice things up a bit. Norman Gerards tome is full of sound and fury. Hes got an impassioned viewpoint about why it all went wrong. The time has come for someone to offer a bruising critique, to speak truths about the indie world that the media has largely either chosen to ignore, or missed while they fell in love with the colorful young characters and the so-called spirit of American indie cinema. Gerard would argue that spirit is more like a disease, that the so-called honesty of the American indie film movement masked essential business deceptions that would inevitably lead to the current disastrous landscape... Prepare for a rollicking ride through good times and bad, high art and low-lifes, auteurs and con artists. Gerard has them all in the pages of this book. If there were any money left for indie film productions, it might make a great film and it clearly won't be a studio-backed picture. Its got corrosive honesty, hard-hitting political implications, sleazy characters no major star would want to play, all topped off by a downbeat ending. Theres one word for the spirit of this tome: Its truly INDEPENDENT. -- Steven Gaydos Variety, Executive Editor

The Rough Guide to American Independent Film

The Rough Guide to American Independent Film
Author: Jessica Winter
Publisher:
Total Pages: 294
Release: 2006
Genre: Performing Arts
ISBN:

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This guide gives the lowdown on maverick filmmaking, from sleazy exploitation flicks and satirical documentaries to chilling horror movies and quirky suburban dramas.

Spike, Mike, Slackers & Dykes

Spike, Mike, Slackers & Dykes
Author: John Pierson
Publisher: University of Texas Press
Total Pages: 392
Release: 2014-04-15
Genre: Performing Arts
ISBN: 0292757689

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The legendary figure who launched the careers of Spike Lee, Michael Moore, and Richard Linklater offers a no-holds-barred look at the deals and details that propel an indie film from a dream to distribution.

Celluloid Mavericks

Celluloid Mavericks
Author: Greg Merritt
Publisher: Da Capo Press
Total Pages: 416
Release: 1999-12-31
Genre: Performing Arts
ISBN: 9781560252320

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Celluloid Mavericks: A History of American Independent Filmmaking documents this rich history, showing what it meant to be "independent" in the 1930s and what it means today. Author Greg Merritt distinguishes between indie and semi-indie productions, explores the genres represented under the independent umbrella, and addresses the question of what makes a movie independent -- its "spirit" or the budget backing the production. From one-reel flicks at the turn of the century to the blockbusters of the ‘90s, Celluloid Mavericks takes readers on a fascinating tour of the industry.