Revolution Rock

Revolution Rock
Author: Amy Britton
Publisher: AuthorHouse
Total Pages: 409
Release: 2011-11-17
Genre: Music
ISBN: 1467887110

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The ages of Thatcherism and New Labour are two of the most significant of the twentieth century, and more alike than they would care to admit. Out of these years of political turmoil have come many brilliant, often politically dissenting, British albums which have captured the landscape of the time. This is the story of those albums.

Love Rock Revolution

Love Rock Revolution
Author: Mark Baumgarten
Publisher: National Geographic Books
Total Pages: 0
Release: 2012-07-10
Genre: Music
ISBN: 1570618224

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Punk isn't a sound--it's an idea! In its history, K Records has fostered some of independent music's greatest artists, including Bikini Kill, Beat Happening, Built to Spill, Beck, Modest Mouse, and the Gossip. In 1982, K Records released its first cassette and put its own spin on punk's defiant manifesto: You don't need anyone's permission to make music. Thirty years later, the label continues to operate in the underground while rightfully claiming a role as one of the most transformative engines of modern independent music. It has also galvanized the international pop underground, helped create the grunge scene that took over pop culture, and provided a launching pad for the riot grrrl movement that changed the role of women in music forever. Love Rock Revolution tells the story of how it all happened, recounting the early journeys of K Records founder Calvin Johnson from the punk mecca of London to the hardcore clubs of Washington, D.C., in the late-'70s, the creation of K Records in the '80s, the label's role in revolutionizing independent music in the '90s, and its struggle to survive that revolution with its integrity intact.

Rockin' the Free World!

Rockin' the Free World!
Author: Sean Kay
Publisher: Rowman & Littlefield
Total Pages: 289
Release: 2016-12-29
Genre: Political Science
ISBN: 1442266058

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In Rockin' the Free World, international relations expert Sean Kay takes readers inside “Bob Dylan’s America” and shows how this vision linked the rock and roll revolution to American values of freedom, equality, human rights, and peace while tracing how those values have spread globally. Rockin' the Free World then shows how artists have engaged in advancing change via opportunity and education; domestic and international issue advocacy; and within the recording and broader communications industry. The book is built around primary interviews with prominent American and international performing artists ranging from Rock and Roll Hall of Fame inductees and Grammy winners to regional and local musicians. The interviews include leading industry people, management, journalists, heads of non-profits, and activists. The book concludes with a look at how musical artists have defined the American experience and what that has meant for the world.

Rock Around the Clock

Rock Around the Clock
Author: Jim Dawson
Publisher: Hal Leonard Corporation
Total Pages: 212
Release: 2005
Genre: Music
ISBN: 9780879308292

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The author of What Was the First Rock 'n' Roll Record? chronicles the spectacular chart-topping success of Bill Haley's hit record "Rock Around the Clock," focusing particular attention on the cultural setting that surrounded the birth of rock music in 1955. Original.

Rock & Roll Jihad

Rock & Roll Jihad
Author: Salman Ahmad
Publisher: Simon and Schuster
Total Pages: 250
Release: 2010-01-12
Genre: Biography & Autobiography
ISBN: 1416597697

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"The story you are about to read is the story of a light-bringer....Salman Ahmad inspires me to reach always for the greatest heights and never to fear....Know that his story is a part of our history." -- Melissa Etheridge, from the Introduction With 30 million record sales under his belt, and with fans including Bono and Al Gore, Pakistanborn Salman Ahmad is renowned for being the first rock & roll star to destroy the wall that divides the West and the Muslim world. Rock & Roll Jihad is the story of his incredible journey. Facing down angry mullahs and oppressive dictators who wanted all music to be banned from the Islamic Republic of Pakistan, Salman Ahmad rocketed to the top of the music charts, bringing Westernstyle rock and pop to Pakistani teenagers for the first time. His band Junoon became the U2 of Asia, a sufi - rock group that broke boundaries and sold a record number of albums. But Salman's story began in New York, where he spent his teen years learning to play guitar, listening to Led Zeppelin, hanging out at rock clubs and Beatles Fests, making American friends, and dreaming of rock-star fame. That dream seemed destined to die when his family returned to Pakistan and Salman was forced to follow the strictures of a newly religious -- and stratified -- society. He finished medical school, met his soul mate, and watched his beloved funkytown of Lahore transform with the rest of Pakistan under the rule of Zia into a fundamentalist dictatorship: morality police arrested couples holding hands in public, Little House on the Prairie and Live Aid were banned from television broadcasts, and Kalashnikovs and rocket launchers proliferated on college campuses via the Afghani resistance to Soviet occupation in the north. Undeterred, the teenage Salman created his own underground jihad: his mission was to bring his beloved rock music to an enthusiastic new audience in South Asia and beyond. He started a traveling guitar club that met in private Lahore spaces, mixing Urdu love poems with Casio synthesizers, tablas with Fender Stratocasters, and ragas with power chords, eventually joining his first pop band, Vital Signs. Later, he founded Junoon, South Asia's biggest rock band, which was followed to every corner of the world by a loyal legion of fans called Junoonis. As his music climbed the charts, Salman found himself the target of religious fanatics and power-mad politicians desperate to take him and his band down. But in the center of a new generation of young Pakistanis who go to mosques as well as McDonald's, whose religion gives them compassion for and not fear of the West, and who see modern music as a "rainbow bridge" that links their lives to the rest of the world, nothing could stop Salman's star from rising. Today, Salman continues to play music and is also a UNAIDS Goodwill Ambassador, traveling the world as a spokesperson and using the lessons he learned as a musical pioneer to help heal the wounds between East and West -- lessons he shares in this illuminating memoir.

Punk Crisis

Punk Crisis
Author: Raymond A. Patton
Publisher: Oxford University Press
Total Pages: 233
Release: 2018-09-04
Genre: Music
ISBN: 0190872373

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In March 1977, John "Johnny Rotten" Lydon of the punk band the Sex Pistols looked over the Berlin wall onto the grey, militarized landscape of East Berlin, which reminded him of home in London. Lydon went up to the wall and extended his middle finger. He didn't know it at the time, but the Sex Pistols' reputation had preceded his gesture, as young people in the "Second World" busily appropriated news reports on degenerate Western culture as punk instruction manuals. Soon after, burgeoning Polish punk impresario Henryk Gajewski brought the London punk band the Raincoats to perform at his art gallery and student club-the epicenter for Warsaw's nascent punk scene. When the Raincoats returned to England, they found London erupting at the Rock Against Racism concert, which brought together 100,000 "First World" UK punks and "Third World" Caribbean immigrants who contributed their cultures of reggae and Rastafarianism. Punk had formed networks reaching across all three of the Cold War's "worlds". The first global narrative of punk, Punk Crisis examines how transnational punk movements challenged the global order of the Cold War, blurring the boundaries between East and West, North and South, communism and capitalism through performances of creative dissent. As author Raymond A. Patton argues, punk eroded the boundaries and political categories that defined the Cold War Era, replacing them with a new framework based on identity as conservative or progressive. Through this paradigm shift, punk unwittingly ushered in a new era of global neoliberalism.

Rock Music in American Culture

Rock Music in American Culture
Author: Robert G. Pielke
Publisher: McFarland
Total Pages: 0
Release: 2011-12-22
Genre: Music
ISBN: 9780786448654

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From its roots in the black and white "under classes" through its clash with the broader culture to its multifaceted incarnation today, rock and roll has fostered and reflected a genuine cultural revolution that has gone on to influence the world. This critical work investigates rock music from a philosophical perspective, an approach rarely seen in the literature. Topics include a definition of rock music and a suggested typology; an examination of rock on radio and in television and film; and a depiction of what is to come. Of particular interest is how rock's shifting mores have mirrored the complex changes experienced by American society as it has undergone almost continuous turbulence. Instructors considering this book for use in a course may request an examination copy here.

You Say You Want a Revolution

You Say You Want a Revolution
Author: Robert G. Pielke
Publisher:
Total Pages: 296
Release: 1986
Genre: Music
ISBN:

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The Rock Revolution

The Rock Revolution
Author: Arnold Shaw
Publisher:
Total Pages: 316
Release: 1969
Genre: Music
ISBN:

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Traces the development of rock music from its introduction in the mid-1950's to today's electronic forms and considers its social and psychological implications.

Flashbacks

Flashbacks
Author: Michael Lydon
Publisher: Psychology Press
Total Pages: 270
Release: 2003
Genre: Music
ISBN: 9780415966443

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Flashbacks is an eyewitness account of '60s rock as it was being made. Michael Lydon-the first editor of Rolling Stone and a participant in the rock revolution-enjoyed unique access to the people and events when rock was new. His profiles of the founding fathers and mothers of '60s rock are unique in that they are based on first-hand interviews and on-the-spot reporting. This collection includes the first piece written on the Monterey Pop Festival of 1967 (written only 48 hours after the festival, and never before published); an account of the Rolling Stones's U.S. tour of December 1969; Janis Joplin's dramatic rise and equally dramatic fall; The Grateful Dead at home in their communal house in San Francisco and on stage at Winterland; and much more.