Sara Teasdale (Classic Reprint)
Author | : Jessie Belle Rittenhouse |
Publisher | : |
Total Pages | : 40 |
Release | : 2016-06-21 |
Genre | : Poetry |
ISBN | : 9781332853342 |
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Excerpt from Sara Teasdale In 1903 she was graduated. She continued her writing and with several of her friends undertook the publication of a monthly magazine called The Potter's Wheel. This unique publication was limited to one copy each month and was entirely in manuscript with original illustrations in photograph, black and white, and in color. Friends of the contributors showed much interest in the magazine which continued for several years. Through all this time Sara Teasdale had been a systematic reader and one of her special treasures is a fat note-book in which, as a very little girl, she began to enter the titles of all the books she read through. She has travelled widely in the United States and has spent several winters in California and the Southwest. Her first journey to Europe came in 1905. For some time she remained in Southern Europe and the near East, visiting Greece, Egypt and the Holy Land. During this period she was writing verse and upon her return in 1907 had her first recognition from the noted William Marion Reedy who published her blank verse monologue Guenevere in Reedy's Mirror. This same year her sonnets TO duse and other poems was published by the Poet Lore Company of Boston. In England the famous critic, Arthur Symons, reviewing it for the London Saturday Review. Wrote. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.