Rembrandt to Rauschenberg
Author | : Jack S. Blanton Museum of Art |
Publisher | : |
Total Pages | : 28 |
Release | : 2001 |
Genre | : Art |
ISBN | : |
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Author | : Jack S. Blanton Museum of Art |
Publisher | : |
Total Pages | : 28 |
Release | : 2001 |
Genre | : Art |
ISBN | : |
Author | : Albright-Knox Art Gallery |
Publisher | : Albright Knox Art Gallery |
Total Pages | : 104 |
Release | : 2000 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 24 |
Release | : 2001 |
Genre | : |
ISBN | : |
Author | : Gavin Parkinson |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 329 |
Release | : 2023-03-23 |
Genre | : Art |
ISBN | : 1501358286 |
The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69. In the face of Rauschenberg's avowals of his own 'literalism' and insistence on his art as 'facts,' this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg's art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist's work was turned towards political interpretation. By analysing Rauschenberg's art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.
Author | : Leo Steinberg |
Publisher | : University of Chicago Press |
Total Pages | : 94 |
Release | : 2000-05-15 |
Genre | : Art |
ISBN | : 9780226771830 |
Published to accompany the exhibition held at New York, Houston, Cologne and Bilbao, September 1997 - March 1999.
Author | : Leo Steinberg |
Publisher | : University of Chicago Press |
Total Pages | : 466 |
Release | : 2007-11-15 |
Genre | : Art |
ISBN | : 0226771857 |
Leo Steinberg’s classic Other Criteria comprises eighteen essays on topics ranging from “Contemporary Art and the Plight of Its Public” and the “flatbed picture plane” to reflections on Picasso, Rauschenberg, Rodin, de Kooning, Pollock, Guston, and Jasper Johns. The latter, which Francine du Plessix Gray called “a tour de force of critical method,” is widely regarded as the most eye-opening analysis of the Johns’s work ever written. This edition includes a new preface and a handful of additional illustrations. “The art book of the year, if not of the decade and possibly of the century. . . .The significance of this volume lies not so much in the quality of its insights—although the quality is very high and the insights are important—as in the richness, precision, and elegance of its style. . . . A meeting with the mind of Leo Steinberg is one of the most enlightening experiences that contemporary criticism affords.” —Alfred Frankenstein, Art News “Not only one of the most lucid and independent minds among art critics, but a profound one.”—Robert Motherwell
Author | : Cleveland Museum of Art |
Publisher | : |
Total Pages | : 3 |
Release | : 2000 |
Genre | : Prints |
ISBN | : |
Author | : Calvin Tomkins |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Artists |
ISBN | : 9781936440399 |
In 1964, Calvin Tomkins spent a number of afternoons interviewing Marcel Duchamp in his apartment in New York City. It reveals him to be a man and an artist whose playful principles toward living freed him to make art that was as unpredictable, complex, and surprising as life itself
Author | : Gregor Stemmrich |
Publisher | : Hatje Cantz Verlag |
Total Pages | : 1028 |
Release | : 2023-01-01 |
Genre | : Art |
ISBN | : 3775755039 |
Erased de Kooning Drawing ist ein Kunstwerk, das auf radikale Weise die Definition von Kunst und das Verständnis von Autorschaft herausfordert. Drei amerikanische Künstler waren 1953 an seiner Erschaffung beteiligt: Robert Rauschenberg radierte eine Zeichnung Willem de Koonings aus, der mit einem gewissen Widerwillen sein Einverständnis gegeben hatte. Jasper Johns versah es anlässlich seiner ersten Präsentation mit einem Label, das maßgeblich zu seiner Wahrnehmung als eigenständigem Werk beitrug. Das zu etwas Neuem transformierte Blatt wurde in den 1950er-Jahren als Neo-Dada aufgefasst, in den 1960ern als Beginn der Konzeptkunst und in den 1980er-Jahren als Aufbruch in die Postmoderne. Zahlreiche Künstler*innen bezogen sich auf das Werk und Rauschenberg selbst griff es immer wieder auf. Es erwies sich als Testfall für Bestimmungen von Modernismus, Literalismus und Postmodernismus. Gregor Stemmrichs kenntnisreiche kunsttheoretische Betrachtung arbeitet die anhaltende Relevanz des Werks für die Theorie des Bildes, des Index, der Spur, des Allegorischen und der Frage nach Appropriation heraus.
Author | : Kelly Baum |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 342 |
Release | : 2016-03-01 |
Genre | : Art |
ISBN | : 1588395863 |
This groundbreaking book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book investigates the degrees to which instances of incompleteness were accidental or intentional experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.