The Cambridge Companion to Eighteenth-Century Poetry

The Cambridge Companion to Eighteenth-Century Poetry
Author: John Sitter
Publisher: Cambridge University Press
Total Pages: 322
Release: 2001-03-26
Genre: Literary Criticism
ISBN: 9780521658850

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This book analyzes major premises and practices of eighteenth-century English poets.

A Companion to Eighteenth-Century Poetry

A Companion to Eighteenth-Century Poetry
Author: Christine Gerrard
Publisher: John Wiley & Sons
Total Pages: 624
Release: 2014-02-10
Genre: Literary Criticism
ISBN: 1118702298

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A COMPANION TO & EIGHTEENTH-CENTURY POETRY A COMPANION TO & EIGHTEENTH-CENTURY POETRY Edited by Christine Gerrard This wide-ranging Companion reflects the dramatic transformation that has taken place in the study of eighteenth-century poetry over the past two decades. New essays by leading scholars in the field address an expanded poetic canon that now incorporates verse by many women poets and other formerly marginalized poetic voices. The volume engages with topical critical debates such as the production and consumption of literary texts, the constructions of femininity, sentiment and sensibility, enthusiasm, politics and aesthetics, and the growth of imperialism. The Companion opens with a section on contexts, considering eighteenth-century poetry’s relationships with such topics as party politics, religion, science, the visual arts, and the literary marketplace. A series of close readings of specific poems follows, ranging from familiar texts such as Pope’s The Rape of the Lock to slightly less well-known works such as Swift’s “Stella” poems and Lady Mary Wortley Montagu’s Town Eclogues. Essays on forms and genres, and a series of more provocative contributions on significant themes and debates, complete the volume. The Companion gives readers a thorough grounding in both the background and the substance of eighteenth-century poetry, and is designed to be used alongside David Fairer and Christine Gerrard’s Eighteenth-Century Poetry: An Annotated Anthology (3rd edition, 2014).

English Poetry of the Eighteenth Century, 1700-1789

English Poetry of the Eighteenth Century, 1700-1789
Author: David Fairer
Publisher: Routledge
Total Pages: 390
Release: 2014-10-13
Genre: Literary Criticism
ISBN: 1317892879

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In recent years the canon of eighteenth-century poetry has greatly expanded to include women poets, labouring-class and provincial poets, and many previously unheard voices. Fairer’s book takes up the challenge this ought to pose to our traditional understanding of the subject. This book seeks to question some of the structures, categories, and labels that have given the age its reassuring shape in literary history. In doing so Fairer offers a fresh and detailed look at a wide range of material.

The Cambridge Introduction to Eighteenth-Century Poetry

The Cambridge Introduction to Eighteenth-Century Poetry
Author: John Sitter
Publisher: Cambridge University Press
Total Pages:
Release: 2011-10-06
Genre: Literary Criticism
ISBN: 1139502468

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For readers daunted by the formal structures and rhetorical sophistication of eighteenth-century English poetry, this introduction by John Sitter brings the techniques and the major poets of the period 1700–1785 triumphantly to life. Sitter begins by offering a guide to poetic forms ranging from heroic couplets to blank verse, then demonstrates how skilfully male and female poets of the period used them as vehicles for imaginative experience, feelings and ideas. He then provides detailed analyses of individual works by poets from Finch, Swift and Pope, to Gray, Cowper and Barbauld. An approachable introduction to English poetry and major poets of the eighteenth century, this book provides a grounding in poetic analysis useful to students and general readers of literature.

Paradise Lost

Paradise Lost
Author: Jeremy Burchardt
Publisher: Bloomsbury Publishing
Total Pages: 245
Release: 2002-07-26
Genre: Social Science
ISBN: 0857715534

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The enduring 'Town versus Country' debate lies at the root of modern British society. How far did the idealization of the countryside by artists and writers since the Industrial Revolution foster anti-urban, anti-industrial values? How have such values affected government policy, social structure and economic dynamism? Did post-war developments, in particular rural-urban commuting and environmentalist criticism of modern 'industrial' farming, undermine the traditional distinction between town and country, or are they themselves symptoms of the continuing allure of the rural idyll? This book will demonstrate the remarkable influence that attitudes to the countryside have had on the evolution of modern British life.

Reading Eighteenth-Century Poetry

Reading Eighteenth-Century Poetry
Author: Patricia Meyer Spacks
Publisher: John Wiley & Sons
Total Pages: 305
Release: 2009-02-17
Genre: Literary Criticism
ISBN: 1405153628

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Reading Eighteenth-Century Poetry recaptures for modern readers the urgency, distinctiveness and rewarding nature of this challenging and powerful body of poetry. An essential guide to reading eighteenth-century poetry, written by world-renowned critic, Patricia Meyer Spacks Exposes the multiplicity of forms, tones, and topics engaged by poets during this period Provides in-depth analysis of poems by established figures such as Alexander Pope and Jonathan Swift, as well as work by less familiar figures, including Anne Finch and Mary Leapor A broadly chronological structure incorporates close reading alongside insightful contextual and historical detail Captures the power and uniqueness of eighteenth-century poetry, creating an ideal guide for those returning to this period, or delving into it for the first time

The Poetry of the Self-taught

The Poetry of the Self-taught
Author: Julie D. Prandi
Publisher: Peter Lang
Total Pages: 216
Release: 2008
Genre: Literary Criticism
ISBN: 9781433102516

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The Poetry of the Self-Taught demonstrates the characteristic strengths of self-taught poetry and analyzes the factors that have caused most selftaught poets to disappear from anthologies and from literary history. Raising the question of whether or not their work should be read today and taken seriously - instead of being relegated to separate and unequal categories like women's or «peasant» poetry - the book highlights interesting contrasts between the poetry of eighteenth-century autodidacts such as Robert Burns, Mary Leapor, C.D.F. Schubart, and Anna Louise Karsch and the work of their contemporaries, mainstream poets like Alexander Pope, James Thomson, C.F. Gellert, and Barthold Heinrich Brockes. Self-taught poetry is often treated as an index to the lives and times of the poets, but this book explores it with a different purpose: to understand and illustrate the commonalities in autodidactic poetics, imagery, rhetorical strategies, and themes. Concurrent with a recent upturn of interest in «laboring» or self-taught poets both in England and in Germany, The Poetry of the Self-Taught will be useful for courses focusing on such poets or those dealing with eighteenth-century literature.